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Against the historical background of the occupation of Paris by the German Wehrmacht, the story of a German émigré child who finds shelter with a French working-class family is told.

Omnibus film about everyday handling of poison made by film students and produced by Helke Sander.

A Turk and a German try their hand at the art of being a man. They love the women on the Ferris wheel, seal their male friendship with a chicken heart feast and occasionally send their philosophical thoughts on a paper boat.

Little girls tell dirty jokes. A beautiful young woman wants to have her leg cut off. Two young men need money and take on the job - helping her. Quick money for a quick job, but it becomes increasingly insidious.

Michael Brynntrup takes the biblical prohibition of images literally...

In the first half, the film shows classroom situations in which pupils with learning difficulties encounter derogatory behavior from the rest of their classmates. The teacher, however, remains indifferent. In the second half, the teacher tries to address these school problems in a discussion with the class and to motivate the children to deal with the learning difficulties of their classmates so that mutual help becomes possible.

Everyday life of a bizarre bookseller who sees his main occupation in stacking and sorting paperbacks.

A vivid document of the hard-drinking West Berlin scene of the late eighties, and at the same time one of the last important events before the fall of the Wall. “On the afternoon of 25.06.89, my good friend Wolfgang came to me and told me about a tequila fight drink that Andi wanted to organize with friends in a tin store in Mittenwalderstraße in Kreuzberg. We grabbed the VHS camera and went along. 13 hard-drinking participants, including two New Zealanders, took part. The rules were simple: "One tequila every five minutes! If you don't drink, you're out!" Our plan: Wolfgang was to drink along first and then take over the camera later to film "insight", so to speak. I was supposed to film the beginning and then, as a non-alcoholic drinker, support him. After a short time, however, Wolfgang got so carried away that everything turned out quite differently...“

1982 German super 8 short work for the band Malaria

Stefan is 12 years old, spastically paralyzed and has moved to a new town with his mother. His illness is met with hostility and rejection by the children in the neighborhood. Stefan dreams of an operation to make him well, but when he learns after thorough examinations that the operation is hopeless, he grabs an electric wheelchair to escape from the hospital.

Short film by SCHMELZDAHIN

Documentary about antisemitic pogroms in Nazi Germany.

The film shows the prey-catching behaviour of the edible frog at a small garden pond and at a gravelpit. The catching of creeping and (under experimental conditions) hanging earthworms, of flies sitting on the surface of the water and of egglaying dragonflies (Sympetrum spec.) in tandem position are visible.

On March 22, 1983, Abdullah Yakupoglu, a Turkish worker living in Germany, killed his daughter Perihan. The documentary looks at the motives of Yakupoglu, who is interviewed in prison.

19.03.1988

Ernst Triebel, a young doctor from the GDR, meets his childhood sweetheart, whom he thought was dead, on the last day of his stay in Santos. During the crossing to Europe, he tells engineer Franz Hammer his love story with the girl he now believes he has seen again.

A lost box is a strange one that nobody knows. It appears in the middle of an apartment exchange involving the Ilse and Rudi Karschek family and another couple. Since no one can be assigned to this box, it is opened; the contents: the portrait of an attractive girl who dedicated it to "her" Rudi. Rudi, however, is quite sure that this must be a misunderstanding. But then his wife Ilse receives a phone call in their new apartment that is not at all misleading, which brings the situation in the Karschek family to a head. In this respect, the whole affair becomes a total "mess".

A portrait cut for television using takes not used for the film “Leuchtturm des Chaos“. According to Bühler, the film was considered unsuitable: “A two-hour film with a drunk who constantly drinks and smokes in front of the camera and smokes hashish and speaks obscene words.”

Filmmakers observe a large swing boat swinging rhythmically into the frame in front of the Reichstag building – a kind of dream ship whose passengers are moving but not moving.

This portrait of Heiner Müller on the occasion of his 60th birthday is devoted for the most part to having Müller recount events and memories from the first quarter of his life, starting with his birth on January 9, 1929 and closing with his immediate postwar experiences in the mid-1940's. This part memoire, part biographical sketch of his early life includes descriptions of his parents’ background and employment activities, the arrest and incarceration of his father in a concentration camp in 1933, Müller’s recollections of school life in Nazi Germany, Müller’s brief detention in an American POW camp at the end of the war and, upon release, his adventurous return to his home in the Soviet Zone in eastern Germany. These snapshots of his first 16 years also include anecdotes about Peter the Great and Andrei Platonov’s “Sluices of Epiphany” as well a meditation on a scene from Shakespeare’s Titus Andronicus.

