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The action takes place in the 18th century, in the convent of Kaufbeuren in Bavaria. A young nun, Sister Crescence, has a vision of the Holy Spirit in the form of a handsome young man.

In 10th. Century Japan, Sei Shonagon, lady-in-waiting to the Empress, wrote of the goings-on at the Japanese court. Fearing vengeance, she hid these secret notes in her pillow. UTA MAKURA is also a collection of humorous observations on modern-day Japan ranging from waterfalls to shopping malls, from kids in kimonos to fresh makimonos, from ancient wisteria to teen- age hysteria, from homemade noodles to live painted poodles.

Short documentary on 3 fisherman who still go fishing near the shore with horses the old fashioned way.

This film presents a devastating portrait of a society rife with corruption, as experienced by a young boy in Kinshasa trying to survive.

Two women that everything opposes, a luxury prostitute and an unemployed intellectual, meet on the landing they share. Against all odds, they become friends and one day decide to exchange their lives...

A woman has difficulty dealing with the death of the family pet.

A series of portraits filmed in one shot between a person and his/her cat(s) person, free to do what they want.

After reading the book "Guide to Hoggar Climbing," guide Pierre Agresti and his wife Isabelle Agresti set off into the Hoggar massif in the Algerian Sahara and tackled the west face of Garet El Djenoun. After a first attempt in 1967, they successfully reached the summit in 1970 and, with an old camera, made a film that remained unused for 25 years. In 1996, they decided to bring the past back to life through the ascent and encounters with the Tuaregs in the rock salt mines of Amadror. The film was shown in competition at the Trento Film Festival in 1997.

London during March of 1996. 1. When all golden turned to shit, 2. Interlude, 3. 1999: Karmakeddon Warriors.

June 1940. The Wechrmacht appropriates the houses in which are living Pierre, his wife Magdeleine, their son Charles, their two servants Louise and Lea, and Mademoiselle, the beautiful jewish governess.

The opera diva Bianca Castafiore spends a few days with Tintin and his friends at Marlinspike Hall, where a mysterious theft is perpetrated.

Portrait of Hermann Heinzel.

Charles Baudelaire was one of the giants of 19th-century French poetry, and he earned his position among that nation's luminaries through the poems in one slim volume, entitled Les Fleurs du Mal (Flowers of Evil). A perfectionist to the extreme, he struggled with every word of those few poems for many years before he consented to see them published. When he did, six of them were condemned by the state censors as obscene. It was surely a powerful blow to him to have such a significant part of his life's work so rudely suppressed. This courtroom drama follows him at the 1857 trial at which he defended his works. The filmmaker has chosen to symbolically re-enact certain poems about the love of a woman as they are being read for the court. It is easy to imagine that, as was certainly the case for the trial of Oscar Wilde in England, this courtroom trial was a form of punishment for his publicly dissolute lifestyle.

A year had passed since the last aventure of Olivier and his friends. The day before his birthday, the door through space and time re-opened. This time, Olivier and his friends would have to face El Diablo, who became captain since the last time, and his mens, lost in the middle on the jungle and being hunt down by the spanish army.

Young single mother has two sons and a daughter by three different fathers who are completely unaware of having fathered them. Anne's mother conjures up a plot to make everyone involved to go on a beach holiday in Mexico at the same time so that her grandchildren could meet their fathers and their new families.

A documentary about Che Guevara in Bolivia, based upon his journal listing daily agendas

A documentary covering the years Luis Buñuel spent in Mexico making films.

A young gay man is tested for AIDS. He won't use condoms; he prefers "skin against skin."

In today's Alentejo, a story of love and death based in a real criminal case.

A young police inspector dreams of being accepted by a wealthy bourgeois couple.

September, 1986. Alice and Martin are 17 years old. They come from provinces to Montesquieu high school in the capital. Like many youngs of their age, born in the 70s and nostalgic of a too comfortable childhood, they progress carefully in life. While Alice and Martin are finding their footing, demonstrations against the Devaquet law and the tragic death of Malik Oussekine are happening.

