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All Marina wants is to hear Bruno, her 9-year-old son, tell her he loves her. All he wants is to be able to tell her that.

Chris intends to leave the village where he lives, aware that he will have to face Those We Don't Speak Of. Short film inspired by M. Night Shyamalan's The Village.

An arrogant man argues with a beggar about the value of alms.

Non-communication can emerge through different ways, whether by conflict, language, or culture. In Giuliano Robert's film it happens through the interference of speech: a hearing mother describes the beginning of a communication process with her deaf son. Based on the mother's experiences, Márcia, the documentary is conducted by her son, Giuliano, in search of a connection with a culture which, through lack of information and access, silences other modes of communication.

In 1945, Japan surrendered to the United States and the Second World War was over. Right? Wrong. For eighty percent of the Japanese community in Brazil, Japan had won the war and defeat was nothing more than American propaganda. The few immigrants that accepted the truth were persecuted. Some were hunted down and assassinated - by their own countrymen - causing the start of a new, private war. Dirty Hearts is a thriller and love story told by the wife of one of the fanatics dedicated to preach Japanese victory. Little by little, she watches her husband, a hard-working immigrant, become an assassin and their love story fade away.

Instead of joining the graduation trip with her friends, Mabel is forced to travel with her parents to a ski station in Chile. Only she didn't expect this freezing retreat could introduce her to a secret group of friends and a potential new love.

Four thieves enter a house and terrorize a family.

Canudos was a small village in northeastern Brazil, founded by the messianic leader Antônio Conselheiro and massacred by a powerful army until the death of the last of its 30,000 inhabitants, on October 5, 1897. The film tells the story of the Canudos massacre from an English cannon, nicknamed by the backlands people "A Matadeira", which was transported by twenty teams of oxen through the backlands to fire a single shot.

Diogo's 20th high school class reunion is coming up, and although he's married, sees it as an opportunity to hook up with his high school crush who will also be at the reunion. He and his wife have a young son, and everything is lined up so he can go to the reunion alone, hook up with the woman, and go home without his wife suspecting anything. Unfortunately for him, his wife's mother breaks her arm the night of the reunion and can't watch their son. Diogo scrambles to find a babysitter, ultimately settling on a nursery in a strange building. He goes to the party, meets up with the crush, but then has to leave. He and his three friends then go back to the nursery and pick up his son, who is wearing his favorite dog mask. While Diogo and his friends are on their way back to the reunion (he still hasn't hooked up with his former crush) he removes the dog mask and realizes the boy isn't his.

In the wake of a dream, João Vieira Torres sets off to find the children that his grandmother Aurora, a midwife, helped deliver. Through encounters with the living and the dead, he uncovers tragic destinies which reflect a structural history of violence against women. A curse dispelled by the means of cinema, resulting in a film of exceptionally rare beauty.

Stela, a young Brazilian actress, decides to make a work on the letters exchanged between Latin American plastic artists in the 70s and 80s. She travels to Cuba, Mexico, Argentina and Chile looking for her works and testimonies about the reality they lived during the dictatorships that most of these countries faced at the time. In the midst of the investigation, Stela discovers the existence of Ana, a young Brazilian artist who was part of this world, but disappeared. Ana went from southern Brazil, from a small town in the interior to Buenos Aires. Obsessed by the character, Stela decides to find her and find out what happened to her.

In a dystopian world, young people discover government secrets about the pandemic. While fighting oppression, they try to survive.

Every day Benjamin drives his car through the city streets and intersections.

Young family on a yacht floating on the waves of the tropical seas, moored to some islets which seemed initially, and while their two daughters playing on the beach, unreasonable parents managed to blow up the boat with him. Children left alone on the island, they managed to survive, and now they have grown up, and the island was not so uninhabited...

Paris - an American who recently arrived in Brazil - and the Brazilian Thais begin a simple friendship sharing feelings and sensations, even if they do not understand a single word each othar says.

Theatre students André and Gabriel drum up support for resistance against the dismantling of culture policies in Brazil.

Bruno is a physician whose license had been revoked, due to some ethical problems in the past. He gathers some criminals to kidnap the children of two powerful bankers. While the police faces contradictory evidence and clues, Bruno starts killing the other criminals, to keep the ransom for himself.

Donato fails in his attempt to save a drowning man, and meets one of the man's friends. He decides to start his life over, but pieces of his past keep coming after him.

With executive production by Fernando Meirelles and direction by Fred Luz, actors Alexandre Rodrigues and Edson Oliveira are Buscapé and Barbantinho, two friends who meet again in today's City of God: bigger, more diverse and connected.

Ana and Duda, a couple who's in the verge of taking a break from their marriage, throw a New Year's party at their house. The party gets overcrowded with all kinds of people, and it's in the bathroom that most things will happen between them both and many other guests.

