A documentary about the events at the German Film and Television Academy Berlin (dffb) in November 1968, which led to the termination of the training contracts of 18 students. While Director Heinz Rathsack dictates to his secretary Helene Schwarz the letter lifting the ban from the premises against 18 students, the students plan a general assembly inside the dffb despite the ban.
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Pranksters Moritz Bolle and Max Sturbier plague their neighbors with cruel tricks - especially young record‐seller Brigitte, whom Moritz woos by posing as a Mozart‐loving engineer. When sharp‐witted Grandma Heimdall uncovers his lies, she tailors him a reckoning, exposing his scams and bringing their mischief to an end.
Oma und die bösen Buben
Schrott
Das Leben beginnt um acht
Mademoiselle Löwenzorn
Electric locomotives in the West, steam locomotives in the East. This report from Bebra uses "observations at a German train station" to illustrate the division of Germany. This was the terminus of the "interzone trains" that carried East German pensioners to visit relatives in the West. While the widening gulf between family members is noticeable, the residents of Bebra have made their peace with the division, not least of all because some of them profit from it financially.
Hoffnung - Fünfmal am Tag
Die Safeknacker-Suite
Stasi agent Alexander Berg has to uncover a plot of sabotage.
Black Velvet
Nora oder Ein Puppenheim
Both live in a tower block. He is a young office assistant, she an ageing stripper. Their lives don’t cross until that one day when they meet twice.
Zwei
First, assembly line work in a printer's. As one, the workmen put together newspapers. Then other hands assemble, punch holes in, and attach together sometimes mysterious materials, using machines of ultimate design. Then there is no more human presence; only a ballet of automated machines. Finally, we are in a foundry, amid sparks and smoke.
Aus unserem Arbeitstag
Der Aufstand der Jecken
Die rote Rosa
Bericht von den Inseln
Der Tod eines Mitbürgers
Irrungen - Wirrungen
A wallet follows the financial weal and woe of an average (West) Berlin family of three on an average income. A cheerful, satirical look at everyday life in 1960, the Schulze family lives in an apartment building somewhere in (West) Berlin in 1960, with father Erwin, mother Dorette, their adolescent son Männekin and dog "Nauke". A small family in which, as in all families, there is sometimes more, sometimes less harmony. Money is always a point of discussion. When Erwin brings it home at the end of the month, Dorette divides it up precisely for the coming month in a recurring ritual.
Ich, die Hauptperson. 30 Tage aus dem Leben eines Portemonnaies
Ein Fingerhut voll Mut
Die aufrichtige Lügnerin
Eines schönen Tages
The film deals with the problem of choosing a partner for 16 to 20-year-olds. Third part of the "Relationships Between Boys And Girls" series.
Partner
Der Ruepp
'Please help me!' the young GDR refugee begs the passengers of the interzonal train 'D 106'. He has just jumped on the night train during an unforeseen stop - to get to the west as quickly as possible. He can't go back, and in less than an hour they reach the German-German border - without stopping. The passengers meanwhile begin to ask themselves serious questions: Am I helping the young man and risking my own safety? Or is that too dangerous for me? While people are racking their brains, not only is the train racing away, but time is too ...
Nachtzug D 106
The first embodiment of (a) concept of structural activity in cinema comes in Kren's Bäume im Herbst, where the camera as a subjective observer is constrained within a systematic or structural procedure, incidentally the precursors of the most structuralist aspect of Michael Snow's later work. In this film, perception of material relationships in the world is seen to be no more than a product of the structural activity in the work. Art forms experience.
3/60: Trees in Autumn
Dynamit
Der gelbe Pullover
Die Troerinnen
Based on a true story from 1936: Klara Baumann, a working-class woman, communist and mother, flees her German homeland for neighboring Czechoslovakia. When a party courier is arrested in Berlin, Klara agrees to return to Germany with illegal material. On behalf of the central courier service, she returned to Germany illegally many times, risking her life, in constant fear of being caught. When the illegal party cell in a large Berlin factory is arrested, Klara distributes the latest issue of the Red Signal on her own. She wants to prove to the Gestapo that she has imprisoned the wrong people. Authentic story of a communist and mother who flees her German homeland for neighboring Czechoslovakia in 1936.
Die Mutter und das Schweigen
In Sachen Erzberger gegen Helfferich
"Action" by Günter Brus. At first Kren did not want to show the film, because the image is underexposed. A copy of the negative material turned out to be better than the original material and so Kren did show the film. The film's title relates to Brus' use of silver paper for his action.
10b/65: Silver – Action Brus
Der Weg ist dunkel
Der Mann aus Brooklyn
Der Geizige
Der eingebildete Doktor
Berliner Blockade
Unwiederbringlich
Der geborgte Weihnachtsbaum
Documentary about young drifters and the way they interact with mainstream society.
Herbst der Gammler
Die Heirat
Wassa Schelesnowa, a manipulative matriarch who will stop at nothing to keep her business afloat and her family together. Infanticide, forgery, murder, blackmail, adultery, exile, and plain old-fashioned greed are the order of the day as Wassa's colorful clan tries to scheme its way out of the house and into financial independence.
Wassa Schelesnowa
Polizeirevier 21
Leinen aus Irland
On Easter 1968 an assassination attempt on Rudi Dutschke was carried out. Shortly afterwards street battles resulted throughout West Germany. Farocki's short film Drei Schüsse auf Rudi is presumably lost.
Three Shots at Rudi
This documentation of a Kortner stage rehearsal shows in detail and fascinatingly how Kortner developed psychological tensions with meticulous precision in linguistic expression and gestural construction.
Fünfter Akt, siebente Szene. Fritz Kortner probt Kabale und Liebe
Die Nacht am See
Caroussel of Passion
Zaubereien oder Die Tücke des Objekts
Wir sind noch einmal davongekommen
A contribution to the international film series popular in the late 1960s, which shed light on girl trafficking and striptease, pimping and scams, on "great love at 70" and "smaller versions at 50." The speculative sensationalist story assumes that good-looking young women are being seen off at the quay in Hamburg, supposedly to go on a dance tour of the Middle East.
Hinterhöfe der Liebe
After the death of a prostitute, the police uncovers a web of espionage, betrayal, murder and sex.
Schrei nach Lust - Liebe als Köder
Die Reise nach Steiermark
Das Paradies
Die Teepuppe
Leocadia
Sind wir das nicht alle?
The love story between Sabine “Ninotschka” Horn, who works as a police officer in East Berlin, and Peer Müller, a newspaper editor from the west of the city.
Ninotschka und Peer
Viele heißen Kain
A Materialaktion (an art performance/happening in which objects are used to create an art piece) by Viennese Aktionist Otto Muehl. The setting is a solemn Christmas celebration.
Stille Nacht
Four directors - four styles - four episodes, all relating the events of a single night which has entered the history books: August 12-13, 1961. There are thousands of complex narratives connected with the frontier drawn through the middle of Berlin, and each episode relates the story of a difficult decision made on that night...
Stories of That Night