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Web of Deception

An international crime syndicate absconds with over $5 million in precious jewels. Police are baffled. The insurance companies are outraged. When dashing Tony Driscoll-private investigator-is called in, the robbery investigation quickly becomes a murder case. And Driscoll is suspect #1. Dodging cops as well as criminals, Driscoll steps into a subterranean world. A world of beautiful women, exotic ports and sleek fast cars. Where hunter becomes hunted-and romance is heartbeats away from death.

Web of Deception

7.0 1971
The Windmill

In preparation for a feature-length film about windmills, an assistant director travels through the Vaud region to search for locations with windmills. The research leads to a serious engagement with the meaning and purpose of windmills, which has something Don Quixote-like about it in the age of nuclear power stations. The transitions between document and fiction flow constantly and result in a charming and intellectual mixture of seriousness and fun, determination and coincidence, weightlessness and the weight of meaning.

The Windmill

NR 1975
Das Andechser Gefühl

An anxious teacher (played, as is the lead role in all his films, by the director) sits in a beer garden on the hill of the Andechs monastery. While flies drown in his mug of beer, he confronts a life of failure: the wife he ignored, the child he neglected, the teaching duties he has shirked, and his doomed efforts at winning tenure from school officials. Only a dream from the past-the memory of a former liaison with a film star with whom he shared "the Andechs feeling, a feeling that we are not alone" - provides sustenance. Despite an unexpected series of events, longing in Achternbusch's world ultimately remains stronger than fulfilment and thirst better than beer.

Das Andechser Gefühl

7.5 1975
Adjunct Dislocations

“This film deals with exploring one´s surroundings by means of the body, and the exploration of the surrounding body. Not only is something shown in this film, showing itself is shown, not only is something portrayed, portrayal itself is portrayed. A sense of space is created in a way possible only with film: seeing oneself from the front and back simultaneously, from above and below, and from outside in the center of the space. The film combines opposite parts of the space, which form the body´s imperceptible time-space continuum. Space is carried along, just like the camera.” – VALIE EXPORT

Adjunct Dislocations

NR 1973
Français, si vous saviez

This almost 8 hour humongous 1973 documentary by two of the filmmakers who made The Sorrow and the Pity recounts fifty years of the history of France from the 1920s to 1972. It is particularly thorough in documenting the significance and rise to power of Charles De Gaulle. The film's most valuable contributions are its interviews with all sorts of people who lived through this period of history, from Marshall Petain's lawyer (Petain headed the Vichy government of occupied France) to resistance figures, and Frenchmen who fought on the side of the Nazis in Russia.

Français, si vous saviez

9.5 1973
El francotirador

Lucas is a widower who works as a clockmaker. He has a daughter who lives in a village in northern Spain. One day his daughter go to school as each morning and he opens his shop. Aafter, a neighbor comes running to tell him that his daughter just died as an unfortunate victim of a terrorist attack that has been perpetrated against the car of a minister on official visit. Shattered, Lucas thinks that this is due to serious political tension that is living that part of the country, making a terrible emotionally unbalanced resolution: life threatening to the Head of State.

El francotirador

5.5 1977
There is no forgetting

No hay olvido, composed of three parts, each directed by a young Chilean filmmaker forced to flee his country, is about the difficult condition of exiles in a specific political and social context, in this case, Quebec. The first part, entitled J'explique certaines choses, is in Spanish with French subtitles, and shows us more precisely the lifestyle of a group of Chileans. In Slowly, which forms the second part, we are asked, through Lucia, a young Chilean exile, the problem of integration into a new social environment. Finally, Jours de fer (Steel Blues), the third and only part available in English, is a cruel reminder of the harsh condition of the uprooted man who must find work at all costs to ensure his survival.

There is no forgetting

7.5 1975
S'il vous plaît... la mer ?

On a deserted beach bordered by the sea, three characters make incomprehensible movements that sound will later explain. At the same time as these images, some characters dialogue. A couple and a young girl - their daughter? - who remains mute. A dialogue of a great platitude where it is literally question of the rain and the good weather. We then realize that the mute daughter is staging - on the beach - the mother who refuses her desire and the father who makes it impossible. At the end of the film, we see the "parents" at the water's edge leaving the girl alone again.

S'il vous plaît... la mer ?

8.0 1979
Pyramid Lake Is Dying

The second of John Pilger’s three 1976 documentaries made in the United States. In Pyramid Lake Is Dying, he reports on the demise in the culture of native Americans and the stealing of their resources. Pyramid Lake, in Nevada, home to the Paiute peoples and once described as “one of the few remaining unspoiled natural wonders in the American West”, is drying up and its fisheries and wildlife disappearing due to changes to the local ecology made by white settlers. In addition to their natural resources, the Paiute peoples' culture and lifestyle are also under threat.

Pyramid Lake Is Dying

NR 1976
Pierna creciente, falda menguante

In 1916, while Europe was in the middle of First World War and Spain was enjoying the advantages of being a neutral country, eroticism was called voluptuousness and Senator Duke of Daroca, despite his ancient lineage, fell completely in love with a famous cabaret singer, Rosario "La Criollita", which was a scandal. At that time, it was doubted that decent women had legs - But this mystery was resolved a decade later, when the roaring twenties arrived and, with them, the sensual Lupe Cardoso

Pierna creciente, falda menguante

5.3 1970