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7 Golden Women Against Two 07

Mark Davis, secret agent No. 07, is after a Nazi treasure hidden somewhere in the Mediterranean waters before the end of WW2. The key to the secret location is hidden in a Goya painting. Mark attends an art auction just in time to see the painting being bought by a lovely young woman. But soon he will discover that there are six other replicas of the painting - each in the possession of a girl, and as many international spies, art dealers, and com men behind the ladies. Mark is already an expert with young women, and now he must become one in art fakes as well.

7 Golden Women Against Two 07

5.0 1966
One Step Away

Look at a crumbling hippie commune in California. In the words of Ed Pincus: "It was the Summer of Love, 1967. The Haight-Ashbury section of San Francisco was to be the center of a vast cultural experiment. Ideologically it was an attempt at a post-industrial society, where people no longer needed to work and communities of choice allowed people to “do their own thing.” David Neuman and I set off to film what happened that summer. We decided to do what we thought would be a film about a rural commune, because that seemed to be the apotheosis of hippie ideals. What we found was a bizarre replication of bourgeois society—the sun rose on the nothing new. We decided to use an anecdotal editing style with an attempt to enforce a narrative line."

One Step Away

NR 1968
The Wizard of Mars

In 1974, four astronauts, silver shoe-clad Dorothy, overweight Doc, goofy Charlie, and wooden Steve, crash land on Mars when taking readings, with only four days of supplies. They must try to survive on the surface, which is barren except for some canals with huge maggots with fins. After embarking through a golden igneous cavern, braving a storm and finding an unmanned Earth vessel, they discover a golden road which leads them to the unchanging ruins of what was once a beautiful Martian city. The Martians are modeled on the Flatheads of Oz, and their collective consciousness, the "Wizard," forbids them to leave until they perform a very small task...

The Wizard of Mars

3.8 1965
Riverrun

A young unmarried couple leave the politically turbulent Berkeley behind for a life in the country. Finding a place in sheep country, the couple awaits the birth of their first child as they revel in bucolic splendor. The tensions of city life are left behind as things progress towards the anticipated due date. The couple wishes to have a natural childbirth and are comforted that the expectant father is a pre-med student with some knowledge of the upcoming situation. Things go along smoothly until the expectant mother’s father returns after years of being a sailor.

Riverrun

5.8 1968
Toby Tyler or Ten Weeks with a Circus

Angered at stern Uncle Daniel, Toby Tyler runs away from his foster home to join the circus, where he soon befriends Mr. Stubbs, the frisky chimpanzee. However, the circus isn't all fun and games when the evil candy vendor, Harry Tupper, convinces Toby that his Aunt Olive and Uncle Daniel don't love him or want him back. Toby resigns himself to circus life, but when he finally realizes that Tupper lied to him, and that his aunt and uncle truly love him, Toby happily returns home once again.

Toby Tyler or Ten Weeks with a Circus

6.3 1960
Carnival Nights

Jack Benny presents a variety hour with a carnival theme that stars Lucille Ball, Johnny Carson, Ben Blue, and Paul Revere and The Raiders. Cameos by The Smothers Brothers (as Joe-Joe, the two-headed boy), George Burns (as Martine, the Bearded Lady), and Dean Martin (as Rip Van Rinkle, the sleeping man). Songs include Lucille Ball singing "It's So Nice To Have a Man Around the House" and "Cleo" (to the tune of "Mame"), "Too Much Talk" and "Him or Me" sung by Paul Revere and The Raiders.

Carnival Nights

7.0 1968