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Heimkinder (2). Warten bis der letzte von uns da ist

The second film begins in early April with Tarkan's return. He wanted to go back to Hamburg with the stolen 800 marks. The next night, Christian is gone. The group travels on to Lisbon to start investigating Christian's whereabouts. At the same time, school starts again. Christian has once again been caught by the police stealing a car. Three days later, he is back with the group. An educational attempt at clarification begins: Why did he run away? Why did he steal? Why the cars?

Heimkinder (2). Warten bis der letzte von uns da ist

NR 1985
Stern ohne Himmel

Spring 1945, the "Greater German Reich" is crumbling in the face of imminent military defeat. In Brandenburg, not far from Berlin, four 15-year-old teenagers have discovered a food depot that has been buried by war debris. They discover a cellar full of hams, sausages, preserves and tinned food. Paradise seems to have broken out for the four of them, even before the general horror comes to an end. But Antek, one of the four boys, soon discovers a little boy who has escaped from a concentration camp and has found a hiding place right here, in the cellar, on this island of plenty, in order to survive the Nazi madness after all. His name is Abiram and he is now dependent for better or worse on the goodwill of Willi, Antek, Zick and Paule, who are almost the same age.

Stern ohne Himmel

8.5 1980
Her mit den kleinen Schweinchen

Wolfgang cannot make up his mind whether to choose a pretty young thing without money or a rich widow. Egon his friend advises him to choose the young girl and leads rich and ugly widow Olga to the altar himself. Now he lives in the lap of luxury, but his jealous wife never lets him out of her sight. Wolfgang takes the hen-pecked husband to the "Ball of the Piggies", where Egon promptly succumbs to the charms of an ever so sweet and sexy Piggy, those of his wife. While Olga ransacks the hotel in search of Egon the next morning, the real beneficiaries are Wolfgang and Eva who chalk up the nocturnal happenings to experience.

Her mit den kleinen Schweinchen

4.0 1984
Les camps du silence

Documentary film about the camps in the south of France, in which Spanish civil war refugees and the volunteers of the "international brigades", non-sedentary people and Alsatian and foreign Jews were interned from 1939 onwards. Under the Vichy regime, the camps were used to intern other criminalized population groups and French Jews, who were also deported from there to extermination camps. In a mosaic of artificially framed shots, formerly interned contemporary witnesses describe their own life stories. Director Mangiante not only sheds light on the history of the camps, but also the mechanisms of personal memory.

Les camps du silence

NR 1989
Eine Frau für drei

After two failed marriages, Walter is finally looking for a wife again. But his father Paul, who believes his own position in the house would be jeopardized if a daughter-in-law came into the house, cunningly gets rid of all the candidates. Walter has placed an advertisement for a wife, as both the male-headed household run by Walter's father Paul and the upbringing of his adolescent son Peter require a female hand to keep things in order. Grandfather Paul, on the other hand, feels that the cosy trinity and especially his own position in the house would be jeopardized if another daughter-in-law took over the reins. So Paul sets about inventively thwarting Walter's intentions. At first, it is completely inexplicable to Walter why all his encounters with marriageable ladies end in failure. But he has other things to worry about at the moment anyway. His son, Peter, is having an affair with his teacher's daughter, of all people.

Eine Frau für drei

5.0 1989
The Proud and Sad Life of Mathias Kneißl

The Robber Mathias Kneißl became a legend in Bavaria. The film is based on the historical criminal case and describes the last year of the rebel and folk hero. At the age of 23, he is released from prison, where he has served an unreasonably harsh six-year sentence. When this becomes known, he loses his job as a carpenter and now wants to emigrate to America with his girlfriend. He hopes to earn the money for the journey by committing crimes. In the process, he fatally wounds a gendarme. Despite this, Mathias Kneißl does not leave the area and stays in the Dachau hinterland. Only when his girlfriend betrays him is he able to find his hiding place. The farm was besieged by 300 police officers for days and then shot up. Kneißl was seriously injured and treated in a clinic in Munich before being beheaded in Augsburg in 1902.

The Proud and Sad Life of Mathias Kneißl

7.0 1980
Der Traum von einer Sache

In the spring of 1980, anti-nuclear activists occupied a drilling site near Gorleben and set up a "village of peace" there, consisting of homemade wooden houses and tents. The 33-day occupation was accompanied by discussions, concerts, and theater performances—and by the Wendland Film Cooperative, which documented the anti-nuclear movement from the very beginning. The "Free Republic of Wendland" was a dream that came true for a short time before several thousand police officers cleared the site. In addition to the construction and clearance, the film also shows what is at risk: the untouched landscape and the people who live there.

Der Traum von einer Sache

10.0 1981
So Why Make a Film About These People?

"This was my first student documentary. I shot it over the Easter vacation in 1980 on 16mm, black-and-white reversal film. Apart from two five-minute exercises, it was destined to be the only film I ever finished at the College of Film and Television of the German Democratic Republic (Hochschule für Film und Fernsehen der DDR, HFF) in East Germany’s Potsdam-Babelsberg. It was quickly banned from being shown publicly and it remained in storage until the end of 1989. The film tells the story of a mother and her sons having coffee and cake while they try to remember –in vain– when the first time was that they tangled with the police. The reason it was banned was the casual way the film portrayed those young men living their lives untouched by ideology, including taking their careers as petty criminals for granted, meaning the film’s author accepted their existence, as is, and simply wanted to explore it.”

So Why Make a Film About These People?

7.0 1980