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The film shows a strong rivalry between two families passing from generations. At present, Madhava Rao (Nassar) and Raja (Nandumuri Balakrishna) are their heirs who live in the same premises constructing walls in between.

Arunodaya is a 1999 Kannada film directed by Krishnakumar. The film stars Ramesh Aravind, Vijayalakshmi and Shilpa in lead roles. Music was composed by Hamsalekha.

A woman witnesses the death of her 10-year-old son and ends up blaming herself for it. Soon, after she decides to leave, her husband sets out in her search.

Gopi faces many challenges to run his middle-class family as he is the sole breadwinner. But problems worsen when he loses his job.

Vaachalam is a 1997 Indian Malayalam film, directed by Biju Varkey. The film stars Manoj K. Jayan, Thilakan, KPAC Lalitha and Nedumudi Venu in the lead roles.

Dushmani Dee Agg is a movie directed by Veerendra

Dileep who is from a poor family goes in search of a job, but he fails and ends up as a thug. His life takes a turn when he meets Hariprasad, a business tycoon.

Aruna Har Prasad travels to the inaccessible locations in the Andamans archipelago, to document the last of the world's living aborigines. It portrays the life and time of six tribes, which number less than a thousand and await extinction. Shot on location and 40 days on sea. It was nominated for the 1995 Mumbai International Film Festival.

The film discusses a father's unability to grow his children due to the rreason that their mother is no more. Mukesh's character wants his children to grow up with both love of father amd mother. So, he gives both the childrento his best friend Chadradas(Murali) and his wife Sukanya who have no children. Mukesh's death and its after effects are discussed. Mohini also plays an important role in this film.

Sumithra's lover Aravind, a photographer, goes missing after he goes to Shimla for a project. However, Sumithra sets out to look for Aravind after she finds out that he is alive.

A police officer faces many difficulties when he learns that his ancestral property is occupied by gangsters and he attempts to get it back.

Samundi and his mother move into a nearby hamlet to live peacefully. Terror strikes them once again through the local goon, who spoiled his sister's life. Will he now exact retribution for the past?

Film starring Dimple Kapadia, Varsha Usgaonkar and Sadashiv Amrapurkar

Narrated by Leonard Cohen, this two-part series explores ancient teachings on death and dying and boldly visualises the afterlife according to Tibetan philosophy. Tibetan Buddhists believe that after a person dies, they enter a state of "bardo" for 49 days until a rebirth. Program 1, The Tibetan Book of the Dead: A Way of Life documents the history of The Tibetan Book of the Dead, tracing the book's acceptance and use in Europe and North America. Program 2, The Tibetan Book of the Dead: The Great Liberation observes an old Buddhist lama and a 13-year-old novice monk as they guide a deceased person into the afterlife.

Raja and Rani realize that they have a mutual enemy who is responsible for hurting many people with his illegal activities. So they both get together and make a plan to get him out of the way.

Chetan, a married salesman, finds himself in a tricky situation when he offers to act as the husband of Indu, a stranger, who was left at the altar, to save her dignity in the society.

Neha is employ by Hari Saxena as a dancer and singer and has many fans. One night Hari attempts to sexually molest her but is unsuccessful; this perturbs him to mix a poisonous substance in one of Neha's eatable which damages her vocal chord resulting in the null of her voice making her unable to sing. She relocates to a distant village for solace and gets to meet one of her die-hard fan who also paints her hoardings for her shows Rajesh Tripathi alias Raja; who is reluctant to be friends with her but Neha is least interested and wants nothing to do with him. He continues to pursue her only to be belittle; then situations turn violent forcing her to finally accept his friendship. She confides her story to him and he arranges to have her career restore to her by risking his own life so that she can seek medical treatment to return her voice as well as arranges show to popularize her once again.

A docu-fiction by Sriram Raghavan on the serial killer Raman Raghav, who operated in Mumbai (then Bombay) in the 1960s.

