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An Epic Poem

AN EPIC POEM explores the contradictions in man's conception of love through the myths and representations, which support it, and argues that man has constructed love in his own image, reflecting his profound anxieties about prohibited desires. Deftly using poetry, archive material, allusions and re-enactment, it teases out the threads of past and present love and war to investigate those tensions usually hidden from our view. Central to the film is the 'Rokeby Venus', slashed by militant suffragette Mary Richardson. It becomes an entry to the 'historic' past but also to myth and the unconscious, its imagery developed and shifted in a series of tableau-like encounters between Aphrodite and Ares.

An Epic Poem

NR 1982
Measures of Distance

In this video, the artist tries to overcome the effects of distance, and reflects on geography represented in exile due to war, and on the psychological distance represented in each one’s approach to her womanhood. The video beautifully weaves personal images and audio recordings of a very intimate nature, binding the personal with the political. Reading aloud from letters sent by her mother in Beirut, Hatoum creates a visual montage reflecting her feelings of separation and isolation from her Palestinian family. The personal and political are inextricably bound in a narrative that explores personal and family identity against a backdrop of traumatic social rupture, exile and displacement.

Measures of Distance

6.7 1988
Recoil

1981 short film made by Nik Allday, the drummer on Cabaret Voltaire’s critically acclaimed third album ‘Red Mecca’, and features music by Allday and the Cabs’ Stephen Mallinder. The 10 minute abstract film uses raw material of video feedback and some nuclear bomb footage to represent “the cruel chaotic dysfunctional nature of the human condition with all its potential for self destruction”. Allday wanted a soundtrack that complemented the film thematically and approached Mallinder to see if he’d be interested in creating the audio.

Recoil

NR 1981
Phantoms

"Phantoms was a transitional film for Swann in that it marked a watershed between her previous work in tape slide with its basis in the manipulation of secondary or found images to work using footage shot by the film-maker and with a more discernible narrative structure. Phantoms' often exquisite, atmospheric images of nature, architecture and interiors hark back to the opulence of the earlier work, yet are harnessed into a narrative of yearning and unrequited love through intertitles and the appearances of the male and female (Swann herself) protagonists. The film is an essay in desire using images rather than words. It's like a prose poem, with the intertitles giving it syntax. Swann acknowledges the influence of silent film at the time and especially that of Russian lyricism in literature and film, with its conflation of the landscape with the personal." Sotiris Kyriacou

Phantoms

NR 1986
Plutonium Blonde

Plutonium Blonde is a beautifully textured collage of sound and images and a fractured narrative about woman’s self-definition and control. Taking the figure of Thelma, a woman working with the plutonium monitors at the core of a reactor, Lahire questions both the process at the core of the plutonium terminal and that one that constructs female identity. Plutonium Blonde is part of a trilogy of films on radiation (the other two are Uranium Hex and Serpent River) that Lahire made in the 1980s.

Plutonium Blonde

4.5 1987
Life Under Occupation

"Life Under Occupation" looks at the hardships of Palestinians living under Israeli occupation in the early years of the Intifada in Gaza and disillusioned Israeli soldiers lamenting their military training gone to waste as they spend their days chasing down stone throwing youths. It also features Dr Swee Chai Ang working with injured children in the Al-Ahli Hospital in Gaza. Dr Swee was an eye witness to the Sabra and Shatila massacre in Beirut, about which she has testified at the Kahan Commission and written in her book From Beirut to Jerusalem, and she went on to found Medical Aid for Palestinians, with which she remains active today. "Life Under Occupation" was aired on BBC1 as an episode of Everyman, a documentary series that ran from 1977 until 2005 and which focused on religious and moral issues. Of related interest is "A Very Stubborn Person," another UK TV documentary that profiles Dr Swee.

Life Under Occupation

NR 1989
Gold

The extraordinary story of the world's largest robbery - the theft of £26 million of gold bars from the Brink's-Mat warehouse in November 1983. Eight men have already been convicted for their part in the story; two others were acquitted at a recent, highly publicised Old Bailey trial. With the help of the man leading the police hunt, Det Chief Supt Boyce , and with insights into the criminal underworld from Andrew Jennings and John McVicar , the film follows the tortuous trail of the gold. Using some dramatic reconstruction, it shows how this massive amount of gold, beyond the robbers' wildest expectations, was smelted in a garden shed, passed over the counter of unsuspicious local banks, and fed into an international 'money laundering' operation, with much of it ending up, thanks to Britain's relaxed exchange controls, in the American drugs market.

Gold

NR 1987
Some Protection

Made as one of a four part series exploring different aspects of women and the law, on which all the women animators involved researched and worked as a group, before then making individual films, each quite different in content, tone and style. Based on the real life experiences of Josie O Dwyer, the film uses her voice as commentary, taken from hours of taped conversation with the filmmaker. Different styles of drawing convey her emotions and the devastating effects detention and imprisonment have on young girls put away 'for their own protection'.

