Based on an idea by the writer Francis Marmande, Michel Portal, jazz clarinetist, leads young virtuoso musicians for this concerto.
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Based on an idea by the writer Francis Marmande, Michel Portal, jazz clarinetist, leads young virtuoso musicians for this concerto.
The Waffen SS is the elite Nazi fighting force that holds a dark place in Germany's history. Their code is a lethal combination of bravery and savagery.
A legendary police commissioner is at the edge of writing his memoirs when he asked to help out with solving a locked room mystery where two people are found dead in an apartment that was locked from the inside.
Three French pals take to the road in a stolen car and discover a talking, wounded stork — who claims to have deserted the Algerian army — and help it to escape to the home of a relative in Germany.
Rolando Colla made his directorial debut with this Swiss-French-Italian period drama about a Breton woman who disguises herself as a man to join a ship's crew during the 18th century. Rebellious 24-year-old Anne Bruneau is abandoned at the altar by her fiancé Yann. Unaware that Yann was drunk and fell down a well, Anne reacts to his absence by cutting her hair, dressing like a man, and signing on with a ship captained by a dwarf. When Yann learns what happened, he begins running south to Marseilles to rejoin her. Aboard the ship, Anne's disguise is discovered by the captain and the ship's doctor. With an Arab, she jumps ship, hiding with hookers in Marseilles while still maintaining her disguise.
When Santa receives Hans' letter too late to deliver him a toy, Santa and the Tooth Fairies join forces to finish Hans' present before midnight strikes.
Serge and Yvette are on the verge of separating. Hervé and Irene are already separated. Serge will meet Irene and Yvette will meet Hervé. Chance will make them meet other characters.
A journey through Algerian music, past and present, alongside a political look at Algerian society today. This documentary shows how music and musicians representing Afro-Maghrebian new tendancies, contributes to the blending and the fusion of Maghrebian and African cultures, as well as of the European and Western one. It tells about exile, about artist's feelings, about today Algeria. It shows how Maghrebian living in France express their musical culture, their roots, their traditions, mixing them up with the other cultures they meets.
In South Africa, Vincent has spent 5 years in jail for having unintentionally killed a man. Now, he just wants to forget it, finds a job in a garage and starts a relationship with his boss's daughter, Agnes. Not far away, his ex-girlfriend, now married to a rich man, tries to seduce him again. As he resists, she murders her husband and tries to put the blame on Vincent.
"We are both in mourning. We decided to film three brothers, funeral directors, for whom death is part of everyday life."
This film is based on the testimonies of some of the actors still alive (in 1995-1996) of the Occupation period, whether they were on one side or the other. Each of them tells the story of the French militia, which was created in Vichy at the end of January 1943 by Pierre Laval, from his own point of view.
Not to be confused with Ocelot's 2011 feature film, Tales of the Night is a made for TV silhouette animation. It is a compilation of 3 fairy tale like stories, bridged by sequences of a boy and girl in an abandoned theater.
While, during World War II, European Jews were being dragged by the Nazis to the extermination camps and most people bowed their heads, some brave men and women risked their lives to save them: a journey through the world and history in search of those who, by their heroic and pious deeds, deserved to be known as the righteous.
Alain Bergala chats with Moune Jamet. They talk about her work as a still photographer while viewing a selection of photographs.
In a large restaurant, a lobster anxiously waits for the moment when it will be pointed out by a customer.
The incessant verbal duel and the bothering caused by an old patient in a hospital with his roommate, a good fellow believing himself suffering from a serious illness.
Anne Roumanoff was 22 years old, with a degree in political science under her belt and ten years of theater experience behind her when she presented her first one-woman show at the Théâtre des Blancs Manteaux. That was in the late 1980s. Ten years later, after a few forays into theater, television, film, and radio, the bubbly brunette took over the legendary Olympia theater for three days with a show featuring her greatest hits, plus a few new pieces. Lighthearted or ironic, her sketches are inspired by women, all women, young and old, unemployed or successful, exquisite or exasperating—or both at the same time.