Ashok and his wife Arundhati are honest police officers who fight for justice. Trouble ensues when Arundhati reopens a case, and the culprit comes after her.

A Bollywood remake of 'Splash' (1984). Shankar falls in love with Minakshi, unaware that she is a mermaid. Dr. Jacob discovers this and tries every possible way to expose her, not knowing that she will encounter danger.

A rich man's son falls in love with A Miser's daughter, and he has to prove himself now to be accepted as a groom for his daughter.

Poothumbiyum Poovalanmarum is a 1997 Indian Malayalam-language film, directed by Francis and starring Prem Kumar and Vani Viswanath.

Filmmaker Anand Patwardhan looks to history and psychology as he delves into the possible reasons behind the demolition of the Babri Mosque.

A man is forced to fight society and the legal system in order to prove his fidelity to his beloved wife. However, he faces many challenges in his quest.

Indian horror.

The communal riots that reduced Bombay into two distinct communities in December '92 and January '93 also created an underclass of citizens. During this time, Behrampada a slum colony in the city's western suburb with its predominantly (80%) Muslim population was cast as the villain by the majoritarian media and the communal forces. I Live In Behrampada traces the history of this Muslim ghetto which was first populated in 1950 and grew through the efforts of the slum dwellers who turned the slimy marsh land into solid ground. But in the face of rapid development yesterday’s pathfinders have become today’s interlopers. Is the dividing line language, culture and religion or class?

About the communal clashes between Sikh and Hindu fundamentalists during the Khalistan Movement and the subsequent endeavors of secular parties with Marxist associations in reinstating peace in the state.

Nisha and Nikhil get married but soon divorce due to misunderstandings between them.Nisha then continues her new relationship with her college professor Kunal who cheats on her ruining her life. Nisha's only motive in life is now to revenge on him.

Film by Bhanuchandran

Ramya and Shanthi are step-sisters. Ramya is arrogant while Shanthi is soft-spoken and sensitive. Sakthi is a writer and Shanthi is Sakthi's avid fan and sends him letters every week anonymously, she is in love with him. Sakthi really likes her letters,decides to meet her and he is eager to confess his love. Sakthi misunderstoods that the anonymous fan is Ramya. Later, Sakthi and Ramya fall in love with each other. By luck, Ramya becomes a model, and thereafter her popularity grows rapidly. Sakthi and Ramya decide to get married whereas the heartbroken Shanthi remained silent. The day of the wedding, Ramya runs away with dreams of being a cinema actress and Ramya asks him to wait for him. Feeling betrayed, Sakthi cannot accept it and he finally gets married with Shanthi. They live happily until Ramya comes back. What transpires later forms the crux of the story.

Sudha, a young actress, is happy to be in a live-in relationship with an aged writer, Padmanabhan. However, problems start brewing once Padmanabhan's adopted son enters their lives.

Movie starring Vijaya Naresh, Vani Viswanath, Rao Gopala Rao and directed by Vamsi.

Thangarasu, a goldsmith's son, and Poonkuruvi, a gypsy and poultry seller, fall in love during the era of British rule. However, Thangarasu soon attracts the affections of a young English lady.

Abandoned by their families to lives of penury, marked by white veils which they wear, Bengali widows find solace and food in the ashrams of Vrindavan where they gather every morning and evening to sing religious songs. In this profoundly moving documentary on widowhood portrayed both as social institution and personal tradition, moments of astonishing sensuous beauty alternate with rhythms of anguish. In the best of the new ethnographic tradition, ‘Moksha’ de-centres the voices of authority and allows a plurality of voices to introduce contesting positions. Haunting in it_s evocation of grief and anger, the film transcends documentary and assumes it_s place in the great tradition of lamentation, the expression of the dark night of the human soul.

