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Madre amadísima

The film tells the touching story of Alfredito, a sacristan in a country church: in a long flashback he talks about his life and his deep love for his mother and for the Virgin Mary, both 'beloved mothers' (madres amadísimas). From the discovery of his sexual identity to his first love, from his military service to his move to the big city, his personal experience traces the history of Spain, from Franco's dictatorship to the achievement of democracy. A baroque melodrama where the protagonist's homosexuality and religious belief together form a single devotion, passionate and unwavering.

Madre amadísima

3.5 2009
The Wound and the Knife (Notes for a Film About García Wehbi)

"The wound and the knife" is several things, or at least three: a documentary, a fiction and an essay. A documentary about the creative process of the last 5 years of the artist Emilio García Wehbi, a series of fictional scenes that dialogue with his work and a kind of essay on the body. In this sense, the staging is situated in the fragment, not only in the fragments of Wehbi's works, but also in the fragments of the bodies that make up those works. Thus, a little adrift and with a puzzle structure, in "The wound and the knife" I manifest a constant will to jump into the void, in this way the film denies itself as a closed work, but rather, what what it tries to be is a draft, the single notes that survived my own process.

The Wound and the Knife (Notes for a Film About García Wehbi)

3.0 2019
Something Huge

Dani Tomás (Berto Romero) is a television screenwriter disillusioned and bored of his work. One day he receives unexpected news: for a legal error he must repeat eighth grade. Now, he returns to a world he already thought he had forgotten, living new experiences and experiencing a multitude of unexplained situations and hilarious events. But he will not be alone in this epic adventure, because he will have the help of the peculiar director of the school (Carlos Areces), a police officer (Antonio de la Torre, May God forgive us) and an enigmatic classmate (Carolina Bang).

Something Huge

4.0 2017
Oscar. The color of destiny

"Óscar. The Color of Destiny" is a revealing portrayal of a forgotten icon of French Surrealism: Spanish painter Óscar Domínguez, contemporary of Picasso. The film rediscovers the life of a talented artist who was ignored after he committed suicide, fifty years ago, victim of a serious illness which had disfigured his body: the Elephant Man's disease. The film is stirring and touching and compels admiration for the bohemian painter whose fate was self-destruction, after a wild crazy life. Lucas Fernández turns the life of a debauchee, who regarded himself a monster because of his disfiguring disease, into a universal story where art is the product of love and loneliness, of sex and violence before, during and after the Nazi invasion of Paris.

Oscar. The color of destiny

1.0 2008
Wine Cellars

Wine Cellars itself is a Spanish-French co-production. He shot the film in the Paris studios and also in Spain, Andalusia and Seville. According to the critics, his story of love, honour, revenge, bulls and vineyards masterfully captures the spirit of this region, the sun beating down on the parched earth, life on the farms and vineyards and the celebrations coloured by the famous flamenco dance. Wine Cellars was originally a silent film and its soundtrack was only added later.

Wine Cellars

6.0 1930
Daughter of Rage

Nicaragua, today. Eleven-year-old María lives with her mother Lilibeth on the edge of an immense rubbish dump. Their future depends on selling a litter of purebred puppies to a local gang member. When the deal falls through, Lilibeth has to move to the outskirts of the city and leave María to work at a recycling factory. The days go by with no sign of her mother's return. María feels abandoned, confused and angry. One night she meets Tadeo, a kind and romantic boy determined to help her find her mother.

Daughter of Rage

5.9 2022
La memoria de los peces

The movie is set around a small group of characters experiencing relationships which build and crumble before the viewers eyes. The title of the film refers to the belief, expressed by several of characters, that the goldfish retains a memory of something for only three seconds. Tom, one of the principal characters in the film, draws comparisons between this and the human tendency to jump from one relationship to the next, "forgetting" the pain that any previous one might have caused. The film shows complexities involved in straight, gay, lesbian, and bisexual relationships.

La memoria de los peces

1.3 2004