The movie shows the rise and fall of a cruel and despotic village chief Guimba, and his son Jangine in a fictional village in the Sahel of Mali.
"The Red Hotel: flying car. Filmed from the backseat, images scroll at the speed of miles fleeing, forwards, backwards ... and on this road, Venice. Floating lights, gratings, bridges above, below. The city was coming out of the Red Hotel to bend under the magnifying glass and the flashlight of the projector, drunk by the narrow streets and carried by the seasickness emanating from the "flicker" which returns in waves. Venice left the Red Hotel to take another turn, detached from the previous trip, it seems to become a suite of old postcards and gives to people who pass and search at a second-hand dealer, memories of yesteryear.“
During World War II, a woman aboard a railroad car full of deportees slips French railway worker Julien a note with an address and a simple message: "I am alive, and I love you," and he decides to track down the intended recipients. When he finds the woman's Jewish family, he is inspired to do what he can to protect them from the Nazi atrocities.
The American mountaineer Gary Hemming marked the era of the 1960s. The story of this "exceptional" character is intimately linked to that of the rescue of the two German mountaineers on the west face of the Drus, in 1966, a rescue which he had took the initiative. While the official emergency services of the EHM try to reach them from above, a pirate rope made up of Gary Hemming, René Desmaison, Lothar Mauch, Gil Bodin, Mike Brurke, François Guillot, the filmmaker Gérard Bauer organizes to join them from below and succeeded after a fierce struggle the rescue. The press seizes the event and elevates Gary Hemming to the rank of national hero. All the newspapers feature this big guy with a cool attitude, mismatched clothes, jovial smile and long blond hair on the front page. From then on, he was nicknamed: "the beatnik of the peaks".
Monique is a single mother who lives with her son Olivier in a town of North of France.She wanted to have a child and the father went away.Besides Monique is taxi driver.Olivier doesn't feel well with his mother.In the school his neighbor Julien begins to ask him about his father: Olivier answers that first that is father is dead , but later that his father is a spy who has a boat. Then Julien asks about his mother, Olivier answers that she is a top: as Olivier has to go meet his mother in a supermarket, Julien and Olivier see a model: Olivier goes to the model and asks her to give him a kiss. She gives him a kiss on the cheeks and Julien believes that the supermarket model is the mother of Olivier.
Explores prejudice against working women.
A static shot which lasts 38 minutes and portrays Philippe Parreno as a multilingual lecturer, whose topics include Philippo Lippi and Buren.
Benjamin lives with his widowed father, a designer and a bohemian artist. Olivia, his best friend, lives with his divorced mother, a lawyer who lives only for his work. Children decide to organize a meeting between the two parents, but unfortunately, neither seems interested in the other. Still, the two friends did not give up and seek new ways for the emergence of love between their parents.
Over a century, the saga of a Lorraine lineage of wood industrialists. Rise and fall, through the vicissitudes of a province torn between its French identity and its annexation to Germany.
Captain Michel Blaney is an unconventional cop who does not have only friends within the police force. Before leaving to find his daughter, Louisiane, whom he hasn't seen in 15 years, the police officer is given a routine mission by his chief: to watch over a supermarket that is the scene of a major cash transfer. As a gunfight breaks out with the robbers, Blaney sees the two cashiers, Liliane and Malika, running away with the store's takings. He decides to follow them, even if it means missing his train. Very quickly, in the presence of the two young women, his paternal instinct will incite him to stay with them and help them to return to the right path.
Inspired by a story, that of a woman who, in the 1940s, organized a commando operation on Boulevard des Hirondelles to get her lover out of prison.
Max is a kind of modern Zadig embarked upon an existential and sentimental quest. Jewish and Russian all rolled into one, he quickly feels cramped in his native Ukraine. One day, he leaves his parents, family and enemies for the city of his dreams: Paris. He discovers the capital and the occasionally ferocious and complex ways of its natives.