Rajappa (Kathick) is a young man who earns his livelihood by beating up people for a fee. But he realises his folly when his mother herself becomes a victim of his doings. Rajappa promises to his dying mother that he will never indulge in violence again. He moves to a village with the intention of leading a quiet life; but realises that the village is a furnace of terror. The villagers are terrorised and opressed by a gangster Malaichami (Radharavi). But honouring his promise to his mother, Rajappa remains silent. Duraisingam (Jai Shankar) who has been a victim of Malaichami's cruel deeds, requests Rajappa to deal with the gangster. But Rajappa refuses to commit himself. A helpless Duraisingam also gives up on him. But the attrocities of Malaichami grow wilder and uglier with every passing day. Rajappa is saddened by the plight of the villagers. He thinks of a way to deal with this terror without breaking his promise. Will he succeed?

A 1997 Kannada horror movie by S R Rajan starring: Charanraj, Dolly Minhas and Pournami

Anuragakottaram is a 1998 Indian Malayalam film, directed by Vinayan and produced by Ramakrishnan. The film stars Dileep, Suvalakshmi, Jagathy Sreekumar and Kalpana in lead roles. The film had musical score by Ilayaraja.

The film shows the emergence of individual modern artist as a result of colonial transformation of the country, colonial hegemony and its nationalistic negation and also focused how Gandhian and Nehru influenced the artist during the years leading to and following independence.

Chandrakanth, a fugitive, makes the police believe that he is dead. However, an intelligent officer, Suresh, is convinced that he is still at large and vows to catch him.

Surya, a newspaper editor, exposes the scams of a corrupt contractor who is later arrested by his brother, Chandra. Soon, the contractor seeks revenge against them.

Vijay and Vinod are two lookalikes who are unhappy with their routine lives. When they cross paths, they decide to break the monotony by exchanging places.

A holistic view of the classical dance form of Bharatanatyam.

After being raped in her office and becoming paralyzed, a woman gets help from a doctor who is in a wheelchair.

Assamese film by Bhabendra Nath Saikia about the demoralization of society

Frightened of being punished by his master, an orphaned boy runs away to the city. There, he faces many challenges but later earns an opportunity to become a runner after meeting an athletics coach.

The film is described as a family drama with action elements and strong emotional content, typical of Tiger Prabhakar's action-oriented films.

A documentary capturing Badal Sircar's revolutionary "Third Theatre" movement. It uses the political satire of his play to showcase theatre as a tool for social change. Filmed in public spaces, it blends performance footage with Sircar's narration, highlighting the need for collective action against oppression.

A young spirited boy, Kyatha, lives in the slums along with his protective elder sister, who works as a prostitute but tries to shield him from her dark life.

The filmmaker persuades his Japanese sculptor friend, Toshikazu Kanai, to work with sand as the medium, near the waterfront on a beach. The waves lash. Children jump around. Fish gets caught. A balloon girl passes. A film happens, revealing the process of creation, sustenance and destruction, all happening at the same time.

When a retired father and his daughter from Mumbai moves into a house in a village rumored to be haunted faces paranormal activities. They must uncover the secret with the help of Sreenivas, a friend of the daughter.

Vishal is a young college graduate who lives a poor life-style with his medically unfit mother. All his efforts in locating a job are fertile due to the lack of recommendation. Then one day while browsing through the daily newspaper he notices an advertisement for a male spouse needed for a wealthy girl named Madhu. Finding the right opportunity to grab a recommendation he immediately applies and is one of the candidates to be shortlisted and single out for an interview only to be selected and then the marriage takes place. It is this marriage that will change the lives of Vishal and Madhu forever.

An inspector uses the lookalike of a police officer named Dhanush, who was brutally murdered, to catch a dangerous drug lord.

Sadanand Borse lives a middle-classed lifestyle along with his pregnant wife, Urmila, in a small town in India. While returning home from work on his motorbike, he accidentally knocks down a deceased child in a funeral procession. From thence on, Sadanand Borse and Urmila will experience terror and fear as they will soon be stalked by two goons, Srirang and Govind, who want to avenge the deceased child's humiliation.