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El Sistema

El Sistema is a network of childrens and youth orchestras, music centres and workshops in Venezuela, in which more than 250,000 children and young people are currently learning to play an instrument. It was set up over thirty years ago by José Antonio Abreu, who was driven by the utopian vision of a better future. In the dangerous and poverty-stricken shanty towns of Caracas, Abreu lifts children out of poverty through music, changing both people and structures. The film El Sistema shows how Abreus astonishing ideas have led the way out of the vicious circle of poverty - and how the power of music has been able to change the lives of hundreds of thousands of young people.

El Sistema

7.2 2008
Suchkind 312

For Ursula Gothe, the wife of the up-and-coming engineer Dr. Richard Gothe, life in the post-war period is finally back on track. That changes when she rediscovers her daughter Martina, who she thought was dead, in a wanted ad. Ursula is stunned with joy, but also very scared: the girl is from a man she met during the war, before her time with Richard. Now Richard is about to be promoted to factory manager and does not want to be discredited because of an illegitimate child.

Suchkind 312

5.2 2007
Der Tiger oder Was Frauen lieben!

Franz, editor-in-chief of a large publishing house and no stranger to sadness himself, learns shortly before his wife Simone's death that she has been cheating on him. Stunned by this infidelity, he doggedly sets out in search of his rival. At Simone's funeral, a pimp turns up with two bodyguards and lays a wreath with the dedication 'With love - your tiger'. Franz wants to get to know this rival better and even follows him to his stately home in Andalusia.

Der Tiger oder Was Frauen lieben!

NR 2009
Rosamunde Pilcher: Wo die Liebe begann

Diana and Andrew Chelsom have been married and have now lived separated for a long time.Anne Chelsom ,their daughter comes now to Cornwall to spend some days with her mother.By chance Diana meets Andrew in the fruit market and Andrew presents her his new girlfriend Shirley (who is quite younger as their daughter Anne).Other surprise: Andrew has bought a mansion,the Wilson House as gift for Shirley in the wedding day.Anne will also encounter a surprise coming from the past the Doctor Justin Giggs.

Rosamunde Pilcher: Wo die Liebe begann

5.7 2006
Detektiv wider Willen

After a stroke of fate, star lawyer Mark Degen completely turns his life around. The workaholic, who only took on lucrative cases, becomes a courageous lawyer with social commitment. When his daughter, public prosecutor Ricarda, loses her first case against a corrupt hospital doctor in which the key witness and evidence have obviously been tampered with, Mark suddenly finds himself in a new line of work: as a "detective against his will", he embarks on a search for clues to help Ricarda. The investigation not only brings movement to the deadlocked criminal case, but also to the difficult relationship between father and daughter.

Detektiv wider Willen

4.0 2009
Süd. Grenze.

One time you find yourself in a park, on a bench, looking into space, and for a second you forget which country you are in, whether it's morning or evening; you are pierced by a pang of loneliness, your heart becomes light and sad, what is important separates out from all the noise of the world, and the slipping, sliding shadows fill with meaning profound... Words come to mind... "South. Border" is my present to myself, a little window to the house I will never be able to build, a house of silver and light.

Süd. Grenze.

9.0 2001
Die Blücherbande

Werner Blücher is what you'd call a real thoroughbred crook: not a second seems to go by without the cunning rascal coming up with an idea for the next coup. It's just too bad that Blücher's criminal career hasn't been too successful so far - his lawyer has just got him out of prison once again. And although his arch-enemy, the fanatical chief inspector Schmitz-Kesselhoff, is doing everything she can together with her dotty assistant Müller Zwo to get Blücher out of circulation once and for all, the gallant crook is already planning the next thing.

Die Blücherbande

4.7 2009
what I wanted to sing you

Herman van Veen ist der absolute Inbegriff des Liedermachers. Bezaubernde, nachdenkliche, traurige, wahre und fantasievolle Geschichten erzählt der 56-jährige Musiker, Sänger, Songschreiber und Schauspieler aus Utrecht. Herman van Veen ist aber auch Poet und Clown -- und das macht aus jedem seiner Konzerte etwas Besonderes und ebenso aus jedem seiner Alben. Denn Herman van Veen singt nicht nur seine Lieder, er lebt und atmet sie. Was ich dir singen wollte handelt in erster Linie von der Liebe. Fazit: Ein Herman van Veen wie immer -- ein sensibler Poet, voller Menschlichkeit und Mitgefühl, eingebettet in ebenso einfühlsame, zarte aber durchaus auch lebensprühende Musik.

what I wanted to sing you

NR 2002
Gagarin’s Pioneers

"Gagarin’s Pioneers" is a journey of the director in search of his classmates from the 52nd school of the city of Lviv, with whom he studied in Soviet times. These are thirty-three short films about the author's thirty-three classmates. Today, several people still live in Lviv. The rest have gone all over the world. What unites the former pioneers of the Gagarin detachment now? What is the Motherland for them today, to which they swore an oath when they joined the pioneers in the spring of 1973?

