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Festive experimental animation

Eight years after May '68, they are all in their forties and all met to live in a small village in Provence: Julie, Simon, Alice, Maria, Gustave, Claude and Claudine.

A drama between two marionettes slowly develops.

Theoretical film essay dealing with the main ideologies of mainstream commercial cinema.

As a young girl living in an institution for girls where the nights are restless, Iphis decides to accompany her godfather who is going on a cruise on a yacht. To avoid the problems that would be caused by the presence of a young woman on board, Iphis, dressed as a boy, pretends to be the nephew of the man who is actually her godfather. Seeing her advances rejected by her uncle, Iphis, thanks to her disguise, seduces in turn the sailor, the son of a friend, a pretty girl hired as second mate and the real sailor. This removes all scruples from the uncle for the rest of the voyage.

Alassane considers the mingling of traditions during the coronation of the new Shaki king of the Oyo state of western Nigeria.

In 1972, what does making a film mean? How does a movie make? What is the relationship between the producer of shows and the spectator? How does meaning travel in the story? These are the questions posed and proposed by the film.

Venturi was once the king of the Pigalle underworld. Today, he lives in retirement with his wife, in an estate near Chantilly. He still receives the takings from a few hôtels de passe and cabarets, enabling him to subsist without financial worries. But a gang of young hoodlums follows in his footsteps, committing robberies and picking fights in the establishments controlled by Venturi. His faithful companion Cristiani is murdered, as is his wife Germaine. Venturi is determined to take revenge.

1974, super 8 mm, couleur, muet, 3'

In Variations, Angelidi creatively activates her knowledge of the history of the cinematic image and connects it to a global artistic language of an alternative, poetic cinema, while still preserving the peculiarities of her own tradition and, especially, her personal concerns. Angelidi -who appeared with the film Idees Fixes - Dies Irae (Variations on the Same Theme) in 1977 is classified among the filmmakers who emerged in the seventies with films that were "different", from an aesthetic viewpoint, and who proposed "another" kind of narrative

Caught between the impetuousness of youth and the responsibilities of adulthood, five angsty teens face an uncertain future.

One evening a man watches eight movies simultaneously on television.

This is a work share in the impressive filmography of Jean-Claude Labrecque! Crowned a Canadian Film Award (the ancestors of the Genii) Test the miles is almost unrivaled in the history of Quebec cinema. Hallucinated poem to music by Pierre Henry and the text of the Apocalypse of St. John, the film has mystical accents and has an undeniable fascination. We knew Labrecque esthete for 60 cycles, made in 1965, following formal while using a lens with a very long focal length (1000 mm) to film the sun and heat effects on landscapes. Product independently test the thousand has rarely been screened in recent years. Pleased to make it known to our readers is even greater.

The furniture factory in which all the young guys in this film work is also full of older workers who make fun of their long hair, which for them is a badge of their independence. The boss, particularly, thinks long hair on men is dirty. When they refuse to cut their hair, he finds an excuse to fire them. The meaning of long hair is felt particularly deeply for one fellow, a painter, who, when he succumbs to his fathers' pleas that he cut his hair, turns his paintings to the wall and burns himself to death.

Georges' dream is to go find Julie in the West. Patrick's dream is to find the mythical West of his novels. They leave together.

Corpulent, proud and devastating machines... here, mountains are moved.

On June 20th, 1971, thousands of Spanish Republicans from all around Europe meet up in Montreuil, France to take part in an event initiated by the French and the Spanish Communist Parties, to protest against Franco's dictatorship.

Salvador Allende interviewed by Régis Debray in 1971.

The political thriller of Franck Na's Haircut.

Berthe, a pretty young woman, has suffered from a mental disease since she was a child. A doctor has tried for years to understand her behavior and to teach her some basic notions such as those of time and emotional expression. But he also tends to use her as a guinea-pig and does not oppose her parents when they decide to marry her as a way to solve her problems. Unfortunately the cure proves worse than the disease as Berthe's husband, who soon tires of her, abandons her and leaves her more helpless than ever... —Guy Bellinger

As a young African woman arrives in Paris and walks past two men, one French and one African, the men admire her beauty and fantasize. The European man dreams of taking the woman out for dinner in a restaurant while the African man imagines the woman preparing him a meal at home. Through their dreams, both men reflect the ways in which their differing cultural backgrounds impact their interactions with women. Inspired by the poem 'À une passante' by Charles Baudelaire

A short film - the sole directorial effort from filmmaker J. Launois. This film is most likely lost.

Short film by Robert Filliou.

Hired by a circus, a group of men discover a job that sticks to them...

Marcel Trillat traveled to the slums of Aubervilliers and Nanterre, to meet immigrants of Portuguese and African origin. Composed of images taken on the spot and testimonies, this film forcefully denounces the policy then followed by France in terms of immigration. On the night of December 31, 1969 to January 1, 1970, five black workers died of asphyxiation in a home in Aubervilliers. In the post-68 context, this drama will experience national repercussions, both politically and in the media. Marcel Trillat and Frédéric Variot then produced Étranges Étrangers, a documentary that candidly shows the slums and hovels of Aubervilliers and Saint-Denis.

It was a sporting feat, a national feat, but also and above all a technical feat: on October 15, 1978, three French mountaineers, for the first time, reached the summit of Everest: Pierre Mazeaud, Nicolas Jaeger, Jean Afanassieff, accompanied by Kurt Diemberger, Austrian mountaineer and cameraman. A performance broadcast live on the radio thanks to the France inter teams and filmed for television by TF1. Christian Brincourt, a great French reporter, tells us about this expedition and questions the members of the expedition on their motivations. With Pierre Mazeaud (expedition leader), Jean-François Mazeaud (doctor), Claude Deck, Raymond Despiau, Nicolas Jaeger, Walter Cecchinel, Jean Afanassieff, Kurt Diemberger.

Pilot film for a series of programs on the condition of women of color in Europe. Here, the famous black beautician and hairstylist from Paris, Josepha. Josepha talks about her job, her problems, explains the action she takes at the aesthetic level to disalienate her clients of color, who are too often tempted to refuse their blackness and imitate Europeans.

Two sisters, Camille and Madeleine, make up the story of a woman: Alice Constant, the servant of their grandfather who committed suicide at the age of 25.

Ahmed, an Algerian laborer and young father, leaves his country and arrives in France, hoping to find a job through Salah, a friend who has been living in the Paris suburbs for several years. He is disappointed when he arrives in Nanterre, where Salah lives in a shantytown. Without any support, Ahmed has to make the daily rounds of the employment offices, like so many other immigrants who, like him, have been lulled into complacency.

According to Jesus' order, Peter and his companions disperse two by two for their first apostolic mission.