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The first series of a film whose course is in parallel with the life of the author. Unlike a newspaper, however, any realistic, everyday element is excluded. Only one theme will carry through the whole work: the expectation of death, its presence at every moment of life, the inexorable advance of time which, hour after hour, day after day, season after season, marks every face, every body transforms every look, invests every place in its light, its forms, its colors, asserts itself in the face of what man believes eternal: the ebb and flow of the sea, the mass of rocks, their stone works.

Directed by Djingareye Maiga.

Ginette is at phone with the famous Rachah Rangers, who hosts a daily radio program. She talks about her break with Richard, her various relationship problems, her desires, fears and reproaches. Her friend, Simone Barbes, advised her to live, urgently, a new relationship ...

In this segment on immigrant cultures for the television program Mosaïque, a young Senegalese woman who cooks in a workers’ hostel dreams of traveling throughout France and getting to know her adopted country, taking issue with the cliché of the impoverished and helpless immigrant.

Two married couples share the same holiday house. Everything seems to go smoothly except that Pierre, one of the two husbands, is irresistibly attracted to Marthe, his friend's wife. As for the latter, she feels exactly the same for him. One night (or is it the same thing every night?) Pierre and Marthe remain in the living room after their mutual partners have gone to bed. They talk and banter pleasantly until they half-wordily evoke the present that could be theirs if they had married each other or what future they could contemplate if they escaped together.

French thriller written by Jean-Claude Carriere.

This documentary feature is an in-depth exploration of the world of prostitution. Its characters include pimps, transsexuals, girls/women, boys, and johns. Shot in Montreal in the course of a year, the individual stories of these people cut across each other, and many come together in the film’s conclusion. Their lives―sometimes tragic, sometimes hilarious, but often disarming and touching, are presented in a direct, occasionally brutal way. Although there are no explicit scenes in the film, it was given an adult rating. This inside view of a singular world makes us reflect on life, love, relationships, and sexuality.

Does the devil wear white? In a small province, a certain Miss B leaves corpses in her wake and fuels a lot of superstitious gossip. Despite warnings from the villagers, a writer becomes interested in the case and decides to visit the mysterious young woman dressed in white.

Some nice girls go on vacation to the south of France and have a lot of fun ans sex

Incident at Restigouche is a 1984 documentary film by Alanis Obomsawin, chronicling a series of two raids on the Listuguj Mi'gmaq First Nation (Restigouche) by the Sûreté du Québec in 1981, as part of the efforts of the Quebec government to impose new restrictions on Native salmon fishermen. Incident at Restigouche delves into the history behind the Quebec Provincial Police (QPP) raids on the Restigouche Reserve on June 11 and 20, 1981. The Quebec government had decided to restrict fishing, resulting in anger among the Micmac Indians as salmon was traditionally an important source of food and income. Using a combination of documents, news clips, photographs and interviews, this powerful film provides an in-depth investigation into the history-making raids that put justice on trial.

A silent, Super 8 film by Joseph Morder.

Grotesque and artless, this repugnant sexploitation film is about two unbalanced brothers who try to force an itinerant bum to rape their mother, and then all three men go after the promiscuous woman who lives next door. When it is revealed that the homeless man is none other than the father of the two brothers, the plot slides even further downhill.

Two couples who travelled together to Mexico watch the footage of their vacation. They laugh at scenes of dropping in on a Mexican family unannounced, frolicking on the beach and bargaining for souvenirs. When the doorbell rings and three Mexicans ask to use the phone, however, the tables are turned and the mood becomes frosty.

An ambulance heads towards the "crossroads of the crow's feet" in response to an accident. Unable to find the place, the driver stops at an intersection to ask for directions from a dull-eared local.

Made with Telidon, a Canadian videotex system that was in use in the 1980s. Although its primary function was to transmit textual and illustrative information, this system has been used by a number of Canadian artists as a creative tool to make graphic or video work. These films possess the rudimentary and primitive charm of the beginnings of the digital image era. [arcSea, spirale, inTO, TO]

After a volcanic eruption, a small village from which no one can escape. The plague spreads, and among the survivors, famine rules. For a piece of bread, Charlotte sleeps with the grocer. Night is falling. At the top of a hill, someone is watching.

