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History of a Jewish family, the Oppermanns, in Berlin at the end of 1932, after Hitler has become the leader of Germany's strongest political party.

Madeleine, who runs a disco on the French-Swiss border, dreams of going to Paris to pursue a singing career. Her lover, Paul, who makes his living smuggling money, gold and goods across the border, plans to emigrate to Canada. Mali, a pretty young Algerian woman who lives in France and works in Switzerland, would like to be anywhere except where she is. Louis, born on a Swiss farm and trained as a clockmaker, would give anything to leave his mistress, Lucie, and move in with Mali.

Camille (Penelop Schallenberg) is the only child of her unmarried journalist mother Marianne (Veronique Genest). She has never known who her father is, and her mother isn't telling. However, in her rush to get to an assignment in the Middle East, her mother left behind three letters addressed to three men Camille has never heard of. When she opens the letters, she discovers that they exhort each of the men to look after Camille, as they may be her father. Naturally, Camille looks them up, letters in hand. Just as naturally, they get to know one another, squabble over who is the real father, and conspire to break her out of the orphanage she is put into when the authorities find out her mother has become a political prisoner.

Six scientists arrive at the creepy Headstone Manor to investigate a strange phenomena which was the site of a mysterious massacre years earlier where 18 guests were killed in one night. It turns out that the house is the place of a satanic cult lead by a sinister monk who plans to kill the scientists who are inhabiting this house of Satan.

Sixties. A group of kids are in their last year of high school. Renato, a young student, is in love with the beautiful Manuela but she does not reciprocate her feelings. One day Renato, on the occasion of his parents' departure, decides to hold a party at his house to which he invites Manuela and two other companions, but a few days later he ends up being suspended from school after having peeked into the girls' gym. So the protagonist plans to leave for Sweden in search of easy conquests but on the train he meets a beautiful lady who intends to betray her husband. Renato is unaware that she is the wife of one of her professors and the situation gets complicated.

In the dead of night, a few hours after Mozart's death, the usual suspects are summoned to Mozart's room by Count Pergen, head of the secret police, who considered Mozart a potential revolutionary. Over the corpse, he interrogates them, trying to discover the true cause and significance of Mozart's demise.

Michel works there manically solving people's problems over the phone. He is about to tie the knot with his girl friend Isabelle, an airline hostess. She flies all over the world, he hates to leave the office. A series of madcap mishaps involving theft or injury (as you would expect in his line of work) ensues after Michel promises Isabelle nothing will delay their marriage and she promises in turn that she's done flying. Once this unlikely promise is made, it becomes premise and both are forced into escalating white lies to maintain the appearance of keeping their word. Their predicament mounts as Isabelle is forced to do a few more flights, while Michel is compelled to travel to New York, Tunisia, and finally Hong Kong, where they are finally reunited in the throes of a contrived and hilarious drug deal involving a 747, water taxi chases, and martial arts.

A lawyer hires a call girl after learning his wife has invited her lover to move in; the husband and wife separate and the two new couples live side-by-side without issue - until an ex-boyfriend shows up and things start to go wrong.

Baron Childerich III of Bartenbruch considers himself to be a descendant of the Merovingian dynasty and he has drawn up a chart of marriages and adoptions which show that he is his own father, grandfather, father-in-law, and son-in-law. He aims at achieving the "total family" based on one man. He persuades his french relative, Pippin, to help him. But the latter lets him down and breaks up the family... Among those who belong to the (surrounding) world of the Baron are Dr. Döblinger, a writer, who has formed a band of muggers and Professor Horn, a psychiatrist, who quiets his patients by leading them on nose rings and beating them up... Family satire with numerous personal and literary allusions based on the novel of the Austrian writer, Heimito von Doderer.

In an antiquarian, a man buys a leather-bound blank book to use as diary. Once home, he finds the book has started writing itself - with Chapter I detailing everything that happened to him, including the book starting to write itself.

Pepiwe (played by Jose Gregorio Payema) is a Yanomami boy living in a Catholic mission. After getting into an argument with his teacher about the name of his river (she says Rio Siapa; he calls it Periquitos), Pepiwe decides to return to the jungle to look for his family. He paddles down the Orinoco with his dog and parrot, and during a stopover on land he meets yet another nun (Flor Núñez), but not one from his mission. She pays the boy to show him the way to San Carlos de Rio Negro (by the Colombian border). He reluctantly agrees, but after a day's journey the nun tries to sneak away and loses the canoe.

