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Wakazuma: Ushiro Kara Hiraku

Hanako and Kenkichi's couple have moved to the two Nagaya in the downtown area where Hanako's mother lived until her death. When I easily arranged my luggage and ate soba noodles for delivery, there was a man who went up and started eating soba noodles together without greeting. The next resident, Soka Chihei. Hanako, who was born and raised in downtown, was accustomed to such an unreserved relationship, but Kenkichi, who was raised by Yamanote, was unpleasant.

Wakazuma: Ushiro Kara Hiraku

2.0 1989
In the Amber-Hued Rain / Je t’aime

Duke Claude de Bernard returns home exhausted from World War I. In the autumn of 1922, while walking in the Forest of Fontainebleau, he comes across an incredibly beautiful woman named Sharon Kazatti. Soon joined by ladies and gentlemen coming out of a soiree, she slips away out of his sight. Claude utters in spite of himself that she is a woman of sublime beauty. Hearing Claude's exclamation, a young man tells Claude that she is only a mannequin, not worthy of his praise and belonging to a world other than his. The young man's name is Louis Valentin and he is a gigolo. It seems that Louis cares for Sharon as well. Claude denies Louis's assertion, saying that she also has a soul just like him. A strange kinship grows between the two as they find that they both are attracted to the same woman. They decide to fairly compete to win Sharon's heart.

In the Amber-Hued Rain / Je t’aime

NR 1984
Yoko's Moving

A cold landscape spreads across the reclaimed land. A road that stretches in a straight line. Hasegawa wanders into this place while his girlfriend, Yoko, is moving. However, the conversation between the two is awkward and doesn't mesh well. By chance, Hasegawa is left alone in this empty landscape. He starts playing with the bouncing ball. This work expresses the inability to communicate well and the feeling of loneliness through a cinematic space created by the contrast between the "stillness" of the landscape and the "motion" of a rolling ball. The sight of a single person standing alone in a desolate landscape has an almost existentialist feel to it.

Yoko's Moving

NR 1989
Meiki Hitosuji

A man once worked as an assistant director at a film studio. He had a past in which the master director he worked for taught him about exhibitionism and even homosexuality. Since then, the man was unable to find a girlfriend. One day, that a hookup said she was going to return to the countryside and get married properly, so she wanted to break up. The man was surprised, but she had already prepared another friend for him. He starts dating the girl, but she is also quite a pervert, and suggests having sex with him in front of his bedridden father at home. The man agrees and goes to her house, only to discover that the bedridden father is the famous director...

Meiki Hitosuji

2.0 1989