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Student Claire lives with her mother, Anne, and Sebastien — a young man Claire brought home out of pity who is now trying to seduce them both. At school, Claire meets Gregoire, who loans her a book by philosopher Soren Kierkegaard that makes the reader attracted to whoever gave it to them. Smitten with Gregoire, Claire passes the book on to her therapist, who then falls in love with her.

A look at the life of society's outcasts through three locations: the Fleury-Mérogis prison, a low-income housing project in the Paris region, and the shacks of a vacant lot at the gateway to Saint-Ouen. A reflection on the idea and use of freedom.

An anthology film drama featuring a poetic mirror structure based on existential identity. In "The Immortals," adapted from a Helder Prista Monteiro play, two famous doctors, an 80-year-old father, and his 60-year-old son, contemplate senility and death. "Suzy," from an Antonio Patricio story, is set in the '30s when a young courtesan dies on the operating table. "Mother of the River" is from an Agustina Bessa-Luis fable about eternal life.

While researching their subject’s life for their feature My Life and Times With Antonin Artaud, co-directors/writers Gerard Mordillat and Jerome Prieur made a documentary on the famed French actor/writer/poet that died in 1948 at the age of 51.

Creative documentary on the drag queen movement and its origins in Paris, New York and Madrid.

At the end of the motor season, Mark Benton, which has just been voted the best driver of the year, rightfully celebrates his victory in the company of all his friends. During the evening, anxious not to see him back his wife Sally, he starts looking for him in the parking lot and down. There he discovers his wife struggling with two hooded men. Mark comes heroically, but is killed during the fight. Sally is thrilled: everything went as planned. Indeed, she had organized the ambush with her lover, Jack and Tom, the rival driver Mark. Later, at the funeral where she played the grieving widow, Sally met Vera, the twin sister of Mark, which she did not know until then the existence ...

A twenty-year-old girl in the provinces, setting out to discover life, love, work...

Serge Perrin is 23 and unusually happy at the prospect of spending the rest of his life in jail for a series of crimes he did not commit. This black French comedy attempts to explain via flashback the twisted reasons why an innocent youth would so cavalierly throw away his freedom.

An unemployed man from the Antilles is implanted with a synthetic embryo by an unscrupulous professor -- and becomes pregnant.

"Since a long time I have been linked to the painter Georges de La Tour. His paintings helped me in making my films. Even more, in a precise way they crossed my personal life. The film I shot about La Tour is about that : an intimate emotion followed by the love for the works of La Tour. [...] Georges de La Tour's paintings (it remains 30) are fixed images gifted of a rare radiation and density in the history of human labour. It happens that me, a film-maker, with my movement of twenty four images per second, I am a little jealous of this completion." (Alain Cavalier)

Tells the story of an idealistic young politician's rise and fall. Daam, a well-intentioned but vacillating European-trained politician must choose between two social paradigms exemplified by his two wives. The first, Gagnesiri, is the village beauty, who waits patiently for Daam. Unfortunately, they are unable to conceive a child, so Daam takes European-educated Kiné, who is eager to get ahead by marrying a politician. Daam becomes involved in a shady business deal with Président, a local businessman; when the details are made public, he is forced out in disgrace.

Posthumous tribute paid by actor Luc Bernard to his older brother, director Guy Gilles ( 1938 - 1996 ). Documentary composed of interviews with some of his brother's friends and some actors from his main films, excerpts of which we see.

Gaetano Donizetti's comedic opera about a woman in Napoleon's army is performed here in French by the Orchestra and Chorus of Teatro alla Scalla.

On the occasion of Catherine's 50th birthday, her parents, relatives, and friends step in front of the camera to wish her a happy birthday.

Anna is working at a Parisian advertising agency. The director has fallen in love with a young woman he only knows through a photograph — of Anna.

Between 1990 and 1993, at a time when rap was not yet on the radio in France, Olivier Cachin hosted a musical TV show on M6 called "RapLine". The show exclusively devoted to rap and other alternative music. This cult show presented all the facets of these emerging movements through interviews, lives and clips made especially for the show, around fifty clips were produced by RapLine. Another sequence of the show consisted of broadcasting new US rap clips subtitled in French.

The most famous band in the revival of Portuguese music, Madredeus, hailing from Lisbon, records its songs in the Azores, in the middle of nature. In their songs, each word creates its own special musical atmosphere. The music blends nostalgia and love, revolt and expectation.

Evocation of the liberation of nazi extermination camps by the allied troops at the end of the second World War.

Primarily constructed from scientific films about the atmosphere from the turn of the last century.

A young guy asks a prostitute to go down on him while singing La Marseillaise.

