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The Unvanquished

In this drama that alludes to the Algerian War with France of the 1960s, Thomas is a deserter from the French Foreign Legion who is on the run from authorities. He helps damsel in distress Dominique, who has been taken hostage by a group of terrorists. Thomas is wounded but manages to escape after killing the guard who inflicted the injury. Dominique gives Thomas money to escape to France after he secures her freedom, but he is caught between the Foreign Legion and the terrorists seeking revenge.

The Unvanquished

6.6 1964
Alias El rata

Laredo is a criminal, specialist in opening safes. Childhood friend of the police commander, he carries with him an uneasy relationship that is further complicated because both are in love with the same young singer. After an elaborate and audacious coup in which he steals a million dollars, Laredo is rejected by his beloved. In his flight he arrives to a small town where by a stroke of fate is mistaken for a teacher. Laredo finds there a young teacher who will take possession of his heart, and will get his life straight.

Alias El rata

6.3 1966
Long March

In June 1944, a young doctor, Chevalier, under the threat of guns, is forced to treat a wounded man in a camp of resistance fighters (maquisards). He recognizes the man, minister of the Third Republic, called Morel by his companions. Carnot, the chief of the maquisards, is suspicious of a doctor who expressly disapproves of the resistance and wants to have him shot as soon as he has treated Morel. Philippe, who is second in command, intervenes in favor of the Chevalier. Meanwhile, peasants denounce the maquisards to the Nazis and the camp is surrounded by the Germans. The camp is saved thanks to Philippe who takes command of the group. He decides to leave the shelter and they begin the long march through the Cévennes to rally maquisard Napoleon in the Vercors...

Long March

8.0 1966
Siempre es domingo

In a sector of Madrid inhabited by families of a well-off class, a gang of boys and girls has continuous fun, sleep and drink, while their parents ignore practically everything. However, each of these young people has, to a greater or lesser degree, a problem. The parties and parties enjoyed by a group of young people from the upper class are the basis of the story that explains this film. Among them we find the famous couple, once happy, formed by Carlos Larrañaga and María Luisa Merlo. Directed by Fernando Palacios, and with a script by Rafael J. Salvia and Pedro Masó, " It's always Sunday " has no greater intention than entertainment, despite giving history a certain sociological touch, for that of valuing the behavior of the Youth of the time.

Siempre es domingo

7.0 1961
La Rabbia

Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future.

La Rabbia

7.0 1963
The Big Ceremonial

Fantasy is a favourite theme for directors, since it enables them to give vent to diabolical situations with unlimited licence. This film is of this category. It is the story of a jealous and protective mother who allows her son only home-made dolls to satisfy his sick fantasy. But as in all fairy stories, there comes a day when a real, warm girl enters the sheltered life of the son. His natural and innate thirsts for oddities soon make him repeat on the girl what, until then, he has been doing with the dolls. The story then evolves into a fight of wills between the mother and the girl.

The Big Ceremonial

6.7 1969