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Live at the Brixton Academy in London, England on the 12th of December, 1986. Setlist: 1) Ask 2) Bigmouth Strikes Again [with "Panic" drum tease intro] 3) London 4) Miserable Lie 5) Some Girls Are Bigger Than Others 6) The Boy With The Thorn In His Side 7) Shoplifters Of The World Unite 8) There Is A Light That Never Goes Out 9) Is It Really So Strange 10) Cemetry Gates 11) This Night Has Opened My Eyes 12) Still Ill 13) Panic 14) The Queen Is Dead 15) William It Was Really Nothing 16) Hand In Glove *This concert, put together as a benefit for the Artists Against Apartheid, was originally due to be held at the Royal Albert Hall on the 14th of November but it had to be rescheduled following Johnny’s car accident. It turned out to be the last time the Smiths were on stage together, bar a few TV appearances. This was the only time “Some Girls Are Bigger Than Others”, “Shoplifters Of The World Unite” and the “London”/”Miserable Lie” medley were ever performed by them.

The Year of the Beaver focuses on the industrial dispute at the Grunwicks photographic processing plant in Willesden, London in the summer of 1977. The workforce, predominately consisting of British Asian women, most of whom had only recently arrived in the UK, decided to go on strike over the issue of trade union recognition. The strike lasted for two years.

Made as one of a four part series exploring different aspects of women and the law, on which all the women animators involved researched and worked as a group, before then making individual films, each quite different in content, tone and style. Based on a real case and devised as a 'melodrama' set in a Crown Court.

Using a smudge-and-click pastel animation technique, traces the history of a life from cradle to grave.

Based on the sequence of events which led to the deaths of two young trackmen, concluding with an enquiry into the reasons why they were killed. Intended for railway staff responsible for track maintenance, particularly those in supervisory grades.

A shy young man plucks up the courage to seek a partner through a dating agency.

Invocation originated as a sequence within the documentary Orpheus Through the Ages made by Pelicula Films to accompany Orpheus and Eurydice. It was designed to illustrate the Ancient Greek myth of the Creation of the world. It was shot on 16mm and subsequently enlarged onto 35mm for festival screenings. The techniques employed were a test run for those which ultimately were used within Ra; the Path of the Sun God. Two versions exist; one with narration and one without.

What really happened to Marilyn Monroe? People still speculate that Ms. Monroe had affairs with both President John F. Kennedy and his younger brother, Robert F. Kennedy. Director Christopher Olgiati explores the theory that Ms. Monroe got too close to both brothers, and that this may have ultimately led to her demise. The documentary includes interviews with historians, friends and those purported to be involved in the alleged cover-up.

Colour Work attempts to present a subjective journey and to produce a translation of the perceptual experience of the look. Built around a cyclic and repetitive structure the film has a musical effect through its pace and rhythm.

Underage lifts the lid on the insular world of a group of wayward Coventry teenagers in the early 1980s. In the run up to the summer holidays, struggling to make sense of their lives, the teens take solace in glue sniffing, drinking excessively, getting arrested or head-banging to Motorhead

Aubrey Beardsley was a phenomenon, as his contemporaries recognised. Between 1893 and 1898 (when he died from tuberculosis aged just 25) he developed into one of the world's most exciting graphic artists, and turned out hundreds of black and white drawings, which retain their power to fascinate, to amuse and to shock. In this film Brian Reade, Brigid Brophy, Ralph Steadman and a psychiatrist, discuss Beardsley's work and recall the story of his short life. The film has been made almost exclusively from Beardsley's original drawings.

A man finds himself haunted by a mysterious black tower in London that appears to follow him wherever he goes.

A ritual created and performed by Bruce Lacey.

"This is a landscape study of an Orkney croft, with the figure of the crofter, Mary Graham Sinclair, very much in the picture. The croft is West Aith, on the edge of a small loch, which almost every passing visitor stops to photograph or draw or paint. I have been filming this beautiful place since 1977, observing many of the human activities which alter and define how it looks." Margaret Tait

After years of separation, the two voices and acoustic guitars that laid the foundation for pop music were united again to harmonize in London's Royal Albert Hall as thousands of fans who flocked to the scene were joined by generations of musicians they inspired, from the Beatles to the Beach Boys. With an all-star band featuring keyboardist Pete Wingfield, guitartists Albert Lee and Martin Jenner and drummer Graham Jarvis, the Everly Brothers sing 20 of their greatest songs, proving originals are still the best. Songs: Claudette, Walk Right Back, Crying in the Rain, Cathy's Clown, Love Is Strange, When Will I Be Loved?, So Sad (To Watch Love Go Bad), Bird Dog, Be-Bop-a-Lula, Barbara Allen, A Long Time Gone, Step It Up and Go, Bye Bye Love, Wake Up Little Susie, Devoted to You, Love Hurts, ('Til) I Kissed You, All I Have to Do Is Dream, Lucille, Let It Be Me.

