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A documentary series that focuses throughout 164 episodes on the mystery of existence and on the existence of mystery.

A war elephant gets lost in the mountains. Unexpected encounters will change his life.

A fragment of a collective victory.

The film Gwacoulou relates the legend of how peace was kept by the transformation of three pairs of twins and their mother into the three stones of a traditional home and its cauldron “the canari”. Nowadays, these stones are still one of the pillars of Bambara tradition in Africa. Their symbolism speaks to us of marriage and discretion, fraternity and solidarity, friendship and support.

A man took his own life. He discovers the after-life, unexpected, cold. In the grip of his inner demons, he begains a dialogue with himself in order to fight to come back to life. Impressive, powerful, the story of death, rebirth, regret and fear, and the love of a son for his mother.

Homosexuality remains a sensitive topic on the African continent. Is it an abomination, a sin, a practice imported from the West or perfectly natural? From Yaoundé to Douala, via Abidjan and Dakar, this investigative documentary by two filmmakers from Burkina Faso lays the foundation of a fundamental challenge for African societies.

Gerry and their big brother Jos show us that there is more to being different than bullying, discrimination, and harassment.

Critically and with a great deal of openness, six Parisians ponder how they perceive their place in the public space of the metropolis. The mosaic of stories, from an older trans activist’s experience to the encounters of a young queer artist with a handicap, brings a very direct and sincere insight into the lives of LGBTQ+ people in France today.

A New Year’s Eve party in Martinique with friends and champagne leads to an innocent game with unexpected consequences.

In this experimental short is part of Frieda Ekotto’s visual research project Vibrancy of Silence: Archiving the Images and Cultural Production of Sub-Saharan African Women on African women as the unsung heroines of artistic and cultural production.

Zaka embarks on a journey from France to Ecuador to attend the 16th edition of the LGBT Film Festival Place Without Limits. Once in Quito, while struggling with the altitude and climate of the city, Zaka meets with Christine Rougemont, a trans rights activist with more than 20 years of experience, who shares with him her life experiences and the special relationship that had kept all her life with South America, and especially Ecuador.

A narcissistic woman lives without worrying about the world around her and ignorant of the natural cycle she is part of. It is by reaching the limits of her self-esteem that she will have to open herself to the world and find a solution to the malfunctions she has caused.

Gabrielle lives in a stone house, like a ghost, caught in the immensity of the place - the place of her childhood, of her mother, who passed away. A young man has taken possession of the garden. Gabrielle's solitude is troubled.

Birds of paradise, displaying their most beautiful plumage, sing and intrigue in the middle of tropical forests. One of them takes us into their world. Their songs and dances lead to a parade, offering a genuine spectacle. But the forest takes on another tone, human hands disturb this harmony and richness. Brutality settles in before giving over to silence.

Like Lightning follows central character George who is tired with watching the unrelenting laziness of the people around him letting the world fall into a worse and worse position and decides to incite a movement.

An exercise in breaking down (or recomposing) movement, in the style of Muybridge and Marey. Drawing on martial arts training manuals and the voices of practitioners, it is also an exercise in second-degree admiration, offering a sensitive, comical, and critical view of the "virile" choreography that characterizes these combat sports.

An adaptation of Chekhov's Three Sisters, in which only two of the sisters seem to remain, these women in the snow; but another voice is heard, as if coming from elsewhere.

Overseas In diptych with Florian Maricourt. The overseas is diurnal, coastal, it advances on the rocks, in front of the sea, it hurts the eyes, it is all in sun, all in waves, all in sand. The Little Night glides offshore and the water is deep, colossal, the curtain flutters softly in the wind, the cat gets wet.

The Transcontinental Race is much more than a bicycle race, it's a complete experience. Here, filmed during 3 races from 2016 to 2018, Onboard will immerse you in the unique experience that is the Transcontinental Race.

This film is an uncompromising response to religious obscurantism in regards to homosexuality. It follows the story of a young man whose past was plagued by his abusive father.

A woman emerges alone in a forgotten world with urban remains gradually invaded by a wild nature.

One summer afternoon, two sisters squabble while eating half a watermelon.

When I got to Rignano, the Ghetto residents told me: "You mustn't keep any trace of our lives here in these precarious houses. This despair is not yours to display." The misery in the Ghetto is the first thing that struck me, the first thing I wanted to show.

The perpetual struggle of a teenager who sees the world as an art and not as reality. A struggle to live exclusively in an imaginary and poetic world created from scratch. A struggle to abandon the connection at the present instant.

In southern Japan, the erupting Sakurajima volcano dominates and threatens to devastate nearby towns and cities. From there, Pierre Carniaux asks his friend Yusuke Oba what he would miss most if every­thing were to vanish.