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Pink film by Ichirô Kitami.

Pinku from 1977

Adapted from the Brothers Grimm fairytale.

Short film by Teruo Koike. 18fps/8mmfilm/silent

A folk festival with a three-hundred-year history held at Suwa Shrine in Toya in Sagamihara City’s Midori Ward, Kanagawa Prefecture. Within the shrine grounds, a father, mother, and child lion line up and dance to the sound of flutes and singing. As a prayer dance that retains a simplicity passed down since the 17th century, it is unique in Japan.

"Narita: The Peasants of the Second Fortress" (1971) chronicles a decisive phase in the struggle against the construction of the Narita International Airport, as farmers in Sanrizuka adopted new defensive tactics, including the construction of fortified towers and underground shelters. As police forces moved to dismantle these structures, confrontations intensified. The film combines scenes of direct conflict with extended conversations between Ogawa and the farmers, documenting both the physical resistance and the sustained community organizing that defined this stage of the protest.

"Shot on 8mm on a mountain in Japan, the abrasive winds that drift the fog in Iimura's Kiri are so fierce we almost believe it to have grazed the filmstrip. The scratches, however, emerge as dust particles that submerge in and out of the mist. A comparative piece to Larry Gottheim's Fog Line (1970), Kiri shows rare patience in such a situation." -Julian Ross.

Pink film by Satoru Kobayashi (as Kazuo Kasahara).

The unique editing of the film, in which cuts of the train running according to an unreadable sequence of rules are overlaid with radio weather forecasts, '60s pop music and FEN broadcasts, and the inexhaustible camerawork and fearless cutting bring the scenery seen through the train windows to life in this ambitious film. This groundbreaking work was an independent film at the time, but was released in a hall rented by the filmmaker and drew an unprecedented audience. This is the starting point for his posthumous film Bokutachi Kyuko A-Train de Ikirou!

A young man idles around Tokyo, collecting materials to construct a diorama of a cityscape.

Short pinku, distributed by Nikkatsu in 1972

Pink film by Sanpei Nawa.

The shimotsuki festival has been passed down over the centuries in the community of Shimoguri, located in Kamimura in Nagano Prefecture’s Shimoina District. The population once staged a revolt against the oppression of the Toyama clan who governed the region. Disease spread in the aftermath and was thought to be the work of the slain clan. The festival was initiated to clear their resentment. The masks of dead spirits dance amid clouds of steam from boiling water.

Demonstrates the visual logic (and illogic) of sign combining with limited movements of camera for panning and zooming.

Originally filmed in 8mm a little stone-made Buddha in a temple of Katmandu, the film strip in ten seconds was projected as a loop, and then the screen w as refilmed many times in 16mm at different speeds (frames per second). The original 8mm footage has been greatly expanded through refilming in 16mm. The rhythmic manipulation of "flying Buddha" in the air is realized.

A static image of a rock next to a curb is overlaid with the deformed reflection of light and shadows from pedestrian and vehicular traffic. An alternatively whispy and shrill, irregular slide whistle soundtrack is occasionally punctuated by a male voice saying "this is," culminating in an insistent string of "this is, this is, this is." Once the soundtrack falls silent, the camera begins to haltingly zoom out, revealing the reflection to have been caused by the slick surface of the glossy photo of the curb, and the picture itself to have been one of a series of photos of urban details placed in a grid in an exhibition space.

Pink film by Satoru Kobayashi.

Pink film by Kaoru Umezawa.

Seiji Izumi's first film. Cast unknown.

Pink film directed by Kan Mukai.

Independent animation by Suzuki Shin'ichi.

A short animated film by Tadanaro Okamoto.

Short pinku, distributed by Nikkatsu in 1972

The adventures of a young and happy bee who is sent by her queen to search for pollen, and in doing so she finds a new world that surrounds her, making friends with various forest creatures.

