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Lettres d'amour perdues

Tired of the daily life she leads, a young woman decides to leave everything and run away from civilization. When she reaches the heart of an abandoned island that she thought was deserted, she is suddenly disturbed in her flight by the only inhabitant of the place, a strange and young man, entrenched in his memories and his melancholy, who gradually sees in her the incarnation of the love he has never stopped waiting for. Thinking that everything can bring them together, he starts to follow her insistently in the hope, soon admitted, of making himself loved by her. A strange pursuit begins between these two people with passionate feelings, where each of them finally wants to go to the end of their desires.

Lettres d'amour perdues

NR 1983
L'Empire de Médor

L'empire de medor is a satirical voyage of discovery through the universe of the dog lover. By systematically scrutinising the industry that capitalises on the love for man's best friend, Moullet has made an absurdist film that shows how the love of animals has become a kind of surrogate religion for many people. He takes us to canine beauticians and beauty contests, and explores the field from dried dog food to advanced super-duper pooper-scoopers. By showing in great detail all those gadgets and gimmicks to make the lives of pets as agreeable as possible, Moullet vents his barely concealed criticism of consumer society.

L'Empire de Médor

6.8 1986
Le rescapé de Tikeroa

In 1939 a French policeman (Jacques Martin) is forgotten on a Polynesian island, during an administrative tour. When war broke out, he knew nothing about it and it was only when a German ship called that he learned of the gravity of the events. On the tone of comedy, this drama describes the relationship between this ex-policeman still imbued with administrative stupidity and the naive but joyful population of the island. The comedy prevails over the drama and the gendarme will not take long to acquire the joie de vivre of the natives.

Le rescapé de Tikeroa

NR 1981
Unheimlich III: The Mothers

After five years of intense work on identity, an alchemical quest for the depths, after nine films and films / actions where the actresses' gestures resounded against a black background which eliminated the environment to reveal the inside, taken outside: encounter of the inside with the outside. Journey back into memory. Crossing the Greek landscape in August. The seas. The ruins, remains of abandoned houses, homes with holes, pierced by the wind, inside crossed by the outside. Unheimlich: the disturbing strangeness. Activation of a memory of origins. Unheimlich: what should remain secret, hidden and which manifests itself. MHTRIS = mother's country.

Unheimlich III: The Mothers

NR 1981
The Damnation of Faust

This live recording was made at the Royal Albert Hall during one of Londons famous Promenade Concert seasons. Sir Georg Solti conducts the Chicago Symphony Orchestra and Chorus in a magnificent performance of Berliozs concert cantata. This feast of Berlioz launched Soltis farewell tour with the orchestra he had directed for twenty years and was described by The Times as the unsurpassable culmination of two decades of music-making...one that summarised all that has been most admirable about Soltis long reign in Chicago. Like reading the book by flashes of lightning was how one writer described the relationship of Berlioz to Goethe in this Dramatic Legend, his way of shaping twenty scenes selected from the story into a narrative in four parts. Though it has sometimes been staged, the works drama is to be found within the music itself, which illuminates the incidents with what the conductor Sir Thomas Beecham once called a bunch of the loveliest tunes in existence.

The Damnation of Faust

NR 1989
Les Conquérants de l'Impossible: Portrait de Groupe

“The Conquerors of the Impossible: Group Portrait” is a documentary on free climbing which takes place in the Verdon Gorges and Toulon. It was directed by Bernard Dumont in 1986 and produced by Les Films du Soleil. It is part of the series The Conquerors of the Impossible (3-3). There we find Patrick Berhault, Patrick Edlinger, Eric Escoffier, Christophe Profit, Laurent Chevallier, Jean-Paul Janssen and other pioneers of free climbing.

Les Conquérants de l'Impossible: Portrait de Groupe

10.0 1986
Le Moteur de l'Action (A.M.D)

"I found that soundtrack abandonned on a shelf in an editing room. It had been hanging about there for a few weeks before I decided to listen to it. There you are, carefully cellotaped in the correct order of the editing rushes, claps, cuts and wrong frames of a film I don’t know anything about. That soudtrack immediatly appealed to me. Its discontinuary and fragmentary aspect, nevertheles made sense, was a sort of transcription in the world of sounds of what had been so for visual in my other films. Moreover, its contents made of sentences or scenes only just introduced or repeated, of questions about identity and the body, the coming in and out of the characters, scenes of seduction and violence, all that mixture permanently interrupted by the unknown director that give his orders : "Ready ! Motor ! Action !" in short, all this gave the film a mysterious and imaginary atmosphere." Christian Lebrat (Dedicated to Marcel Duchamp)

Le Moteur de l'Action (A.M.D)

NR 1985