A group of high school students make their end-of-year trip to Bariloche. The excursion is complicated when it is discovered that the travel agency that takes them has scammed them

Edoardo meets and immediately falls in love for Edith. They soon decide to marry. During the wedding Edoardo knows Anna, Edith's best friend and wife of her brother. This last is a fake marriage since Sacha is homosexual. Incredibly Edoardo loses his mind for Anna, and they become soon lovers. The two couples spend time together in Venezia. Edoardo is continuously shared between Edith and Anna. But this won't take long.

A young girl from the provinces, comes to Paris with one goal: to become a part of the rich bourgeoisie. To achieve this she will use her unique beauty and charm.

Actress Serena Lattimore refuses to agree to a divorce when her husband Quentin Ballard tells her during a premiere party that he loves the young Gaby York and intends to marry her. Serena invites Quentin's friend over for a chat, during which a heated dispute ensues, and soon afterwards an alleged suicide is reported to Scotland Yard. Inspector Oscar Garth takes over the investigation...

Woody Allen writes more movies about life, Hoffman, De Niro and Pacino have an identity crisis, Spielberg struggles under the weight of all his money, and refusal to take him as a serious actor pushes Leonard Nimoy over the edge.

The complex technology of modern rail track is shown, covering component manufacturers, current methods of laying track and its maintenance.

A short documentary on the practice of Zar in Sudan.

Araminte is a wealthy young widow. Over a matter of land, she is in conflict with Count Dorimont, whom her mother would like her to marry. In need of a steward, she hires Dorante, a handsome young man without a fortune, whose secret ambition is to win the young woman's heart and hand. It's Dubois, Dorante's former valet, now Araminte's, who, by manipulating all the household staff, hatches a plot based on true, false and mixed confidences, designed to lure Araminte into Dorante's arms. Dorante eventually confesses to Araminte, who forgives him and marries him.

Reel 36 of Gérard Courant’s on-going Cinematon series.

Gwen is a young girl adopted by a nomad tribe in a desert post-apocalyptic world. When Gwen's friend is kidnapped, she and an old woman called Roseline embark on a trip to bring him back.

In a second-rate variety company, a strange Hungarian fortune teller, a magician with a criminal record, a ventriloquist who uses a dummy named Freddy, a singer, and a group of girls who can no longer find work in top-tier theaters all live together.

A friendly street kid in India, during the last years of the nineteenth century, looks and considers himself Indian, but is in fact a Brit. The Brits discover his true origin, and train him as a spy.

In times of civil unrest, crack police units like Inspector Maclntyre 's get the job of keeping order on the streets. But when a demonstrator dies after a riot, who will the public - and the Police Force itself - hold accountable?

An intimate chronicle of the shooting of Ran (1985), a film directed by the legendary Japanese filmmaker Akira Kurosawa.

A companion piece to the earlier film ‘The Death of Empedocles’, 'Black Sin' is an adaptation of the third version of Friedrich Hölderlin’s play ‘Der Tod des Empedokles’.

An Italian-American pizzeria manager returns to Sicily to assassinate a judge, enlisting his honest younger brother for help. As the brother's morals clash with the task, the only way to save him is through a sacrifice that appeases the mafia.

Tucked away in his castle, a hypochondriac inventor plays generous host to a revolving cast of wacky guests. But to pay off his mounting debts, he must sell either a powerful businessman or a rich gypsy on his latest creation: a laser skywriter.

Dominican friar Etienne de Bourbon visits a 13th-century French village in search of heretics for the Inquisition. Despite the opposition of the local priest and the indifference of the villagers, he finds a seemingly perfect suspect: a young woman who lives in a forest outside the village and cures people with herbs and folk remedies. In the process, he discovers the cult of the greyhound "Saint" Guinefort, and confronts his own troubled past.

If you are a man, don't miss the chance to be there for 15 minutes at least once in your life. If you are a woman, you have nothing to laugh about.

Párpados (the literal translation, “Eyelids”, misses the homophonic “par pa’ dos,” or “a couple for two”) is a 1989 television episode with an intricate script involving a delirious array of doubles, mirrors and word-play revolving around the central theme of amorous obsession.

