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Art of Mirrors

The film, shot in super 8 features figures moving in the foreground and background of an empty space holding mirrors which occasionally flash in the lens of the camera. The images portrayed in the film are reminiscent of Jarman's Abstract Landscape paintings of the same period. In his diary Jarman wrote of this film, 'this is only something that could only be done on a Super 8 camera, with it's built in meters and effects.' The film's title was reworked in the script for 'Dr Dee The Art Of Mirrors and The Summoning Of Angels' in 1975.

Art of Mirrors

6.1 1973
The Last Lighthouse

An inside view of life on the Bishop Rock Lighthouse. Perched on a tiny outcrop of rock at the edge of the Atlantic, ' the Bishop ' has something special about it for the Trinity House officers who man Britain's light-houses. It's the last lighthouse for westward-bound ships, and the last still operating almost as it did under Queen Victoria's patronage. Soon, it may be replaced by an unmanned light, but in this ruggedly beautiful documentary, Tony Parker talks with the men who still maintain their lonely vigil in the ' Ships' Graveyard,' off the Isles of Scilly.

The Last Lighthouse

9.0 1973
Mr Nixon's Secret Legacy

American defence policy under Gerald Ford, successor to a disgraced president, is the subject of Mr Nixon’s Secret Legacy. John Pilger says that military thinkers in Washington are for the first time “thinking the unthinkable” and Strategic Arms Limitation Talks with the Soviet Union announced by Ford and Henry Kissinger are “no more than a sham”. Before resigning over Watergate, President Richard Nixon had given Pentagon generals a flexible strategy that would blur the distinction between conventional and nuclear warfare.

Mr Nixon's Secret Legacy

NR 1975
Verdi Un Ballo in Maschera

This production from Covent Garden is set in Stockholm, and not Boston. With Reri Grist (Oscar), Placido Domingo (Gustavus), Katia Ricciarelli (Amelia), Piero Cappucili (Renato), Patricia Payne (? - the booklet or DVD fails to credit the singer) (Ulrica) and Claudio Abbado in the pit: all at their peak, you just simply cannot go wrong when purchasing this DVD. This performance made me realise why I had fallen in love with opera: beautiful (today one should be thankful) and convincing sets and costumes, and fiery conducting and singing from all the above soloists which leaves you breathless. Domingo as the King (not the Governor of Boston) is simply ravishing! He is so convincing and dashing as Gustavus - I think very few tenors nowadays can even attempt such a convincing vocal and dramatic performance.

Verdi Un Ballo in Maschera

NR 1975