I saw this happen: Raye left home. Why? To see what was waiting for her out there. Europe! It didn't matter where she went, the Mediterranean coast, Strasbourg, Zurich, Berlin, she's young. Then her father, Abel, left. Perhaps he wanted something else to happen to him. Things began to happen on the ship, but Odessa is where it really began. So Nellie was left there alone. Maybe she couldn't have said it, but that's what she needed. I mean, to be alone with herself. That's why she sent Raye and Abel away. So without moving, with everything around her moving very fast and also in the microscope which is her work, Nellie had her own trip to make. As for this kind of travelling, that's what each of us did. I know, I was there.

It's a grim world of prostitution, drug dens, transvestites, junkies and murderers. The seediest side of urban life is examined in this tragedy. The film follows the complex, interwoven lives of four characters as they live their harsh and gritty nocturnal lives on the city streets. The main characters are Fifi a pickpocket who is simultaneously involved with Divine, a transvestite hooker and Vera a peep show dancer who refuses to be a hooker. Vera lives with her would-be pimp Jesus le Gitan, a small-scale drug dealer. When the area riff-raff become embroiled in hostilities, two of main characters are slowly killed in horrible ways. Fifi is then left to avenge their deaths.

A neurotic film critic obsessed with the movie Casablanca (1942) attempts to get over his wife leaving him by dating again with the help of a married couple and his illusory idol, Humphrey Bogart.

The neologistic title of this film translates as "Death Bureau," a secret vigilante organization used by ordinary working folk to rid the city of criminals through secret executions. Woodworker Leo Stoychev goes to the organization for help because his boss Branco won't repay a loan and may have had something to do with the accident that crippled Leo. The Mordbüro is responsible for the death of a crooked lawyer, and Inspector Raoul becomes suspicious.

Elle (Isabelle Gélinas) wants to make a film about African wildlife. Adrien (Eric Métayer) is obsessed with the idea of making love to Elle in a very peculiar and theatrical imaginary bedroom. Perhaps following a principle of sympathetic magic, he arranges for a crew of eccentric friends to help create the bedroom of his dreams. If one part of his dream comes true, perhaps the other one will.

A brief, fictionalized time period in the life of Professor Kant. The story is set in his hometown, Konigsberg, chronicling his last few years prior to his death in 1804 at the age of 79.

A small creature travels through a well, hanging on a bubble and encountering various other strange life-forms.

The 27 years old Nozha comes home with a sense of failure and despair following a long absence after marrying against her family's will.

In the light of the moon, a young terero leaves his village to go and fight “Toro.” An accomplice, dreamlike confrontation, where the interplay of shadows and silhouettes bring back the splendor of bullfighting mythology.

This fantasy experimental short film was made for ‘The awakening of the spring’, a spectacle staged by Bruno Lajara presented at the Festival of Avignon. It was shot, edited and forged in beta SP ; then kinescoped into 16mm. This film has also been screened into a part of the decoration set of the theatre piece. "After the suicide of his best friend, one of the characters, Melchior, is haunted by the ghosts of his companions and his first love." This is a silent film, without any credits. During a screening, it is planned to accompany it live by the musicians of Debout sur le Zinc.

When 12-year-old Tonin's teacher announces that he is looking for volunteers to house one of several orphan African refugees for a month during their visit to Paris, the exuberent, well-meaning youth immediately offers his own abode. His classmates cheer and he feels happy until he broaches the subject with his parents. Daniel, the boy's father is delighted by his son's humanitarianism, but still says no. Not wanting to lose face at school, Tonin decides to take the visitor anyway and just keep him hidden for the next few weeks. This family-oriented French comedy follows his efforts to keep his new African guest, Moussa, a secret.

Jaffar methodically takes photos of everything that happens around him in his city. Sonia would like to run away despite being fifteen years old, “while there is still time”.

Film made entirely from slides. Images of bodies distorted by overlays, filters... leading to highly abstract shots... fantasies?... eroticism?...

Thomas is an up-and-coming actor. His proud and loving father is watching him in a Shakespeare performance. Not long afterwards, his father dies, Thomas accidentally kills a bicyclist with his car, his girlfriend leaves him, and he develops a disorder of the inner ear. As a consequence of these and other misfortunes, he becomes depressed, attempts suicide, and has a psychotic break which lands him in a mental hospital.