A journalist very attached to freedom of information conflicts with the management of his channel.

Mrs. Silly, a woman who has lost her husband to another, is now about to lose her son to an expensive boarding school, compliments of her ex's money. Confronted with these losses, Mrs. Silly realizes she must regain her identity. Desperately trying to keep up appearances, to be cheerful, busy, and dignified, she only succeeds in living up to the derisive nickname she invented for herself.

Selected industrial and city settings from the three films were documented again for Usinimage and intercut with the corresponding fiction film scenes, in order to give the landscapes a new accent through artistic defamiliarization and condensation. It is an exploration of city architecture, in which the shooting location serves not just as reflective or constrastive backdrop but rather becomes itself content.

In the winter of 1942-43, a Jewish family leaps from a train going through Silesia. They are separated in the woods, and Leon, a local peasant who's now a farmer of some wealth, discovers the woman, Rosa, and hides her in his cellar. Leon's a middle-aged Catholic bachelor, tormented by his sexual drive. He doesn't tell Rosa he's seen signs her husband is alive, and he begs her to love him. Rosa offers herself to Leon if he'll help a local Jew in hiding who needs money. Leon pays, and love between Rosa and him does develop, but then Leon's peasant subservience and his limited empathy lead to tragedy. At the war's end, a ray of sunshine comes from an unexpected place.

Dermot is in love with Pearl and is going to meet her family for the first time. But not everyone lives in the same world as us..

Movie director Niccolò has just been left by his wife. Subsequently he embarks on an obsessive relationship with a young woman who eventually leaves him and disappears while searching for her, he meets a variety of other willing girls. This gives him the idea of making a movie about women's relationships. He starts to search for a woman who can play the leading part in the movie.

A lesbian couple on vacation ends up staying with a sinister woman and her strange son in this Spanish giallo.

After a year spent mourning his wife's death, a father and two sons cut loose for some wild living. Loose remake of Los Tres Alegres Compadres.

Three characters' misadventures in semi-deserted, summertime Rome: a dim-witted mama's boy falls for a tourist; a would-be womanizer struggles to find company for his sex tourism trip to Kraków; a hippie is drawn into his father's schemes to bring him back into polite society.

Two youth gangs of the low class generation in the '80s fight in a war. The "Sharks" and "Council" defend their territories with their lives. Violence, hatred and brutality are commonplace soundtracked by thrash metal music. As the conflict grows, it comes to the final battle: a man-versus-man duel for Richy, the leader of the "Sharks".

Mr. Rorret is the owner of a cinema called "The Peeping Tom" which shows a constant stream of horror films. Rorret dates women from the audience and then kills them, taking sadistic pleasure from their expressions of terror. This film is apparently a well-filmed homage to "Peeping Tom", with nods to "Psycho" and "Strangers on a Train".

Juan is the handsome, irresponsible, best-loved second son. When his older brother, who runs the family's black-market business with their steel-willed mother, marries Juan's lover Ana, Juan heads for Madrid to work for Franco. Juan also leaves behind his impoverished cousin, Ángela, pregnant with his son. Jump ten years. Juanito, the lad, has rheumatic fever. The doctor says to pamper the boy. Ángela, Ana, and his grandmother comply. As Juanito recovers, his father returns in desperate need of cash; Juanito witnesses a theft blamed on his innocent mother. Things come to a head at a saint's-name party for father and son. Jealousies, betrayals, and a bullet converge.

A criminal shows up at a farmhouse with the law on his heels and several million dollars in his possession.

A teenage girl takes care of a former soldier suffering from the effects of being gassed in the First World War.

By the time director Katja Raganelli arrived in California to make a film about Dorothy Arzner in 1980, Arzner had passed away in a car accident. Nonetheless, Raganelli visited Arzner’s desert home and retraced the pioneering filmmaker’s career in this documentary, using Arzner’s trove of photographs, as well as interviews with her leading lady Esther Ralston, to create this nuanced portrait of a woman who bucked every norm and defied societal expectation.

At the sea shore, a goat, a child, and a naked man. This is a photograph taken in 1954 by Agnès Varda. The goat was dead, the child was named Ulysses, and the man was naked. Starting from this frozen image, the film explores the real and the imaginary.