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Lead Tombstone

LEAD TOMBSTONE tracks the progress of a young sociopathic rake who had, immediately post-WW2, rescued his country farmer mother from rape by stabbing the offending American soldier in the back with a pitchfork. Once grown, the boy continues his violent life as a hoodlum on the run, repaying an outlaw couple who have sheltered him by raping the wife, then, at his boss’s behest, murdering the husband. He’s also not above strangling a girl in her bathtub for kicks. The one spot of normalcy in his life is his shop girl girlfriend, an innocent who, once she discovers his other life, confronts his boss… (from OUTLAW MASTERS OF JAPANESE CINEMA by Chris D)

Lead Tombstone

4.4 1964
The Dismembered Ghost

Masako, the young lady of the family estate, returning from overseas following the death of her diplomat father. She had originally left in opposition to his second marriage to the avaricious Tomoko, who now parades her new lover Goro around the house as if it were her own. When the family lawyer informs the gathered masses that it is Masako who is the legal inheritor of the entire estate, her elder sister Sumie and fiance Shinjiro join Tomoko and Goro in hacking up the unfortunate heiress with an axe. It is not long before the assorted pieces of Masako begin cropping up to drive them all insane, followed by her apparition in the traditional white smock with eyes peering wildly through straggly black hair.

The Dismembered Ghost

5.9 1968
The Dangoro Party in the Sky

The film adaptation of Kazuo Kikuta novel "Kumo no Ue Dangoro Ichiza", which enjoyed great success at the performances of the Toho Takarazuka Theater at the end of the year. The troupe "Kumo no Ue Dangoro" continues to tour from town to village. The small cast of the troupe includes its leader (Kenichi Enomoto), Norizo (Norihei Miki) and Taizo (Mutoshi Happa), who play female roles - they are all super actors, each of whom plays five roles. Dan Goro dreams of performing in a major theater and tries to put on a big show with a young man he meets in Shikoku named Sakai (Frankie Sakai), but...

The Dangoro Party in the Sky

NR 1962
Slum

Originally commissioned to record urban redevelopment in Osaka’s Kamagasaki district, Hideo Arai transcends reportage to capture a haunting portrait of displacement during Japan’s economic miracle. With a dissonant score by experimental composers Toshi Ichiyanagi and Yuji Takahashi, the film juxtaposes the brutal reality of shantytown "barracks" against the state's modernization projects. Slum remains a visceral critique of social erasure and a vital, observational work of Japanese documentary film.

Slum

NR 1961
The Tide Does Not Return

Reiji and Takashi, although they are brothers, differ from each other like fire and water - Reiji is an empath, and Takashi will use anybody, to get as far up the social ladder as possible. Soon, Takashi dumps his girlfriend Mie to marry the daughter of a certain businessman. Disgusted with this fact, Reiji starts helping the girl. He's even more indignant when he discovers that Mie is terminally ill. From now on, he does everything to make Mie's last days as good as possible, and repay the family, which humiliated woman so much.

The Tide Does Not Return

NR 1969