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Algeria, Year Zero

Documentary on the beginnings of Algerian independence filmed during the summer of 1962 in Algiers. The film was banned in France and Algeria but won the Grand Prize at the Leipzig International Film Festival in 1965. Out of friendship, the production company Images de France sent an operator, Bruno Muel, who later declared: "For those who were called to Algeria (for me, 1956-58), participating in a film on independence was a victory over horror, lies and absurdity. It was also the beginning of my commitment to the cinema."

Algeria, Year Zero

10.0 1965
Brennpunkt

Lawrence Neman is a well-heeled New York average citizen. One day when he needs glasses, his appearance takes on a trait that corresponds to the widespread notions of Jewish physiognomy. As a result, Newman is soon treated and harassed as a Jew, feeling the latent anti-Semitism - which is first expressed by the fact that he loses his job. His opposition to the stupid dictatorship of public opinion is becoming increasingly violent, against prejudice and exclusion. Consciously he steps on the side of his Jewish fellow citizens, shares their fate, marries a Jewish woman, for whom he feels sincere affection.

Brennpunkt

NR 1961
Codo con codo

Bruno and Micky are two young people who abandon their studies to dedicate themselves to song. When Bruno meets Mayte and becomes a fashionable singer, he forgets about his closest friends. But success is short-lived ... One of the most delirious manifestations that Spanish cinema saw of the 'ye-yé' hatching, with an absolutely priceless Micky, half-self-interpreting, like Bruno Lomas and Massiel. The story revolves around the desire to succeed that drives the trio, as well as the romantic relationships established between them. Seen today, it must be as delicious as it is moving, especially considering that it premiered a year before Massiel caused a national earthquake by winning at the Eurovision Song Contest with the famous "La, la, la".

Codo con codo

6.5 1967
Strangers of the Earth

Les inconnus de la terre starts like a traditional feature film: in the beginning of the film all the leading roles are given a short introduction. This is followed by a number of interviews, in which the makers unashamedly appear themselves. They include an interview with a lonely shepherd and one with three unmarried brothers who try to run the parental farm for better or worse. Notwithstanding the fact that this mode of interviewing has now become classical, les inconnus de la terre works rather refreshingly. The film is more than just an enumeration of problems. In an honest way it shows the ties of those involved to the land and to nature, in addition to being a plea for the modernization of French agriculture.

Strangers of the Earth

7.3 1961
A Black Veil for Lisa

Franz Bulon is a police inspector intent on bringing down a major drug ring operating in Hamburg. Thwarted at every turn by an assassin who is systematically killing informants, jealous of his beautiful, younger wife, Lisa, and suspecting her of having an affair (is it real or imagined?), Bulon can scarcely focus on his work. With jealousy nearing the boiling point, Bulon hires Max, the assassin he has arrested for the recent informant murders, to kill his wife...

A Black Veil for Lisa

5.8 1968