The Road to Oranges & Lemons is a promotional short for the 1989 release of Oranges & Lemons. It features Andy, Colin, and Dave documenting and spoofing XTC's career from its formation and meeting with Barry Andrews, to recording its albums, to the "Dear God" controversy, and finally to Oranges & Lemons. The three make use of toys, pictures, and briefly a potato, to represent (and poke fun at) the different people XTC meets, as well as background sound effects and backdrops to represent different locations.

Janacek: Intimate Excursions is a short experimental documentary that attempts to find visual references in the correspondence of Leos Janacek, the Czechoslovak composer.

Documentary on advertising. Investigates the way work has disappeared from advertising images, and traces the phenomenon through archive advertising films from 1897 to 1960. Places advertising in the context of historical events and everyday life, archive material being juxtaposed with contemporary images.

In the fall of 1986, things got pretty wild in the Ryesgade neighborhood. The BZers took over some condemned buildings, and the press focused on the conflict between the BZers, the police, and politicians. The film records what happened day by day—from the BZers' point of view. At the same time, it provides a historical overview of the squatting movements of the 1980s and the confrontations that followed.

Animated paper cut-outs. An amusing interpretation of the traditional Yorkshire circular song. A man goes courting on Ilkla Moor without his hat, catches his death of cold, dies, is buried, gets eaten by worms, the worms are eaten by ducks, and the ducks are, finally, eaten by the man's friends.

In "Pictures on Pink Paper" Rhodes analyses language as a cause rather than symptom of gender inequalities by looking at the ways in which the association of women with nature and men with culture is linguistically embedded, (seen, for example, in the consistent use of female pronouns to refer to "natural" objects). This film asks how women's oppression can be articulated without mimicking that very expression and language which defines power relations. despite the structuring of the women's voices the film is non-narrative - here, even time is broken down.

Adrian Thrills investigates a new and exhilarating musical blend which is taking the country by storm. 2-tone is a unique mix of music, fusing together reggae, rock, soul, ska, blue beat and punk. With its home in Coventry and its roots in reggae, it derives its name and identity from the co-existence of its black and white members.

Moving out from under the shadow of her artist brother Augustus John, Gwen John moved to Paris in 1903, working as an artist's model until becoming the mistress of famous sculptor Auguste Rodin. After Rodin's death, she concentrated on her work as an artist, rivalling her brother's reputation with her own expressive portraits.

RAINHAM, ESSEX, UK, 1987. Bow Gamelan Ensemble (Paul Burwell, Anne Bean and Richard Wilson) were invited to make a piece specifically for television by 'Alter Image' (Channel 4). They chose to work with the concrete barges near Rainham where they had previously explored sound on several of their many river trips into the estuary, recognising the huge differences in sound from low to high tide. They were filmed for over ten hours as the tide ebbed and flowed capturing the massive energy of this amount of incoming water and the ways one could harness this power to shift and shape sound. As the huge resonant chambers of the barges filled up, they deepened the sounds of the metal reinforcing bars sticking out as they were played with sticks and beaters. Passing vessels obliged by blasting their horns, adding to the Bow Gamelan’s own array of foghorns, sirens and hooters.

A solo show whose subject - the controversial Scottish psychiatrist Ronald David Laing - has largely faded from public view, starring an actor who doesn't impersonate him. Scottish actor explores Laing's life and work from the perspective of an unnamed genial ad mirer who says he has just come from Laing's funeral in 1989.

From Chaucer's pilgrims to inter-continental juggernauts, generations of travellers have taken this historical route from Dover to the old City of London. It has become part of London's folklore, living up to its reputation as a place for a good night out; there are still 14 pubs along its two-mile stretch. You can also get a quick suntan or wallow in a Jacuzzi at Sundance City, buy the latest casual wear at Le Pel men's boutique, or sip a "slow comfortable screw up against the wall' in the Dun Cow Champagne Bar. These establishments live happily side by side with Bert's Eel and Pie Shop, the Fishing Tackle Specialists, and the world-famous Thomas a Beckett gym. This film looks beyond some of the shopfronts you'd normally pass down the A2 and reveals a host of unexpected personalities, mostly two-legged but above all Bermondsey born and bred.

