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Polly Pockets

Absolutely nothing to do with the tiny plastic doll, it features a cheerfully toothy brunette who wears a gaudy patchwork skirt with magical pockets filled with all sorts of goodies. She is accompanied by Dandy Andy, a middle-aged man dressed like Abe Lincoln. After gliding upon a magical trunk, they reach a world of whimsy, complete with kooky contraptions, calliope music, rope tricks, and stories which are told with hand-drawn cartoon illustrations. (Apparently, there was no budget for actual animation.) When Polly pulls an onion out of her pocket, she’s reminded of an adventure at the Castle of Gloom, where character actor Percy Helton is a henchman, and she’s arrested for being happy and sent to the onion dungeon.

Polly Pockets

7.0 1964
Fort Courageous

In this western, a cavalry sergeant is wrongly court-martialed. To reclaim his good name, he takes over a patrol that just lost its leader in an Indian attack. He leads the regiment to Fort Courageous, but is appalled to discover that the Indians attacked and massacred all but one of its inhabitants. The hardy little group must now fight the renegades on their own. The ex-sergeant plans a brilliant strategy that culminates in winning the Indian's respect. They leave the fort alone and peace is restored.

Fort Courageous

5.1 1965
Tell Me Lies

Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.

Tell Me Lies

6.4 1968
Between Two Rivers

After a brief tutelage with innovative BBC documentary producer Denis Mitchell, Dennis Potter teamed with producer Anthony de Lotbiniere to film a documentary (later described by David Niven as "absolutely wonderful"). Returning to the Berry Hill roots of his childhood, Potter used interviews with locals (including his parents) to show changes in the working-class traditions of the Forest of Dean, where "the green forest has a deep black heart beneath its sudden hills, pushing up slag heaps and gray little villages clustering around the coal."

Between Two Rivers

7.4 1960
Bade Ghar Ki Bahu

Ranjan (Abhi Bhattacharya) is the only son of a very wealthy man, and is in love with Chanda (Chandabai) who he once accidently ran over with his car. This love affair is not known to Ranjan's dad, who wants him to marry Lata (Geeta Bali) who is a simple yet pretty village girl. Ranjan reluctantly agrees to marry Lata. And on the marriage night makes it clear to Lata that he has married her to please his dad; and even introduces Lata to his true love Chanda, and asks Lata to keep this secret from his dad. Meanwhile back in the village everyone thinks that Lata is happily married. Another fellow villager, Rashad (Sunder), a struggling and unsuccessful poet, comes to the big city and tries to con a wealthy blind woman into making her believe that he is her long lost son, as he himself can be rich and marry his love, Geeta (Shammi) who is Lata's sister. Will Ranjan finally accept Lata as his lawful wife, if so what will happen to Chanda?

Bade Ghar Ki Bahu

8.0 1960
Le Québec as Seen by Cartier-Bresson

The photographs of Henri Cartier-Bresson were the first ever to be displayed in the Louvre, Paris. In this film the world-famous photographer turns his lens on the Québec scene, finding there the same fascination with form and movement that gives his work a mark of individuality. Here, in town and country, are young people, old people, streets and fences, homes and edifices captured in a moment of time to give a composite representation of the world of Québec.

Le Québec as Seen by Cartier-Bresson

10.0 1969