Cecilia is a therapist who runs a support group for cancer patients. Her rules: listen, don't judge, don't get involved. Everything changes when Juan and Lucía, two strangers with terminal diagnoses, fall in love in her group.

A lonely man makes a wish for someone to make him company.

After a night of drinking, Cassandra’s behavior and actions are harshly questioned by her friend Fernanda, making both of them deal with weird events inside her home.

Bruno is a controversial vlogger that gets involved in a dangerous political scandal when he reveals evidence received through an unknown person on the internet. In times of the world cup and election, Bruno will have to play for his own life.

It portrays the historical trajectory of Montes Claros over more than four centuries, from the bandeirante expeditions and the establishment of Fazenda de Montes Claros to its consolidation as an important regional hub in northern Minas Gerais. The documentary highlights the cultural resilience of traditions such as Congado, Catopês, and Marujada, while revisiting significant events, including the Revolta do São Francisco and the political conflicts of the 1930s. By bringing together history, culture, and development, the work reveals how the city preserves its backlands roots and ancestral memory even amid the transformations of modernity.

In response to Marielle Franco's execution, the 2018 elections turned into the biggest political upheaval led by black women that Brazil has ever seen, with candidacies in all states. In Rio de Janeiro, Mônica Francisco, Rose Cipriano, Renata Souza, Jaqueline de Jesus, Tainá de Paula and Talíria Petrone applied for the positions of state or federal deputy. The documentary accompanied these women in their campaigns, showing that a new way of doing politics in Brazil is possible, transforming mourning into struggle.

Raul and Saul work at the same office. Raul, outgoing and good-natured, comes from a broken marriage. Saul is shy, with a critical and bitter disposition, is recovering from a failed suicide attempt. In spite of their differences, they become quite good friends. But their colleagues begin to wonder whether there's something beyond friendship between them.

The humble Zacarias goes to the big city with his wife to help their son who wants to be a Doctor. There he gets a job, and lives a lot of funny adventures as a taxi driver.

Luizinho is a young man passionate about Flamengo, fortunate enough to have his education paid for by the club, and plays in the team's lower divisions. A pupil of Rubens, the two compete for a spot on the professional team. Until Rubens introduces his friend to the woman he's in love with, Maria Helena. The problem is that she was Luizinho's childhood sweetheart, and the encounter rekindles their passion. A conflict begins between the two players that will be decided on the field.

In a workshop there are six workers, the six are brothers. Enter the mother who asks them to rescue the seventh brother, the youngest, Luis. The brothers hesitate because the youngster keeps getting into trouble, but they end up giving in to the request. Gangsters are fighting in a bar and the workers end up getting into the fray.

Perhaps few words are as powerful as the word monster. It can certainly evoke countless thoughts and sensations. When faced with it, you might picture characters from your childhood, from lullabies, or from short stories told by adults to instill fear and encourage good behavior. We create our own monsters, and we fear them for what they reveal about ourselves.

To find the woman of his life, man makes a game up: he enters a subway train wagon, picks a woman he likes and waits to see whether she's going to take the same course and connections as he. If she is, he tries to make contact.

Lud experiences an intense love affair with her boyfriend Afonso.

Maybe that's what they like, a little bit of melodrama.

Brazilian short film, directed by Julia Murat.

A group of gay London gangsters get even on a homophobic thug in the most ruthless way.

After a man dies under mysterious circumstances, his girlfriend and his gay lover deal with his death in different ways.

During a time of political upheaval in Brazil, two strangers meet by coincidence in a foreign land and end up caught in the middle of a gem smuggling ring.

The story of one of Brazilian cinema's pioneers, Eduardo Abelim, from the start of his career, in Rio de Janeiro, until his filming of the 1930 Revolution. To promote his films, Abelim would even perform car stunts, give classes on the occult and offer guidance on mystical matters.

On mythical Augusta Street, in San Paulo (Brazil), a journalist who seeks answers for his angst dives into the world of prostitution and neo-Shamanism rituals.

The growing desire between Sandro and Maicon.

The film chronicles a day in the life of a man during the COVID-19 pandemic lockdown, but something inside his house isn't quite right.

In the capital of southern Brazil in the 1890s, a beautiful and mysterious couple gained notoriety, both for the achievements of the husband, Dr. Gustavo Ramos, and for the morbid personality of his wife, Katalina Paulsen. When fear strikes, terrible secrets are revealed.

Watch “still here.”, a VHS story by filmmaker Marcos Gale about Rocco (Christyan McGray), a boy who walks between silence and memory, traversing loneliness, bullying, and introspection while reflecting on mental health and the simple — yet complex — act of remaining.