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Carla who is visually impaired starts to cross the grassland of Kyrgyzstan with her father.

At the scale of hairs, we discover an unknown planet. However, this is our body. By giving a voice to two hairs, the film questions our relationship to ourselves, others living beings, and the Earth.

Soy is a former professional skateboarder who now earns a living recording video messages on demand. Denis wants to leave his skateboard-obsessed partner, but doesn't know how to break the news to him. He decides to use Soy's services for the occasion.

Mr. and Mrs. Shrimp together for one last walk in the absurd real world.

One winter morning, crows are heard in the distance, a thick mist covers the shore. A world wakes up, and makes another landscape sound.

Between four walls, two women are waiting. One let death come and get her. The other that his life finally begins. Based on a recorded conversation, the film simulates their attempt to escape what they can't help but live, as they realise that 'nothing' can sometimes be special.

Alexandra Achard, Morgane M., Loïc Largier, and L.L. de Mars, during a collaborative workshop based on a few simple rules and some haphazard guidelines, created a book in which each step ended up diverting the course of this beautiful project. The result is a book as beautiful as it is absurd, bearing no resemblance to what its four creators had imagined, reflecting the two virtues that underpin the workshop’s work: modesty and openness to the unpredictable.

In Britanny, four young female farmers has created their own little business. They promote a thriftier, self-sufficient and fairer agriculture.

Whatever happened to us, the horizons were there. Whatever happens to us, the horizons are there. Whatever happens to us, the horizons will be there.

In Mauritania, travel writer Blanche de Richemont explores life in the sands by meeting the women of Adrar, a mountainous region where nomadic culture remains very present.

Four Afghan women leaders are forced to flee their country after risking their lives to rebuild it. In exile they struggle to mount an international women’s movement to pressure world leaders to collapse the as yet unrecognized Taliban government, while coming to terms with what it means to have their power usurped and two decades of progress dismantled.

Catherine misses her bus and wanders through the industrial areas of the south, where she meets the Pharaoh of Marseille. A picaresque journey through the imaginary world of post-industrial collapse.

It's not a story. Nothing happens. Literally, there are no characters. It's the story of an absence of story. The non-story of a mother and son, a non-mother and non-son, who never meet. They know each other. They socialize. But they don't meet. It's the story of a meeting that doesn't happen. A non-meeting that lasts a lifetime. There's the mother and the son. Two people who sometimes cross paths. When they are in each other's presence, they are not together. They don't know how to be together. They haven't learned to be. When they are in each other's presence, they wait for it to pass. It's not a mother and son. It's a man and a woman who find time long. They're here because it's supposed to be a mother's job to spend time with her son. It's a man and a woman waiting on a station platform for a train that's never coming.

A personal view on a poem and a homecoming wish.

‘In the small town of El Fuerte, nestled in the heart of the Mexican state of Sinaloa, an ancient and mysterious legend persists: Don Diego de la Vega, also known as Zorro, was born in one of the town's hotels. This story has divided the town's inhabitants, with some defending it and others questioning it. Each of them has their own version of the facts, a personal vision of what Zorro brought to the Mexican people. As the stories and testimonies unfold, the line between reality and myth becomes blurred. This film is an investigation into the truth, if it exists at all.

So God created man in his own image, in the image of God he created him; male and female.

Awkwardness and shyness threaten to derail this sex encounter, which will end in an unexpected and very unusual way.

This tribute charts its evolution from the streets of New York to worldwide fame, following the Sugarhill Gang and the rise of hip-hop culture.

Following the protest against the 2021 Myanmar military coup, travel blogger Naw and her husband embark on a harrowing escape through the vast jungles. Amidst the chaos and uncertainty, the couple finds comfort in an unexpected companion – a newly adopted kitten they name "POOPY."

A critical analysis of a scene of relaxation on the beach. The genre of photovideography uses the dislocation and decomposition of the static image to transform the idyll into a series of unsettling ruptures, shifts and movements that decompose the well-being into a grid of sunlit colours and crumbling surfaces.

Mythology crosses Ivy's path when mystical Tigmamanukan bird helps her break free from her husband who gambles the couple's money in cockfighting.

"Mer intérieure" is a reflection on perception, where we follow Jamila and Robert, a couple of high-level athletes with visual impairments, during a sea trip on their sailboat. This film explores their unique experience of navigation. The color grading oscillating between blue and red, creates a visual language that moves away from usual conventions, evoking their inner resonances. The soundtrack, composed by Meryll Ampe, combines sounds recorded at sea with repetitive music. This colorimetric and sound treatment creates an atmosphere inviting to feel the nuances of perception at sea.

Norma recounts her father's dream of a life fulfilled by taking to the skies.

It's a more or less ordinary day, into the intimacy of various characters. A wander through a surreal urban landscape, moving from one scene to another. Each moment of life leads to another and cyclically connects them.

INFINITE TROLLING toys with the infinite scroll that fuels social media – and this erratic stream of content as a path to desensitization. Oscillating between narratives, the film moves through a series of disjointed yet intertwined vignettes, finding a disquieting sense of the surreal in the art of assemblage.

Anushka Chkheidze is representing Georgia at the Europavox Festival. Her ambassadorial role is set against a backdrop of electronic music.

During the day of her eighteen's birthday, Alice decides to have a walk where she used to play when she was a kid. Upon reaching adulthood, she will realize that the child inside her will always be here with her.

Migrations We Are is one of the chapters in a series of twelve poetic essays titled Si, Dodecalogue, which is dedicated to timeless heroes. If the stories of the cities become those of everyone inhabiting them, the only way to build one’s identity remains the Imaginary. Therefore, revealing in filigree her socio-cultural fabric, an Argentinian-Montrealer artist reacts to the brilliance of her time through what she paints, films, and writes in different languages. This chapter is dedicated to Pierre Allard, visual artist, and Marcelin François, beneficiary attendant.

At 5 in the morning, Yalla is in a hurry. Without her boss's permission, she leaves her night shift as a nursing assistant. She boards a bus, carrying only a heavy bag filled with clothes. The city is still asleep. Yalla reads again on a piece of paper the various bus lines she needs to take. It's her first time making this journey: her son is waiting for her.

Rose and Jiang Yu have been friends for many years, but they have very different personalities. Rose is passionate and casual, living in the moment; Jiang Yu is reserved and cautious, and always follows the plan when doing things. The two came to Europe to study together. Rose chose Paris, and Jiang Yu chose the German town of Kaiserslautern. After a year passed, Rose's exotic boyfriend urged her to return to China. She was fed up with her lonely life in Paris and decided to go back. Before leaving, she came to Kaiserslautern to say goodbye to Jiang Yu. Unexpectedly, during the time the two got along, Rose discovered that she had feelings for Jiang Yu that went beyond friendship.

A rare window into a conservative community reputed to be the most closed in the world, where the old remains the absolute reference in the face of modernity. Three generations of Amish make a rare decision to tell their stories after months of reflection and debate with their pastors. This documentary raises questions about the notion of individual freedom, belonging to a minority, economic and social norms, as well as the place of women.

A little girl watches her father walk away, too far from her.