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Il viaggio a Reims

The historic 1984 revival performance of Il viaggio a Reims was the first time in over 150 years the opera was performed. Set in a luxurious hotel in Plombières-les-Bains, the opera follows a diverse group of aristocratic characters as they gather to celebrate the coronation of King Charles X of France. Amidst the festivities, wacky antics ensue, romantic entanglements unfold, and the characters face various comedic and dramatic challenges, showcasing Rossini's masterful blend of music, comedy, and drama.

Il viaggio a Reims

NR 1984
Love Sins

A biographical feature on the Italian literary giant, Gabriele D'Annunzio. Set in late 19th century Italy and France when the artistic style, Decadentismo, was beginning to take shape, the film focuses on D'Annunzio's life when he was already an established poet and journalist in Rome. A staunch opponent of democracy and commoners, he searches for passion and pleasure among the wealthy and noble. One such noblewoman Elvira Fraternali Leoni, serves as the muse for his first novel - The Pleasure (Il Piacere).

Love Sins

4.3 1987
Concert for Alice

Even with good acting, pleasant music, and artistic photography, this "love-boat" story of romance is more like Alice in Wonderland rather than Alice on the streets of Zurich. The Zurich Alice is a flautist who plays for the passersby like many another street or Metro musician. While so engaged, she meets a VIP Russian flautist who has defected and is living in the city. He falls in love with her and as a gesture of his devotion decides to arrange her solo concert debut. Meanwhile, Alice easily figures out what his plans are and devises her own secret scheme. When the day of the performance arrives, her Russian heartthrob is in for a flattering surprise, sure to end his bachelor status. ~ Eleanor Mannikka, Rovi

Concert for Alice

6.5 1985
Der Unbesiegbare

Hámos' fascination with the cultural mythology of the hero culminates in this witty, elaborately crafted drama, which was produced for European television. Hámos intercuts two parallel narratives to tell his story: a cartoonish, campy science fiction adventure, shot on video; and an elegant, cinematic political thriller, shot on film. Hámos blends the two genres into a tragicomic tale of the role of heroes, their immortality, and the catharsis of a heroic death. The science fiction melodrama features a comic book superhero, Hurry Cane, who saves the earth from the evil Emperor Argon; in the film noir, hired killers have a contract out on the hero Cane. Hámos' analysis of the myth of the hero is articulated in his collusion of the two stylized dramas and their contrasting representational modes..

Der Unbesiegbare

10.0 1985
The Death of the White Stallion

This somewhat superficial historical drama is about the 1525 Peasants' War in Germany when the lower classes rebelled against oppressive conditions imposed by the clergy and nobility and then committed many acts (including atrocities) that did not morally set them far apart from the people they were fighting. It was a time of upheaval: Martin Luther (1483-1556) had broken away from the Catholic Church, calling for reform, and Anabaptists in Germany, like Thomas Munzer fought on the side of the peasants (opposed by Luther). This complex age and its political and religious turmoil are summed up in a story about an attack on a small monastery whose monks used a forged document to confiscate some land from the peasants. When their wrong-doing is revealed by the monk who forged the document in the first place, the peasants attack.

The Death of the White Stallion

6.3 1985
Stella

During the Napoleonic Wars, German writer Ferdinand von Rauch, who had enthusiastically joined the French revolutionary troops years earlier, is sent to scout the terrain of a small Thuringian village. Unexpectedly, he encounters not only his lover Stella, whom he left years ago but still loves, but also his wife Cäcilie. Stella has taken a position as a companion to Cäcilie with her sixteen-year-old daughter Lucie. Both women, who have been unable to fulfill their longing for love for years, now lay claim to Ferdinand. And the man reciprocates both their love, not wanting to give up either of them.

Stella

7.0 1982