Davey, a talented young chess player, and Wil Bevan, his history teacher, are in Bournemouth for the British Chess Championships. When Davey meets up with Helen, a punk girl from London, Wil is faced with the problem of steering his charge through the championship and the trauma of first love.

"This video cassette contains a recording of a live performance by TG at Oundle School. The audience, apart one or two members of the staff, was composed completely of school boys between about 8 and 18. In addition to the single camera recording of the gig, certain visual information from the files of Industrial Records Ltd. has been included. Like the TG sound itself, the content and quality of this recording cannot and should not be compared with conventional commercial recordings."

In this video you can follow Liverpool's entire First Division season for 1988/89, including every match, every goal and every exciting incident throughout the year.

Promotional film about pipe coatings in the fuel industry.

This performance was recorded live on Red Skelton's 70th Birthday on 18 July 1983 and released on the pay cable channel HBO on 22 April 1984. The recording took place before the Royal Family at London's Royal Albert Hall and before a packed house of Lords, Ladies, and Gentlemen. Red tosses off jokes, one-liners, and works through elaborate pantomime routines both classic and new. Highlights include Skelton's uproarious "Guzzler's Gin" routine, his "Fisherman and the Little Boy" mime, and his heartbreaking "Old Man Watching a Parade." Additionally , he mimes a scarecrow and an old golfer. His legendary rapport with audiences is clearly evident here.

Recorded during World War II, this rare color film traces an RAF Bomber Command night attack on Berlin -- from strategic planning and preparation to the execution of the actual attack with Avro Lancaster bombers. Air Commodore H.I. Cozens filmed the events during a period when the Bomber Command flew into Germany nearly every night for a massive series of raids on key targets.

A family of foxes raid a farm to get a turkey for Christmas dinner and survive the winter. However, the farmer and his domineering wife are aware of their presence and are intent on shooting them down.

Made for school children, Old Sam reminisces over the old days of the railways and tells of the modern railway of today and how modernisation has brought new level crossings. he explains how they work and how to use them.

'I left home about six weeks ago. Came home from school, washed, changed and went. I had enough of being grateful. When I said we ought to shoot the horse and make it into hamburgers for Africa, Dad laughed. Mum thought it was an ungrateful thing to say' Janna leaves home, but is life on the streets better than life at home?

A review of innovation and development within BR and its businesses, including: modernisation of freight facilities and service to new companies; progress of the Bedford/St. Pancras electrification project; paved track and permanent way maintenance; Sealink's "Galloway Princess"; Seaspeed's SRN4; and the Research department's magnetically levitated vehicle. For general showing.

An innovative animation touching on a series of interlinked concerns around issues of intensive farming, animal slaughter, famine, the Food Mountains of the West and devastation of the rain forests. The reality of violence is represented by live action black and white shots of two knives being sharpened for the slaughter. Different sound effects relate to the collage of diverse animated images chaotically linked together to signify global distress.

Two old ladies meet in Glasgow and weave fantasies about trips to Paris.

Three films interwoven into one. The first is a poem, displayed as a handwritten landscape observed from a train window. A matrix of phrases track three suns behind silhouettes of trees, allowing the eye to compose random fragments from the mass of shifting material. The second abstracts the surface the surface of a mountain stream through a series graphic, symmetrical camera traces. The final sequence is a breakneck volley of zooms down sunlit plantation avenues. ‘Lightning’ strikes, bird cries spread the alarm, as the image flashes and disintegrates into darkness.

Jeff Keen dons paper masks and his knitted Artwar jacket, after avoiding bombs and pacing a moonlike landscape.

A BAFTA award nominated film tracing the development and usage of the documentary photograph through the work of three practitioners: Humphrey Spender, Derek Smith and Jimmy Forsyth.

In the early 1980s, Jarman struggled to get feature film projects off the ground and invested his energies in different fields, including music videos. In 1984 he made the promo for ‘What Presence?!’ by Scottish post-punk band Orange Juice, as fronted by Edwyn Collins. Before the official shoot, however, he visited the location and made this tape, trying out shots with a newly acquired Olympus VHS camera. The warm colours and fuzzy softness of the format, plus the decision to shoot handheld, imbue this little-known, rarely seen artefact with a palpable directness.