An interview with Joachim Steffen (then an SPD politician) in a film editing room in which he is shown the possibilities of editing an interview in film and sound in such a way that it shows exactly the opposite of his statements.

Thomas Grimm's first documentary about the East Berlin-based youth club "Friedrichsfelde Ost".

The nine-year-old Sinti girl Brigitta shows us her world. She lives with her family in a caravan site on the outskirts of a small Bavarian town. Everybody still speaks Romani and continues to live by the customs handed down. That means that the children take part in adult life and that the very highly respected parents describe how it used to be. In this community, all age groups live together naturally. For these Sinti, `gypsy' is an insult. At school they are taught there are two cultures, two languages and two realities: that of the Sinti and that of the Germans. While German is spoken at school, the only pupils are Sinti children. Brigitta animatedly describes the material deprivations, which are mollified by the life as `one big family'. Brigitta knows all too well where she belongs.

"[This film] embodies (...) one of his [Hahnemann's] most mature films. Rainy rides along Schönhauser Allee, which seems to be depopulated. Past the 'Viennese Café', the meeting place par excellence. From a moving train the view of idyllic landscapes, on the horizon a castle. The camera tilts, turns, until the world is upside down. Scenes of an action with the artist friend Heike Stephan: in the sanctuary Hahnemann, black painted with a white turban, and Stephan, stack cages with rabbits on top of each other. Then TV recordings of a discussion forum with Jean-Luc Godard and Rosa von Praunheim - scenes as from another planet. From the off again and again a poem Hahnemann, recited by Peter Mario Graus. The diction is initially calm, almost factual, increases, eventually overturns, but then falls back, resigned. " (Claus Löser in "Gegenbilder")

Short directed by Dorothee Müller

Paul Celan reads Paul Celan. The words which we hear are seen on the screen - the optical sound negative became the visible image.

31.03.1988

A film about soccer without a ball and without players ... The film gives a description of the preventive measures taken by the police to cope with a huge crowd attending a popular spectacle. It deliberately and almost completely dispenses with verbal statements, allowing atmosphere and original sound to speak for themselves. The clip-clop of (police) horses' hooves, the sound of the engines of police vehicles, of helicopters and water cannons, of walkie-talkies as well as video camera surveillance and the distribution of truncheons on the one hand, and the heaving crowd of fans, their pleasure, their disappointment, their shouts of support. The chronological record of a - peaceful - day of soccer does not apportion blame, without comment and stimulates discussion weather the "special police assignment" is really necessary. —JK

Karl becomes a father earlier than expected - at the same time as the delivery of his car. Chaos is bound to break out...

Mimi Minus, the star, advertises a new, sticky, black, brain-cleaning agent. She uses it first on her reflection in a mirror in order to clean one half of her brain and subsequently applies it to her whole body...

An author describes the story of his planned film to his producer. He sends "Lisa and Harry—she East, he West" into space. While the two are in space, the last world war breaks out, causing the Earth to regress. The letter to the producer is never sent...

Blumenschein stages surreal, minimalist tableaux featuring herself and collaborators amid stark black‑and‑white visuals. Part of Infermental 1, a film that gathers short films of many German directors and lasts 4 hours.

An experimental color film that uses imaginative video image overlays to present fictional actors from public spheres in a playful experiential context. They come from advertising billboards, theater and performance, and television. The extreme colors are created solely by the peculiarity and materiality of the video material used.

Animated short directed by Michael Schaack.

...and the children ride the blown up air goat (40 ft. long) into the water, the attic penguin saves a hanged man and is disturbed by the little reaper. The bat falls and the angel crashes down. Katharina, the read-head, develops from a baby to a two year old in four stages, each lasting six months...

Short documentary about the new ICE. On March 19, 1985, the ICE was officially handed over to the Bundesbahn at Krupp in Essen during a rollout ceremony attended by invited guests, experts and media representatives.

Experimental short film

Using photos and letters that the director found in a landfill, she reconstructs in her documentary film the life of Maria Bartel, a Berlin baker born in 1902 who, as the director comments in voice-over, "was in the prime of her life during fascism." In 1920, she moved from the East Prussian province to Berlin with her first husband. After his suicide, she opened a bakery, which she ran until the end of the war in 1945, raised her son, and now has various relationships and love affairs.