A man obsessed with hardboiled fiction grows into a full-fledged gangster after discovering a dead body in his house. 16mm debut of Kazuo Goto, lead actor of Nagisa Oshima's film "The man who left his will on film".

Japanese crime film

An edited version of the first few episodes of the classic Japanese series, this introduces the characters of Koji, Dr Hell, Baron Ashura (freaky man/woman baddie) and of course, Mazinger Z.

Experimental short by Takashi Nakajima.

Short pinku distributed by Nikkatsu in 1972

Fan-made "Dynavision" (kamishibai style) adaptation of Hagio Moto's November Gymnasium

'What I am concerned with in this film is not only the flicker effect, but also the coming and going of an eye-like shape on screen which was created by a fade-in-out device while shooting the light/the bulb of the projector. The viewer literally looks into the light which acts like an eye.'(T.I.)

Cameras once again observing each other.

A psychedelic film using four projectors. The film comprises of thirteen scenes, including a woman and man shot from the front. Shot frame-by-frame, printed onto transparent cel sheets and layered on top of one anther, the halftone dots from reprographics expand and contract to create a moiré effect.

A stop-motion animation of endlessly moving forward towards a quarry.

Identity and integrity are discussed in connection with a tour of rock band Carol.

Pink film directed by Kan Mukai.

Pink film by Kan Mukai.

Pink film directed by Kan Mukai.

Pink film 1970.

Nikkatsu Roman Porno

Pink film directed by Satoru Kobayashi.

A photograph of Aihara’s grandmother, overlapped with a tranquil documentary style animation of her life ending at her funeral scene.

The seminal image of the continuous motion of a woman skipping. While Edward Muybridge worked to accurately record human movements, this film, shot in 16mm and made 100 years later, sparks interest in how it disrupts the order of continuous movement.

A record of the Anpo Treaty and Okinawa struggles of 1968 to 1970. Part 1: '68.10.21 to '69.5.31; Part 2: '69.6.8 to '69.11.17; Part 3: '69.12.1 to '70.6.23

Beginning with the grounded view of bare feet walking through shallow surf, the film then seizes and, in successively cumulative layers adds frames of image-within-image until we are watching the walking feet through a tunnel. The Dutchman's Photographs becomes a kinetic reiteration of itself and in doing so, succinctly detaches from spatial illusion, beginning a temporal experiment where still photographs are transformed into cinematic "action".

Independent animation by Suzuki Shiniichi

This animated documentary is derived from footage shot at the site of the Sanrizuka struggle opposing the construction of Narita Airport. In addition to scenes evidently shot before and after the Nihon Genyasai Festival in Sanrizuka, it features time-lapse sequences showing abandoned houses and construction equipment leveling requisitioned land. “The footage was filmed in Narita. Because this land had been seized, I became conscious of the intensity of my own inner landscape. My time-lapse filming of the landscape was intended for use in an animation-as-documentary.”

Matsumoto's early video work Murder Catalogue, but there were few opportunities to be screened at that time since it dealt with a grotesque image. Digitized a half-inch videotape he had kept in his studio. It is a work that shows the original form of a mysterious narrative that later appears well in Matsumoto's work, as it is constructed to repeat an event through long-term filming of a video and monologues by a cassette tape recorder. A photograph is placed in front of the video camera by one by one and the camera zooms in mechanically towards the images. Also, in Matsumoto's voice, a short monologue about the photos recorded on the tape is played. However, the voice is suddenly cut off by the sounds of hitting and the screams of the terminal, followed by the camera starting to expand the different images in the same way, and the voice of the recorder is played over and over again. - Ex-Is

A woman takes revenge on the man who kidnapped her using violence and BDSM.

A stop-motion puppet animation adaptation of the fairy tale Beauty and the Beast.

Directorial debut of Sachi Hamano.

Short animated film by Tadanari Okamoto

Experimental short by Takashi Nakajima.

Pink film from Okura Eiga.