A four-hour journey through the first ten years of Les Guignols. Cult sequences, historic sketches, reference expressions... offer sixty or so “Guignolized” personalities the opportunity to analyze the phenomenon or react to their puppets. Their impressions, shared with Gilles Verlant, punctuate the Night. All those who have made Les Guignols what they are today - Alain De Greef, the historical authors, puppet creator Alain Duverne, etc. - take the opportunity to reveal a few of their secrets.
In this drama, three generations of the same family work together on a farm in rural France. Elderly Noel takes pride in having worked this land nearly all his life. His son Marc now carries most of the responsibilities of the farm (as well as the debts), and he's starting to buckle under the strain. And Marc's son Nicolas hasn't decided what to do with his life; he has little interest in farming, but he isn't sure where his real talents lie. One day, after helping his cows give birth to new calves, Marc gets word that he must destroy all his cattle to prevent the spread of Mad Cow Disease. This proves the last straw for Marc, and he commits suicide. Noel doesn't handle his son's death well and ends up in a retirement home, while Marc's wife gets a job as a cashier and Nicolas looks for work (with little success) while searching for a beautiful and mysterious woman to whom he gave a ride.
Max, a teenager, is having a difficult time coming of age. At 16, he is constantly in conflict with his parents. His father, Yvon, a lock and alarm manufacturer, does not understand this rebellious son. Worried about his future, he drowns Max's ambitions in a clumsy speech. Himself a bit clumsy, he doesn't know how to show him his affection. A gap is growing. One day, Max goes out without his parents' permission to attend a party organized by a friend. There, he meets his first true love, Audrey. But the young man is also insolent and is soon expelled from his school. His father reacts violently, and the teenager decides to run away.
In September 1994 in Trappes, Abdelmohcen Asli, alias Titus, 24 years old, was stabbed in the heart by a young man from his housing estate when he intervened to prevent a fight. Three weeks later, he died of his wounds. His parents, his brother, his sisters and his friends, in shock, want to keep his memory alive. On the 40th day of his death, they each send him a declaration of love filled with images and memories. The director is the brother-in-law of the victim.
George is to make a film with the cooperation of the students of a Brussels high school. The subject suggested by Saïda and Julie is tricky: they want George to film their own love story. George accepts and tries to impose the theme of lesbian love.
Always the same imperative: use a small amount of material. We also re-film. A sort of destruction of the frame, a loss in thickness. Mechanical wear, tearing. Emergence of the organic buried under a mineral veil. Figurative thrust.
From June 1991 to March 1992, nine months of a violent and agonizing political battle, in Provence, on the occasion of the regional elections.
Two young maids, in the service of respectable bourgeois, devise various schemes to improve their lot.
Show recorded on February 26, 1993 at the Grande Halle de la Villette in Paris for the benefit of the Restos du Coeur.
Monique Zimmer, in her sixties, killed her lover, Oscar Foulard, cut up the body of the corpse, and is now walking with a suitcase containing Oscar's trunk. This one continues to speak, and comes to testify during the trial of his widow.
Despite being forcibly converted to Christianity in 1497 many of the Jews of Portugal continued to practice Judaism in secret. Today, residents of the village of Belmonte practice an amalgam of Christian and Jewish rituals.
Paul has left his wife and children. Now his wife and ex-mistress is on the hunt for him.
While preparing her next exhibition, Olivia, a young painter, tries to save her life with Simon from sinking, already cruelly tested by a first year of separation. During a trip to Majorca, she meets Alexander, an Irishman with whom she falls in love. When she returns to Paris, she chooses to leave Simon, without mentioning her romance with Alexander. But the two men meet during an exhibition.
Frédéric is arrested for illicit use of narcotic drugs. In jail, he meets he get up close with various sorts of people among which he looks for a role model as a 18-year-old boy.
A 1990 short film from Alain Guiraudie concerning the conversations of two film makers as they meet each night.
Over a period of several months, director and writer Mariana Otero has been looking through the uncompromising lens of her camera at the realities of life behind the scenes at a commercial TV station: the Portuguese channel SIC.