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Jerome leaves his home to seek a job in the city. He finds a job at the town hall and works with Lucien. First they are responsible for the decorations of the city for Christmas. But their next mission will prove very different.

In this French comedy, the young adult children of working-class Arab immigrants living in the projects of suburban Paris endeavor to find a suitable cultural identity. The story centers on four young men in their 20s: Farida, who tries to live according to family traditions; his rebellious sister Souad, who wants to be as Westernized as possible and works at a fast-food outlet; her ex-boyfriend, Jean Luc, who wants to be an immigrant lawyer; and his friend Moussa. The film is comprised of brief incidents from their lives.

Something extraordinary happened to Marie... and it wasn't what she thought. As she does every day, Marie went to the cellar to fetch the broom to sweep the passage. She doesn't like going down to the cellar, however. One day she saw squatters, one of them a bearded man, at the back of the cellar. She was terrified and shut the door at once and went to call the police.

A rare view from within, as several of the Manhattan Project scientists, including Hans Berthe, Robert Serber, Edward Teller, Robert Wilson, and more, speak of their experiences on the path to a terrible shared destiny. As their lives and work at Los Alamos are revealed, they relate stories of contradictions and jealousies, and how each came to terms with the atomic era's most immediate consequence: the destruction of Hiroshima and Nagasaki.

In this coming of age drama, 17-year old Muriel rebels against her French family and leaves for the bright lights of Paris. When she falls for Nora, Muriel enters a journey of heartbreak and discovery.

In this romantic comedy, Paul, a good-looking gym teacher, falls hopelessly in love with Isabelle a very busy, professional fashion designer whose response to him runs both hot and cold, driving him to distraction.

After an engine failure, an airman finds himself lost in the Sahara desert. He thinks he is desperately alone... until he hears a small voice asking him: "Please, draw me a sheep".

This film recounts through archival documents and eyewitness accounts, the history of "The Moroccan Goumiers" during the two world wars and the Indo-china war. A story that starts from the beginning of the French protectorate in Morocco.

Angstel is a film-performance. The character was born one boring afternoon. He embodied the energy we had to spare, as much as he embodied our inability to take action. A manifesto of the limits to be overcome, Angstel was constructed through a series of disorganized performances in public spaces, culminating in a written and staged performance (which was ultimately lost).

Daniel falls madly in love with Victoria. After seducing her, he learns that the young woman has a troubled past.

Unsual stroll takes the viewer in a furious whirl of colors and forms, at the bend of a lost path in an industrial wasteland, among tagged walls, dead car on its axle, huge broken windows of Paris' warehouses... and a little touch of pyschedelic...

Mlle Lara has trouble with men, so for her birthday she plans something special in pursuit of a wonderful love.

A young and handsome couple who have apparently succeeded socially and as a family, share a sunny Sunday with their adorable son and relatives and friends. But time passes and the dreamy Sunday returns to harsh reality...

Carole is ready to do anything to save the Guyanese forest and the Wayanas Indians from the pollution of the Gerson laboratories! Fearless and determined, our adventuress will face the unscrupulous men sent by the laboratories to make her give in. In the jungle where she grew up, she is the strongest. But she is accompanied by Bruno, a clumsy young French policeman.

An energetic teenager gives a hard time to her father, an artist, and her stepfather, an unemployed executive not very comfortable with young people.

The horrific war in Chechnya, a neighbor of Georgia, gives a special poignancy to Otar Iosseliani’s fascinating, four-hour, made-for-television documentary on Georgia which, like his delightful Chasing Butterflies (SFIFF 1993), was produced in France. Iosseliani presents the history of this former Soviet republic through beautifully interwoven images of landscapes, artwork and clips from other Georgian filmmakers such as Nikoloz Shengalaya and Tenghiz Abuladze. He illuminates the part played recently by two politicians, both KGB men but with very different destinies: Zviad Gamsakhurdia, an ultranationalistic demagogue who died in exile; and Eduard Shevardnadze, who is the president of Georgia today.

Documentary about Japanese film director Shohei Imamura.

The United States is not only New York, San Francisco, Hollywood, it is above all the two hundred million inhabitants of deep America. Des Moines (Iowa), emblematic city of deep America, serves as the first test during the presidential elections and saw the birth in its suburbs of John Wayne and Jean Seberg. Belly is the key word in this obesity capital.

Lionel suffers from severe memory loss as a result of an accident. Inspector Corona accuses him of the brutal murder of a law student with whom he had a relationship.

