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Heungbu and Nolbu

The old Korean folktale, 'Heungbu and Nolbu' is brought alive on the screen in this film that shows the lead character as a marionette. Nolbu is the elder brother and he is slimy and greedy. In his greed, he throws his little brother, Heungbu, out of home to stake claim on all the money and belongings their father left for them. Heungbu is an idealist but pained by the events that have taken place. He helps Swallow by curing his broken leg and as a return favour, Swallow gives him a gourd seed. He plant the seeds and after sometime, gold, silver and gems start coming out of the plant, giving Heungbu everything he deserves. It does not go down well with Nolbu.

Heungbu and Nolbu

10.0 1959
Remote Love

Yimin, the son of a carriage driver of Xinjiang ethnicity, is in love with Malihan. Malihan's father despises Yimin for his lowly background and forces his daughter to marry Bulate. Min then leaves town for development for 5 years and comes back as an army officer. However, Han has been forced to engage with Te. With Han defying the arrangement, Te challenges Min to a duel. Min catches the bullet meant for Te and wins him and Han's father to his side. But when war beckons, he sacrifices love to join the army. After the war, Min goes back to his hometown but everything has changed. Han and her whole family have gone without a trace. Min can only recall the past alone.

Remote Love

8.0 1956
The Pure Love

Choi Mun-seon (Seong So-min), a painter who lives alone on a beach, rescues drowning In-sun (Kim Ui-hyang). In-sun, a stewardess from Seoul, has more than platonic feelings for him, but he has no special feelings for her.Mun-seon meets Yun Myeong-hee who lived in his neighborhood 15 years ago. In order to help Myeong-hee's brother, Myeong-geun (Hyeon Sang-seob), who works for a magazine company, Mun-seon goes to Seoul. Myeong-hee and Mun-seon fall in love with each other. When In-sun meets Mun-seon in Seoul, she confesses her love for him, but he turns it down in a roundabout way.

The Pure Love

6.0 1957
The Man from the Moon

O-Kiyo (Mitsuko Mito), who had escaped from her boss, Shoden, who controlled the Sensoji Temple district, was desperately contemplating suicide when she was rescued by ronin Kojuro Tozawa (Kazuo Hasegawa), who hid her in a dilapidated apartment building. The Shoden clan desperately searched for O-Kiyo, but Kojuro found a huge sum of 50 ryo and ransomed O-Kiyo. Unable to accept this outcome, the enraged Shoden clan attempted to win the favor of constable Jinnosuke Nakayama (Kusuo Abe), seeking to demolish the dilapidated building and transform the area into a pleasure district. However, Kojuro thwarted their plans, bringing joy to the poor residents of the building. After demonstrating his remarkable skills, Kojiro revealed his true identity - he was a prominent hatamoto.

The Man from the Moon

NR 1951
An Unusual Crime at Night

Rejected by Law (Sheung-kwun Kwan-wai), ruffian Koo (Wong Yee) exacts his vengeance by making Law lose her job. When her father is injured at work, her brother Fai and boyfriend Tse resort to obtaining a loan. Koo even kills their creditor and frames the murder on Tse. Law and her brother sow discord between Koo and his mistress, eventually exposing their crime and leading to Tse's acquittal. While retaining her feminie elegance and charm in subtle details, Law resourcefully eliminates all the threats and dangers. Unlike other conventional detective dramas of Cantonese films, this film is filled with a sense of community and grassroot sensibility. Sheung-kwun Kwan-wai impressively demonstrates a great flexibility and versatility in her characterisation and performance of this female detective role.

An Unusual Crime at Night

NR 1956
A Mother's Tears

This script was adapted from a Rediffusion Radio airwave novel, written by Lang Wun and read on-air by his wife Ngai Mun. Ngai Mun also acted in this film. Wang (Cheung Ying) worked himself to an early death. His wife Ching (Hung Sin Nui) raised their three children all by herself. Eldest son Kei (also played by Cheung Ying) was spoiled and grew up to be a robber. Middle child, daughter Ching-han, is materialistic and vain, and is later killed by Kei. Youngest son Leung (Yeung Fan) is diligent and ambitious, a great comfort to Ching. Hung Sin Nui played Ching from a young to an elderly woman, showing off her practiced, perfect acting skills. Chun Kim’s detailed portrayal of the relationship between the two generations set the stage for his later work Parents’ Hearts (1955).

A Mother's Tears

NR 1953
The Beauty and the Dumb

Anatole France's The Man Who Married a Dumb Wife has been adapted into three different Hong Kong films in the 1950s alone. These two adaptations stray from the source material considerably in genre, characterisation and plot, turning a farce about married life into localised romantic comedies that emphasise family values. The Beauty and the Dumb follows the couple from their meet-cute to the misunderstandings they encounter before the inevitable happy ending. The heir of a bank (Huang He) falls in love at first sight with one of the employees' daughter (Li Lihua), but their burgeoning relationship is nearly derailed when the girl's father intervenes to help his dumb daughter land a rich husband.

The Beauty and the Dumb

NR 1954
The Heart-Stealer

A young Patrick Tse Yin, in one of his breakout roles, shines as a suave jewellery thief who targets wealthy women, stealing both their valuables and affections with effortless charm. After a high-stakes heist in Thailand, he flees to Hong Kong, pursued by a relentless police inspector (Sima Wah-lung). But everything changes when he falls in love with a terminally ill girl (Patsy Kar Ling), igniting a desire to turn his life around. As the story unfolds, an unlikely friendship also develops between the outlaw and the lawman. The film showcases Tse at his most magnetic, in a role seemingly tailor-made for his talent and charm.

The Heart-Stealer

NR 1958
Diary of a Nurse

After graduating from a Shanghai nursing school, Jian Shuhua decides to work at a construction workers’ clinic in a remote area, despite the objections of her fiancé Shen Aoru. When she arrives at her new workstation, she finds that one of the clinic directors, Mo Jiabing, pays more attention to his love affair with nurse Gu Huiying than to his work. In addition, Gu’s jealousy is aroused by the arrival of the new nurse. Jian, then, the epitome of the selfless worker, has to deal with a faraway and egotistic fiancé, a selfish and lecherous boss, an unfriendly colleague, as well as the hardships of a remote and barren workstation. How can she succeed?

Diary of a Nurse

5.0 1957
A Town Without Flies

A teaching film for social studies, which was developed as a new educational subject in 1947. At an elementary school in Hokkaido, children have started a fly extermination campaign to improve school hygiene. In order to eliminate the causes of flies, the entire town is working to improve the sanitary environment. The short was filmed with the cooperation of Mizukaido Elementary School in Joso City and is the first film in the "Social Studies Teaching Film System" by Iwanami Film Productions.

A Town Without Flies

NR 1950