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Dos mil metros (sobre el nivel del mar)

Galo has enough free space in his old and luxurious apartment so he asks Fama, an exgirlfriend with cash problems, to come live with him. She arrives with her Canadian boyfriend, Alex. They both couldn’t find themselves in a more comfortable situation: free space to live in, stocked fridge and no pressures to leave anytime soon. Nevertheless not everything goes smoothly for Fama while in there, specially with Carlota (the fourth roomate in the house) who seems to hold an interest for Alex.

Dos mil metros (sobre el nivel del mar)

6.7 2008
Smiles of the desert

Sahrawi children move to Basque country in summer thanks to the solidarity project Vacations in Peace. In the first part of the documentary, we see how they live, what they discover, what they learn and how these children enjoy themselves during their stay. The second part of the documentary takes place in the refugee camps in the desert which have held refugees for more than 30 years. We see their day-to-day life and, in passing, the reasons for the conflict and the Sahrawi struggle.

Smiles of the desert

NR 2005
Camp d'Argelers

In February 1939 the history of Argeles, a quiet fishing town, suddenly changes. Catalonia was occupied by fascist troops, 465,0000 refugees flee across the border. The French authorities order the construction of a camp on the beach... The film evokes the existence of the Argeles sur Mer concentration camp (Pyrénées-Orientales), from its creation in January 1939 to its closure in September 1941. In 1939 , filmmakers and activists, shocked by this camp, managed to smuggle a camera behind the wire fence. The few images taken directly from the Argeles camp were filmed with a hidden camera and many were seized and destroyed. “El Campo de Argeles” proposes to recreate these lost images and intersect camp life with archival images and testimonies collected throughout Europe: former internees in the camp (Spanish Republicans, Jews...) and also guards and witnesses.

Camp d'Argelers

NR 2009
Amor

The most original aspect of Escartín, which gives his work a radical character, is a certain Olympian indifference to opinions conceived a priori as correct and his willingness to get to the bottom of things. That is why a short film with the curious title Amor (Love) is so important. It consists of an interview with a young former Israeli soldier, recorded in a single afternoon, in which the subject declares that it is necessary to achieve peace with the Palestinians after all the hatred and wounds of war. The soldier's speech has something innocent and conventional about it, but there is a dark side, where it is clear that he does not want to talk about his personal experience in the conflict, and he refers to something called kill rush, an addiction that one acquires when one has started killing.

Amor

NR 2001