After 5 years, a young Montreal couple's marriage begins to collapse.

A women is confused for a sex worker while waiting for her boyfriend.

Vincent is seventeen years old. He frequents a group of musicians older than him, who are preparing a show. Vincent wants to seduce them and tells a lot of stories in order to get noticed. One day, one of those stories irritates the group and they discover that Vincent owes them all money...

Tintin falls into a dangerous trap after his friends are falsely arrested in a troubled South American country where a revolution is about to explode.

A well brought up young man commits an irreparable yet liberating act after a failed suicide attempt.

Four hundred animal portraits. This film was made for the renovated Grande Galerie in the National Natural History Museum in Paris.

A group of gay friends and lovers discuss love, sex, life and death as they exchange partners and try to dodge the bullet of AIDS in the drama Le traité du hasard. Patrick is a gay man whose circle of acquaintances provides the background for this story. They include Lou Rockfeller III, a flamboyant drag queen; Bruno (Bruno Anthony de Trigance), a former college professor who has since found success in the film industry; Daisy, a middle-aged author whose love life is a long litany of disasters; and Julien, a good-looking man who makes his living as a hustler. Julien was involved with Patrick at one time, and it turns out most of Patrick's friends have been with either him or Julien at one time or another -- which becomes a subject of grave concern when Julien develops a full-blown case of AIDS.

After fifteen years of absence, a man returns to his family. Five-year-old Aurelie watches the stranger arrive and develops an immediate affinity with him. Her older sister, however, is very suspicious of the intruder and certain that misfortune will follow. The adults see nothing, but struggle with all their might when tragedy strikes. Naturally, the two girls bear the brunt of the impact. The film is an homage to the distant and primitive world of childhood, which shapes each of us.

Lucien Hastier, known as "Lulu", is a locksmith in La Courneuve and a communist activist. He had never known his parents and had been raised by the public assistance, a notary comes to announce that his father died and left him an extraordinary inheritance: a castle, a title of duke and a royal filiation. But problems arise, the deceased duke has left heavy debts and suitors to the title.

A torrent of words, of tenderness, of violence, of sense, and nonsense. Exasperation in speech as it butts up against things and repeats in a million ways its submission to nature and life. Red night. Collapse of night as dreams topple to their own destruction. Ruin, as an inescapable as the impediments we place before ourselves, destiny which sweeps us away, and on which we have so little hold.

Raymond Depardon had photographed the city of Beirut before it was destroyed and rebuilt. He films a long take of his photographs, like a circular panorama, producing a videoclip for the song "Face à la mer" by french rock band Les Negresses Vertes.

In a workshop in the National Natural History Museum (Paris), a taxidermist undertakes the task of stuffing a badger. This film was earmarked for the renovated Grande Galerie in the National Natural History Museum.

One hot summer's day in a little french town, a building worker accidentally finds the skeleton of a newborn baby and calls the police. Detective Jacques Deveure (Vincent Winterhalter) is placed in charge of the investigation. His investigation uncovers evidence of numerous shady dealings, revealing a strange underbelly of the private lives of a cadre of people including Grandier (Francois Berleand) and Blandine Piancet (Audrey Tautou). This multi-layered story continually unveils new twists and turns.

Waiting for a lucky break in the movie business, a young Frenchman works as a stringer in New York.

1957, the town of Mostaganem, Algeria: the country is still under French occupation, and repression of the National Liberation Front is at its height. The authorities indulge in torture, intimidation and public executions.

Camille, a mercurial César-winning actress, has seen better times. Estranged from her husband, she's with her children only every other weekend. It's her weekend, but her agent has booked her to MC a Rotary club dinner in Vichy. She takes them with her, and when her husband learns this, he demands to pick them up at once. She bolts in a rented car to the seaside, trying to improve her relations with the children, especially the precocious and distant Vincent. He loves astronomy. A rare meteor shower is due in a few days, so she suggests they go to a plateau in Spain hoping to see it. He agrees, but the relationship remains difficult, and her husband is on their trail.

Inspired by the subject and by his wife's own phobia, Luc Moullet approaches this often-feared insect through the unique prisms of religion and sexuality in a daring essay.