Even though the protagonist of the Canadian Femme De L'Hotel is a female filmmaker, one would think twice before suggesting that this effort by Swiss-born director Lea Pool is autobiographical. Paule Baillargeon portrays a well-known director who returns to her home town of Montreal to film a high-budget musical drama. At her hotel, Paule has a brief but unsettling encounter with a suicidal elderly woman (Louise Marleau). This element of the plot is briefly forgotten as we get to know the actors in Paule's current project. Then she meets the old lady again, and with mounting incredulity Paule discovers that the actual events in the woman's life mirror the fictional events in the director's film.

Six young people decide to create their own television channel to compete with the official channels where they were not admitted. Canal soleil is the name of the pirate station and a real success. But when the pirate channel launches a parking meter snatching contest, the police get angry because thousands of parking meters are snatched. The minister decides to entrust the case to Inspector Harry Kossek, nicknamed "Super Cop".

Born on January 4, 1927 in Brussels, Jean Raine became involved with Magritte and the Belgian surrealist group, then participated in the Cobra movement. he exhibited in around fifty galleries in Brussels, Paris, Mexico, Rome, Los Angeles, Copenhagen, etc. he died on June 29, 1986.

1982. 15'50". A French black and white experimental film. Bloody, violent, and disturbing. Full production credits unconfirmed.

Aloual, the black pearl leads an initiatory journey which is a quest for the part of mystery and the wild side that lays deep inside each of us.

For two weeks in 1980, two thousand disabled athletes gathered in Arnhem, Holland, for the sixth edition of the Olympic Games for the Physically Disabled, which had been held for twenty years and had last been organized in the Soviet Union. To begin with, one-legged Canadian Arnie Boldt cleared 1.96 meters in the high jump. Records were soon to fall like the cold rain of that uncertain summer, and for all those who dreamed of going faster, higher and stronger, there was no shortage of adversaries. Brad Parks, the wheeled American, pulverized the 100 and 1,500-meter records, Leone Williams, the Jamaican, threw the discus over 28 meters; among the "big guns", the battle was fierce between Brown, the American world record holder at 263 kilos, and Lindberg, the elf from the North.

At seventy-one, Paul's knife swallowing days appear to be numbered; an injury to his oesophagus injury has halted his public performances and raised concern among his family. In private, to keep up his spirits, he continues to practice his routine before a mirror.

Jules Massanet's lyrical opera is transformed into a superb film production by Petr Weigl, shot on location in Prague, with music conducted by Libor Pesek. First produced by the Vienna Opera in February 1892, "Werther" rapidly confirmed Massanet's position on the French opera scene and achieved enormous popularity outside France, notably in Italy, America and England. The tragic story tells of Werther's intense passion for Charlotte, who has married his best friend, Albert, fulfilling a pledge to her now deceased mother. But Werther's letters of love bring Charlotte to his side when he promises to take his own life.

Samy Szlingerbaum made his film Dakh-Brisel (Brussels-Transit) in 1980, thirty years after any Yiddish feature film had been produced. Szlingerbaum felt that the only way he could relate the story of his family’s search for refuge after World War II was in Yiddish. This Belgian-based filmmaker, deeply impacted by New York experimental cinema, gives us a masterful blend of powerful drama and stark documentary to tell the story of postwar European Jewry. Home, as it had been, no longer exists, and all that Samy’s family wants is a place in which to sink new roots.

It is the story of a creature living on another planet and dreaming that he flies across space like a bird and arrives on Earth. Typical scenes are set in Paris and New York. Others show natural scenes such as ocean, trees, and birds.

Karl, a young immigrant, lives with his uncle in New York who jealously watches over the education of his nephew. A friend, Mr. Pallunder invites Karl to spend a night at his house. Despite strong opposition from his uncle, Karl agrees. On the way, Karl realises he may have displeased his guardian. His desire to turn back will be prevented.

The story of the bet of Leland Stanford , baron of the rail, on the gallop of the horse. He uses the photographer Eadweard Muybridge , who is developing a system to analyze the movement.

A structuralist work composed of static, long-duration shots of Roman ruins and architectural details, all filmed on Super 8. The film operates without a traditional narrative or dialogue, relying on fixed compositions to document the interplay of light and shadow across ancient stone. By framing monuments through windows and doorways, Jean-Claude Rousseau explores the relationship between historical space and the act of observation.