1. Decades 2. Dead Souls 3. Love Will Tear Us Apart 4. Shadowplay 5. Day Of The Lords 6. Digital 7. Colony 8. New Dawn Fades 9. Autosuggestion 10. Transmission 11. Sound Of Music 12. She's Lost Control 13. Walked In Line 14. I Remember Nothing 15. Love Will Tear Us Apart 1 hour half inch tape from Ikon FCL. All songs published by Fractured Music Live footage (albeit poor quality) from the Apollo in Manchester and Eindhoven, The Netherlands.

Recorded May 1985 captures the U.K. Subs in an uncompromising performance at the Camden Palace Theatre, London.

Based on the Dream of Macsen Wledig.

A fully digitized computer-animated film which shows the question whether man will use his inventive abilities for destruction or as the key to progressive creation.

Shortly after Margaret Thatcher's election as prime minister, Ken Loach returned to documentary, convinced that the long gestation of feature films made them useless as instruments of topical social comment. But his trade union documentary A Question of Leadership, intended for national ITV broadcast, was criticised by the Independent Broadcasting Authority for its explicitly anti-government stance. It was eventually screened a year later, exclusively in the Midlands (tx. 13/8/1981). Believing that the then-new Channel 4 would be more amenable to politicised documentaries, Loach proposed the four-part Questions of Leadership (1983), a wider-ranging study of the trade union movement - but on viewing the completed programmes' strong criticism of leading trade unionists, an anxious Channel 4 shortened the series to two parts and proposed screening a 'balancing' documentary by a different filmmaker, before scrapping the broadcast altogether.

A film about the pressure which society puts upon people to project different images, particularly the image of success. Through the medium of potato printing the film shows how Madame Potatoe struggles to cope within the world in which she is placed. She retreats into the earth leaving her image to continue along its own increasingly exploitative path. Madame Potatoe was first shown as part of Emma Calder's MA show at the RCA, which comprised a life-sized, motorised Madame Potatoe eating crisps and watching the film on telly. She was sat in a room papered with Madame Potatoe print wall paper. Shown at the Tate Gallery, animation festivals, CH4 TV and world wide TV. Madame Potatoe print bought by the V&A for the prints and drawings collection. Many press clippings and associated articles are available.

In this hour and a half, John Lowe explains everything related to the sport of darts, from the board to the darts to the correct throwing technique and much more.

Estuary was made during the three weeks between December 17th 1979 and January 6th 1980. The film was shot from a small cabin boat moored near the mouth of the Keyhaven river. This is a place known to me since my childhood and the location for several paintings, films and photographic pieces. The camera was fixed relative to the motion of the boat as it responded to the action of wind and tide. This resulted in an intermittent scanning of 360 degrees about the central axis provided by the mooring, and a periodic vertical motion of about eight feet due to the rise and fall of the tide. A four second section of the film was exposed every fifteen minutes between dawn and dusk.

A cautionary animated tale in which a woman loses her head to a cat in return for a man. Jayne Parker discovered film as a medium when she was a sculpture student at Canterbury College of Art (1977-80). In early works, objects, performance and gesture were combined by the camera to explore space, duration and the physical body. This is a rare foray into animation film.

Made in the wake of the Brixton uprisings, Street Warriors explores the tensions that exist between community building and the increasing professionalisation of a south London street hockey team.

"The 7 songs video was Made between 1981-1982 . Edited at The London collage of printing and St Martins school of art. Shot on 8mm and vhs and u matic tape and found footage. The colourisation was created using a wonderful hand made early colour synth that was installed into the edit suite at the L.C.P at the time. I started doing live projectons for 23 skidoos performances having already known Johnny and Alex Turnbul from being in the same skateboard team and hanging out at skate cty skateboard park with them. They released 7 songs and wanted to make pictures to go with the tracks. We were rehearsing In Throbbing Gristles recording studio in london fields in Hackney at the time and i filmed them there for the small bit of live footage of them in the video. I released the VHS of this with Doublevsion a coumpany from Shefield . It was a cut and paste piece of work, i was learning to edit as i went along and was a very ntuitive process." - Richard Heslop

Documentary following a squadron in the RAF.

The second short film made by Alexis Bisticas.

Ruhul Amin's quiet, humane dramatic feature explores the conflicting influences in the life of Samir, a 9-year-old Bengali boy growing up in the East End of London.

The film is the third in a trilogy charting the lives of Jamaican-born, Bristol-based Sid Williams and his family at eight year intervals from 1972 through 1980 to 1988.