Sex, avant-garde art, and Communist ideology are at the heart of this compelling historical drama. The film opens just as the Soviet Empire crumbles in 1989. As Louise mourns the death of her lover, she discovers the journal of Alfred Katz, an earnest Jewish radical and erstwhile poet who disappeared in 1938. With the aid of a history professor, Louise unravels what happened to Katz. In the feverish climate of pre-WWII Paris, Katz reveals himself as both a fervent Trotskyite and an unabashed romantic. At a party thrown by the noted surrealist Andre Breton, he meets Mila, a beautiful part-time model, part-time whore. As soon as he falls for her, he learns of her other lover Felix, a fervent Stalinist. Bored with politics, Mila eventually marries Katz. Soon betrayal and politics catch up with the poet.

In 1997, the committed filmmaker Jean Asselmeyer, armed with his camera, posed the following question at the General Assembly of Documentary Film in Lussas and in Paris: Is it possible today to make a committed creative documentary?, to René Vautier, Thierry Garrel, Jean-Michel Carré, Jean-Marie Barbe, Yves Jeanneau, Alexandre Cornu, Lapilli films, Jean-François Raynaud, Samir Abdallah and many others, not the least of whom.

When she discovers that her husband is cheating on her, Sabine decides to develop a strategy to save her relationship.

Made in the style of silent films of the 1930s, this short film tells the story of two guys meeting in Paris.

A man wonders about the future of his relationship with his girlfriend. He wanders alone through Paris...

Ruth is the story of a painful adolescence. Ruth decides on a whim to leave her small village in the Bas Saint-Laurent for the "real world" of the big city, Montreal. There she meets up with her brother, Jean-Paul. Her many lovers range from one-night stands like Bernard to Yves and Robert, who are briefly in her life. Passionate, anticonformist Ruth has to contend with her brother's ferocious jealousy - he goes as far as attacking Robert, his best friend. Robert, completely baffled by Ruth's cynical recklessness, finally pushes her away. Ruth continues her struggle to find absolute love. She clings passionately, clumsily and shamelessly to those she loves and those she doesn't, in frenzied desperation. Continually disappointed and shut out by the "real world," she chooses a way out that is typically extreme...

This film is composed of a series of very short shots. The two principal motifs are human and vegetal, with a few animals briefly glimpsed in passing. The primates of the title (for once, this film has a title, and an insistent one at that) are the men, women and children who visit the museum. A man, a woman, a family with children detach themselves from their surroundings; their images are reworked, re-framed and edited so that they become intermingled with a series of luminous wide shots of vegetation. In this air-conditioned location, the film-maker has managed to give a certain luxuriance to the surrounding nature; the human visitors, in turn, reclaim something of their cosmic dimension from dubious civilization.

“Personal Statement” stages photographical treatments of the original medical document. The images unfold vertically while feminine hands (Katerina Thomadaki) try to stroke this mutant body. The off-screen voice (Maria Klonaris) talks to the photographed subject.

Four teenagers embark on the heist of the century: Operation Wild Camping. Their plan bears the hallmarks of the greats. They secretly sneak into a Canadian tent in the camping section of a department store, hoping to rob it when night falls.

When the male nurse Damouré Zika talks about AIDS with his two friends Lam and Tallou, under the admiring eye of his own wife Lobo, who is a nurse's aide, it is because he believes that AIDS is a "disease of love that can only be conquered by love." And this right to love has only one passport for the moment: the condom, on whose use he gives an incredible demonstration.

Live at Reading Festival, UK, 1997-08-24 So What (Anti-Nowhere League cover), Master of Puppets (Short Version), King Nothing, Sad But True, Fuel, Hero of the Day, Ain't My Bitch, One, Until It Sleeps, For Whom the Bell Tolls, Wherever I May Roam, Nothing Else Matters, Enter Sandman, Stone Cold Crazy (Queen cover), Creeping Death, Battery, Last Caress (Misfits cover), Motorbreath

With an editing engraved as a jewel, this movie is a real neo-baroque manifest. On the one hand, the Seine's sparkling, the Alexandre III bridge's sculptures and the majestic stairs descents of a mysterious personage ; on the other hand, the brilliance of a mirror reveals a lascivious inner space, invaded by art works, strange objects, tropical plants, heavy clothes, in the middle of which sit enthroned the Aesthete contemplating male nudes photos. The crystalline voice of a counter-tenor celebrating Bach perfects the voluptuous feeling emerging from this movie.

Marie is a petty thief, Joe her law-abiding lover; both dream of becoming music stars, and they have to leave their Swiss coastal town after Marie shoots a man during an abortive robbery, hoping to escape to America.

