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The Golden Age

Born at the turn of the century in a village's butcher shop, Jeanne Lavaur dreams of becoming a countess. Inspired by the fearless Céleste and guided by her love for Guillaume de Barante, Jeanne’s journey carries her from the vibrant Paris of the Golden Twenties through the turmoil of two world wars. As her life intertwines with the great upheavals of the 20th century, she rises as a fiercely free woman, determined to never let anyone else define who she is meant to be.

The Golden Age

NR 2026
6:06

Leo is only twenty, but his life is in black and white. His days always begin at 6:06, with odd jobs and an endless race to get his hands on his next hit. Taking drugs is not just an addiction; it’s a mental loop that keeps Leo trapped in an eternal déjà vu. Each time he tries to break out and escape, he’s always sent back to square one. Until he meets Jo-Jo, an enigmatic girl his same age who speaks French only and drives a camper like she’s on the run from something. Like him, she has deep scars. So Jo-Jo is not an easy way out, but it’s chaos that Leo needs. She has her own demons, and in some way, she can see into Leo’s fractured psyche. They drive off to Portugal together, through dusty, dreamlike landscapes, and there, their souls connect and finally speak the same language. Yet saving each other won’t be easy. Leo struggles with his dependency, while Jo-Jo seems to be one step away from dissolving into thin air – as if she were only there to show Leo the path to take.

6:06

NR 2026
Malanova

Matteo and Riccardo are a couple and they are about to celebrate their sixth month of relationship. The romantic time is interrupted by a tragic news: Matteo discovers he has become HIV positive. After that news everything changes: Matteo, oppressed and disoriented, closes in on himself, meanwhile Riccardo, overwhelmed by fear and uncertainty, refuses to know his serological status. Matteo’s uncle, Enzo, will help the couple to face their fears and they will help in turn Enzo to accept the ghosts of his past.

Malanova

6.0 2025
Vieni avanti cretino

Pasquale Baudaffi, on amnesty, comes out of prison and starts looking for a job with the help of his cousin Gaetano. But first he goes to what was once a brothel, but, unbeknownst to our hapless hero, has been taken over and rented as a dental office. Pasquale finds himself at the center of endless misunderstandings. He tries to be a gamekeeper but that's not okay, he tries to be a waiter in a bar: he immediately gets his orders wrong and he is fired. His performance as a garage keeper was negative. The very latest experience is in an electronics company but its insertion into the futuristic mechanism triggers the craziest complications. The encounter with a lost dog allows him to get to know his mistress and thus discover the woman of his life.

Vieni avanti cretino

6.9 1982
St. Peter

Saint Peter, a reluctant but passionate leader, from the crucifixion of Jesus to his own. The film's first half dramatizes the New Testament's "Acts": early fear, the renewal of Pentecost, Saul's conversion, the decision to baptize pagans, and the Apostles' dispersal. In the second half, an aged Peter goes to Rome to join Paul, arriving on the day of Paul's arrest. Paul's death brings a crisis to Rome's Christians and to Peter; lessons from Jesus's teachings guide his decision to stay. Events within the fictive household of Persius, a Roman aristocrat, capture the upheaval that Christian teachings bring to the Eternal City.

St. Peter

6.4 2005
Left Out

Giulio, a young man from Sicily, arrives in Rome to trace back Aurora, his ex-girlfriend whom he cannot forget. He stays with a couple of family friends, Rosalia and Eugenio, who have lost their only son, Nello, of the same age as Giulio. The presence of Giulio in their house forces Rosalia and Eugenio to come out of their long period of mourning, but at the same time Giulio, realizing that he will probably never find Aurora, starts sinking into a depressive state fueled by drinks and drugs. Rosalia and Eugenio's efforts to get Giulio out of it are in vain and when Giulio finally meets Aurora by accident, things can only get worse.

Left Out

4.0 2008
Hitler's Big Fear: The Trial Against Degenerate Art

In 1937, the Nazi regime launched its war on modernity, branding artists like Picasso, Chagall, Van Gogh, and Matisse as “degenerate”. Their works were banned, destroyed, or mocked in grotesque exhibitions, while Aryan ideals were glorified in state-sponsored shows. Framed by a major new exhibition at the Musée Picasso in Paris, the documentary revisits this ideological assault through rare footage, suppressed artworks, and the voices of curators and survivors. It broadens its scope to music, literature, and architecture, exposing how the Reich targeted all forms of dissenting expression. A timely meditation on repression, resistance, and the enduring fight for creative freedom.

Hitler's Big Fear: The Trial Against Degenerate Art

NR 2026
Ubalda, All Naked and Warm

During the Middle Ages, a clumsy knight returns home where his wife awaits him. Sensuous and beautiful, she has attracted several male admirers during his absence, but her chastity belt has maintained her faithfulness. Now is her chance to wrest the key from him and enjoy herself. The knight’s portly friend has a similar problem with his equally gorgeous wife. And to top it off, both men have designs on the other’s wife — leading them to devise painful methods to discourage the other from trespassing.

Ubalda, All Naked and Warm

5.3 1972