Great movement of body cinema in the 80s! My contribution to this movement! – F.D.

A touching story of the friendship between a grandfather and his grandson, this is a film about aging and death. Award-winning animator Co Hoedeman combines 3-D and cut-out animation techniques to create a very dramatic and moving film. The story follows Charles and François through the different stages of their lives. With time, they become closer, common experiences having diminished the difference in age. By the end of the film, time appears to stand still; both are over one hundred years old and they are almost indistinguishable.

Silhouettes of the dark busts of gamers visible in front of bright video game screens (sometimes covered in white and blue scratched graphics) in an arcade. These views are interspersed with short outdoor scenes taken from the outtakes of the film used for CHARLES RIVER (cyclist perched on a bicycle with a huge rear wheel and a tiny one at the front, paralleled with a screen from the game Space Invader) and for GOVERNMENT CENTER (a 6-year-old child sitting cross-legged like a young woman, in connection with a sexist game screen).

In 1983, the solar oven at Odeillo, in Ariége, has just come to a complete standstill in a mysterious way. However, this oven secretly masks the world's largest laboratory dedicated to the study of light.

Made for the centenary of France’s trade union laws, Chris Marker’s 2084 imagines a future in which a computer looks back on the labor movement of the 20th century. Mixing documentary reflection with speculative fiction, the film envisions contrasting paths for the future of workers and unions.

A medical student leaves for Ecuador to join Marianne, a volunteer for "Médecins sans frontières", who finds himself involved in blood trafficking, which the poor sell to survive.

An action limits the film, the swing of a microphone over a speaker modulates the sound of the action. A staging that will not do what one surprises oneself to expect.

Documentary edited from testimonies on the torture of people who experienced the war. Some witnesses were tortured by Jean-Marie Le Pen. These testimonies will help defend the newspaper Le Canard Enchaîné in court against Jean-Marie Le Pen for defamation. The film was shown in 1985 during the trial and some witnesses also came to support the newspaper. But the 1963 amnesty law protects the politician, prohibiting the use of images that could harm people who served during the Algerian war.

Divisional Inspector Bricot sends two detectives to the French Riviera to dismantle a drug deal in a carnival mask factory. However, knowing the low efficiency of his subordinates' work, he goes down to Nice to conduct the investigation.

On a stormy night, off the coast of the Arcachon basin, a small sailboat named "Julie" disappears with a young girl of the same name on board. What really happened? The mystery is all the thicker because a month later, her husband met the same sad end. A year later, on the anniversary of Julie's disappearance, a commemorative meal is organized by the young woman's main relations. Many things from the past will then resurface.

Reel 12 of Gérard Courant's on-going Cinematon series.

USA + USSR = USSA. My film is about blurred boundaries, probably due to my own personal history. I was born in New York, to Russian and Czech parents, raised in Brazil and educated in France. As a result, the film is a cultural cocktail shot on super 8 in New York, Berlin, Milan and Paris.

The title (NOVENA in English) refers to the nine days of prayers undertaken in Roman Catholicism as an act of devotion or penitence with the aim of obtaining a state of grace. In Olivier Smolders' brooding, impressively refined short film, realized in black and white with liturgical choral music punctuating its obsessive narrative, a writer retreats into the seclusion and tumultuous memories of his old college. There he assumes a vow of silence mocked by his nearly ceaseless internal monologue and the violent, morbid preoccupations of his mind as he attempts to reconcile the competing forces of the ascetic and the voluptuary. - Robert Avila

Reel 18 of Gérard Courant's on-going Cinematon series.

The story of three young people in 1951, when the former French trading post of Pondicherry is attached to India.

Patrick Chaput and Laurence Drummond invite us to explore Naples during the Holy Week festivities, using the collages created on the city's walls by Ernest Pignon-Ernest (b. 1942). As brass bands play and processions take to the streets, the artist scours the Baroque city in search of wall surfaces suitable for his silkscreens of Caravaggio's bodies.

Jean-Jacques Rousseau has just finished his last film, shot in unworthy conditions. He is preparing to show it to the movie critics of a local newspaper. The filmmaker launches the first images but these reveal all the problems that a non-professional filmmaker may encounter.

A short film by Paul & Gaëtan Brizzi.