Gagarin’s Pioneers

NR 2004
Thinking in Loop 3. The Immortal Bodies

Thinking in Loop: Three videos on iconoclasm, ritual and immortality. Combining theoretical texts and film footage, the topic of these videos is, actually, video as a medium: the use of the image within the video, the analogy between video and essay, the difference between private and public use of the video, the video running in loop as a contemporary form of ritual. The film footage is not used here as a mere illustration to make the text more comprehensible, or to make certain theoretical positions more evident. Rather, these video lectures thematize the gap between what we hear and what we see, and reflect on the relationship between image and word in our media driven world.

Thinking in Loop 3. The Immortal Bodies

NR 2008
The Best Place to Be

After they have graduated from school, the two best friends Kati and Jo jump into their purple Benz and embark on a journey around the world southwards. Kati, however, struggled with the decision for the journey as the love of her life returned to their hometown Tandern shortly before their departure. The journey leads the two friends over the Brenner pass, where their car suddenly stops working. When Kati then also learns that her grandfather is about to die, she wants to return home – this puts the friendship of the two to an acid test.

The Best Place to Be

6.0 2008
On Construction of Griffith’s Films

In On Construction of Griffith' Films we picked a sequence from Griffith Intolerance (1916). It shows a dialogue between a man and a woman, filmed and edited as shot and counter shot. We reproduce the shot on two monitors to reveal its narrative character and also because analysis requires us to dissect something. The narrative form of shot / counter shot, which would later become the norm for depicting dialogue in film, remains novel here. A few years earlier Griffith had still used tracking shots to tell his stories. In The Lonedale Operator (1911), cuts were made only when the scene changed; a cut in the movie's story line. In Intolerance, cinematography had already achieved such a level of independence that it was the camera that constituted a room with it's detail. -Harun Farocki

On Construction of Griffith’s Films

NR 2006
Ein Engel namens Hans-Dieter

Hans-Dieter Anhäuser, owner of a joke articles factory, is a creep. He cheats on his wife, neglects his children, bullies his employees - and all just before Christmas. But then he has an accident, falls into a coma and experiences his own funeral in a dream. In the process, he learns what everyone really thinks of him. To make matters worse, he meets his deceased father-in-law, the former factory owner, who tells him that he, Hans-Dieter, has one last chance. If he doesn't manage to make his family happy by Christmas, he will send him to hell on Christmas Eve.

Ein Engel namens Hans-Dieter

6.0 2004
Macho Undercover

Tom Kostner is a macho man. He cheats on his two girlfriends, drives a flashy Cobra and works as an editor for a car magazine. He lives in a chic penthouse with his roommate, the bartender Ecki . But it is more appearances than reality: he is soon fired from the magazine. His girlfriend Manu catches him with his other girlfriend and leaves him too. He applies to some other magazines, but has no success there. When his Cobra is towed because he is behind on the installments, he grasps at his last straw: he applies to a women's magazine. However, since they prefer to hire women and homosexual men, he plays the gay man. At first he makes a few mistakes, but ultimately manages to convince the other employees.

Macho Undercover

4.3 2005
The Golden Nazi Vampire of Absam: Part II - The Secret of Kottlitz Castle

If things were up to General Donovan, then the Military Secret Service of the United States would take care of really important things, of which there are plenty in this Autumn of 1942. Let the Waffen-SS search for Atlantis and dance around Germanic Druid Stones - who believes in the occult of "Wunderwaffen" or "miracle weapons" anyway? At least no straightforward American patriot, only pathetic wimps like William Blazkowicz, the only person at the OSS who wears glasses. But then ... can you dare risk to ignore explicit warnings? Secretly shot films? Evidence? What is really happening in Kottlitz Castle? Who killed Smokey Savallas? What kind of research is the "Ahnenerbe der SS" involved in? Who stole Count Dracula's bones from a crypt in Wallachia? And where's the connection between a fanatic SS General, underground laboratories full of German scientists, and a huge pit filled with molten gold? Questions, questions ...

The Golden Nazi Vampire of Absam: Part II - The Secret of Kottlitz Castle

5.8 2007
Beacon

BEACON is a montage of location shots filmed at ten different places around the world. These sites are connected by the fact that each is located by the sea. Seamlessly combining travelogue footage and appropriated clips from feature films, BEACON produces a single, imaginary locale. Distant echoes of stories of the sea mingle with the banality of today's touristy beachlife. In its collage of places of expectation and with its seductive prospects of the sea, Beacon sets off on a journey with no distinct destination.

Beacon

8.0 2002