In this quasi-semi-documentary, a Russian angel leads viewers in a quest to discover what, if anything, remains of the great, utopian "American Dream" now that the so-called "Worker's Paradise" dream of Russia has passed completely into oblivion. Along the way, real celebrities and working members the film community in Hollywood are interviewed, and a number of "types" are impersonated by actors. Some of the celebrities interviewed include Jacqueline Bisset, Zsa Zsa Gabor, and screenwriter Jonathan Lawton (the Pretty Woman script writer).

What are these two strange things above my nose I'm supposed to see with? They can't be my eyes. No! They'd never have let me see such a thing. And yet there's no denying it : I clearly see a knife in the fork compartment. A knife among the forks!

A man murders his dying lover. He drowns him in a tub of water. We drift through the man's mind in the hours after the death. He falls more and more deeply into layers of memory. La mémoire de l'eau is a tale of fear, love and grief set in a world of uncertain boundaries.

A grouchy bear doses Santa Claus with a sleeping potion in order to ruin Christmas in this animated feature.

A lonely night watchman, whose quiet routine revolves around stargazing, faces emotional upheaval when his girlfriend reveals she's pregnant and leaves him, while a troubled young man records a farewell video to his ex.

A behind-the-scenes documentary designed to preview/promote the then-about-to-debut syndicated adventure/fantasy series about the "game of the immortals" as seen through the eyes of one Scottish participant.

In musical terminology, the term " study " designates pieces to approach a specific problem : study for arpeggios, for the left-handed etc. The question here is how to merge dancing footage with elements of fiction. What is the right tone, the golden proportion to tell/dance the stories without resorting to techniques of a musical or a ballet ? New ways of telling a story: this is, without a doubt, a critical challenge for dance today. Twenty-one micro fictions by four Cie Michèle Anne De Mey dancers in witch the educational aspect of experimentation soon gives way to the pleasur of joyful poetics: an original blend of tender insolence and srtict elegance.

Victim of a train accident, a man regains consciousness in the house of the woman who shared his compartment.

In this wonderful hybrid of fiction and documentary, we become the close companions of Ali Baba Nour, a Chadian cab driver who explains his hopes and dreams, his challenges in a difficult and often violent society, and his optimism for the baby he and his wife are expecting. In this urban poem, we are treated to the color and movement of Ali Baba Nour's city. It is a generous postcard that one might send to a friend, telling of an unforgettable acquaintance and place.

Portugal, at the beginning of the century. The suffering of a peasant and his daughter. The lack of communication and the emptiness of mechanical lives. A third character, a mysterious woman to whom the peasant pays courteous visits... abyss of bodies. Petrified figures, eternal wandering. Death roams in a declining world where words have given way to gestures, sounds and lights.

Bahij Hojeij’s documentary studies the infamous Green Line between east and west Beirut during the civil war.

Marguerite Mercier is a retired seamstress who lives in an old apartment.A real estate agent has come to her apartment looking for Mr. Alphonse Caron, the companion of Marguerite who died some years again.Marguerite has made up a lot of excuses.But Leon , the cabinetmaker of the neighborhood says Marguerite that she must find a fake husband.So Marguerite proposes Leon to be her fake husband.The real estate agent comes again and Leon transformed in Alphonse asks him to go away.In a park Marguerite and Leon meet a boy Sebastien ,who falls from a skate roller and his little sister Stéphanie.They go to the hospital with them.There Marguerite knows Véronique , the mother of the children

The TGV? No, it is not the famous French high-speed train, but instead the rickety and colourful bus operated, driven, repaired and, if need be, pushed by the intrepid "Rambo". This time, the trip between Dakar, the capital of Senegal, and Conakry, the capital of Guinea, is outright dangerous: the road crosses the territory of the Bijagos, who have launched an unexpected and violent insurrection. Rambo finds several odd passengers (with a handful of sheep) who are ready, for various legitimate or untold reasons, to take every risk to reach Conakry. And the TGV sets off on an eventful journey...

May, 1946, in Paris young poet Jacques Prevel meets Antonin Artaud, the actor, artist, and writer just released from a mental asylum. Over ten months, we follow the mad Artaud from his cruel coaching of an actress in his "theatre of cruelty" to his semi-friendship with Prevel who buys him drugs and hangs on his every word. Meanwhile, Prevel divides his time between Jany, his blond, young, drug-hazed mistress, and Rolande, his dark-haired, long-suffering wife, who has a child during this time. Cruelty, neglect, poverty, egoism, madness, and the pursuit of art mix on the Left Bank.