Some Protection

NR 1987
Absence of Satan

A beautiful woman screams at something unseen off camera. Paul Newman appears eating salad and soon the famous sequence of Paul Newman closing a car door cut with a helicopter takes place. Absence of Satan is probably one of George Barber's best Scratch works and is a deft reworking of cinematic narrative and cliché. George Barber is one of the pioneers of Scratch Video which emerged in the UK during the mid-1980s. Scratch video makes use of found images from films and television, cutting seemingly incongruous imagery together to make a new meaning; it has been compared to the record-scratching techniques of hip-hop music, hence the name. (lux.org.uk)

Absence of Satan

NR 1985
Tilt

Made using footage from USA Olympics in Los Angeles 1984 and snippets of Alistair Cooke's America: A Personal History of the United States. The footage was combined at Goldsmith's Art Department using an unusual Grass Valley mixer that had oscillating wipes which created the signature colours and wiggly lines. (Modern Art Oxford) Barber was always the most polished of the Scratch video artists, and Tilt shows his ability to make seductive, easy-viewing pieces, while maintaining a subversive undercurrent.

Tilt

NR 1984
On the Throne

Ever condemned to be the butt of crude humour, or clad in the garb of awful euphemisms, at last the lavatory comes out of the closet. This documentary film reveals everything you ever wanted to know about them - where and how they are made, who invented them, and how the primitive privy was elevated to an art form. In a pilgrimage through Britain's loveliest lavatories, Lucinda Lambton celebrates the centenary year of the water closet, at long last paying the debt of gratitude to Britain's plumbing pioneers and sanitary magnificoes. Through her eyes the humble symbol of relief to the discomfited becomes an object of beauty and a delight to the eye.

On the Throne

NR 1984
From Bitter Earth: Artists of the Holocaust

From Bitter Earth powerfully examines the drawings and paintings that survived the concentration camps, ghettos and hiding places of the Second World War. While most of the artists who created them perished, Morrison interviews painters like Yehuda Bacon, Dinah Gottliebova and Walter Spitzer who talk about the extraordinary perseverance and ingenuity that such artists demonstrated in attempting to capture the world around them, which was often punishable by death. Upon its initial airing on the BBC in 1988, The Independent referred to Paul Morrison’s documentary as “a worthy footnote to Shoah.”

From Bitter Earth: Artists of the Holocaust

8.0 1988
Newsreel One - The Build-Up

The first in a series of newsreels made by a local co-operative production group about the recently revived schemes of the Department of Transport to build a motorway alongside Archway Road in North London, despite local opposition over the past fifteen years and three public inquiries. Composed of interviews in local pubs, meetings etc., footage of the area affected and found footage. In three parts, subtitled "Your home town?", "Road to nowhere (dead end)" and "Who wants it? Who needs it?".

Newsreel One - The Build-Up

NR 1982
Not to See Again

Misrecognitions and simulacra. An anti-montage film: a series of discrete shots that nevertheless gel at one or two points to produce simple meanings. Hovering on the line between abstraction and representation, the film hopes to problematize them both. According to Peter Gidal, “the abstract quality (never total, for the objects are always recognizable as objects) helps Hamlyn to negotiate sexual imagery as it occurs in the film by rendering those images relatively abstract and on a par with other objects depicted. The effect is to drain the image [of the naked body] of its conventional sexual meanings and associations (with pornography, for instance) and instead neutralize it almost.”

Not to See Again

NR 1980
The Battle For Orgreave

The miners' strike 1984 was one of the longest and most brutal in British labour history. A community fighting for jobs and survival was wholly denigrated and depicted as violent by the majority of the media. THE BATTLE FOR ORGREAVE puts the record straight, as miners recount their own history, their economic and political struggles over decades and the trial they endured for 48 days in Sheffield when charged with riot at Orgreave - facing life imprisonment. Containing compelling testimonies, emotive cinematography, in depth analysis coupled with meticulous detail of the mass picket and the ensuing events of June 18 1984 at the Orgreave coking plant, the documentary also has unique footage of police violence -- all these make this an historic and important document of our time

The Battle For Orgreave

NR 1985
Sexy Secrets of the Sex Therapists

Sexy Secrets Of The Sex Therapists (1987) is a lighthearted erotic comedy that blends satire with farce. The film follows a group of unconventional sex therapists whose professional advice contrasts sharply with their own tangled personal lives. As their relationships, desires, and hypocrisies collide, the story plays out through a series of comedic misunderstandings and provocative situations, aiming more for playful humor and titillation than serious psychological insight.

Sexy Secrets of the Sex Therapists

10.0 1986