Ninon, an overwhelmed wife and mother, decides to invite some of her former lovers to her birthday.

A young inspector from the Ministry of Culture has to replace at short notice a theater actor who has broken his leg.

In Search of Kundun, a “making-of” documentary that is so much more, follows Scorsese as he plans his epic film and shoots in Morocco, and continues on to an audience with the Dalai Lama himself in the foothills of the Himalayas. Edited from over a hundred hours of footage, the documentary captures Scorsese’s fervor as a filmmaker and a man, the modest yet charismatic Dalai Lama, and the plight of the exiled Tibetans. -Denver Film Society

Marcellin runs the vineyards on the property where he lives with his mother. Since the death of his fiancée he thinks only of his work, until the day Willie is caught stealing grapes. The young man will stay and work in the vineyard to pay his debt. Between them, the friendship slowly turns into love, making the bad tongues of the village speak until the drama that will separate them.

A French television documentary about Pink Narcisus, one of the earliest openly gay art house movies from the early 70’s.

Arthur is a history teacher who lives alone in Paris after having broken up with Claire. He is a sensitive man, full of existential doubts and questions. He has to go to Lisbon to meet an eminent historian whose work is the subject of his thesis. Having just made up with Claire, he decides to take her along. She's an ideal travel companion and it seems their relationship has not yet exhausted its potential. But moving from Lisbon to Oporto, their fantasy of a second honeymoon clashes with the reality of a world on the verge of a nightmare.

In 1990, the Louvre invited the French philosopher Jacques Derrida to create a visual and philosophical product based on the materials of the museum's exposition. The philosopher chose the image of a blind man in painting. In the film, Jacques Derrida reflects on the drawings of the Louvre's "Parti-pri" exposition. The director captures the emerging thought and, with the help of various representative means, allows us to see the rapprochement that Jacques Derrida establishes between the gesture of the artist and the gestures of the blind man.

This series, assembled in a film, presents the singular view of contemporary artists on major works of art history. The words of these free spirits make each work see each work as a dynamic form, in the process of becoming, crossed by multiple energies. The artists' voice-over narration frees the creative possibilities of the image - sound and image playing with each other, animated by the same spring: what is seeing?

Set in the French countryside in the 1600s, a lone rider deposits a newborn baby boy on the steps of a monastery, having bitten his nose off. The child is bought up by an ex-pirate and his wife and is taught to read, write, count, joust and fence, and is also given a wooden nose. However, he is ordered by a local baron to attend a tough seminary, but he soon rebels and makes an action-packed escape...

The Sahrawi women relate their exil, the tortures, their memories and the difficulties of life as refugees. They are beautiful, touching... Educated by the Polisario Front and attached to the values of islam, they are widows, divorcede or married to fighting men. Owing to the force of circumstances, they have built a society of independant muslim women...

In 1956, the rich French publisher of the works of the Marquis de Sade, Jean-Jacques Pauvert, was summoned to court for violating good morals and publishing pornography. Sade was born in 1755 and already in 1778 he was sentenced to a years-long prison, which was renewed by himself because of the writing of "scandalous" texts. This saved his life after the French revolution, but he soon came into conflict with Robespierre.

On a moonless night, a character with overlong arms walks. Preceded by his shadow, he goes to an arena where he is about to perform a ritual.

Nestor, Lei, Pierrette, Mohamed, Hafida, Marius, Marc, Galina, Genady, Mike and Lala: through their presence, Le temps qu’il fait weaves a mosaic of stories in which dreams and disappointments, hopes and worries intertwine with the life that is before them. In counterpoint, there are these new landscapes of financial centers, abandoned industrial spaces and wasteland from which we hear the echo of speeches that call to take the train of the new economy. By their simple attachment to a profession which gives them a living, the men and women of the film put up resistance to these slogans. Little by little, a radical rupture is emerging between economic thought and the movement of life. A break that shapes the present time.

Sometime long ago, probably a few years before moving picture photography was supposed to have been invented, a woman named Anne (Lucille Fluet) is discovered to have miraculous powers. She can magically transform ordinary objects when she sneezes. She has even brought the dead back to life. We know about her, because she sneezed a movie camera into existence, and the film was (miraculously, of course) preserved in the Egyptian desert. However, she didn't live so long ago that she wasn't hounded by life insurance salesmen, just like everyone else in the modern era. Rather than being outcaste for her abilities, she is valued by a group of science-oriented men, who also manage to record on a sneezed-into-existence phonograph the sound which is later to be added to the film by its "discoverers."

Antoine and Mathieu walk along a road hoping for a bus that does not arrive. Complicity, revelation, embarrassment... But the road is long and the roles can be reversed.

Trippy animation.

Two gay men at a seaside resort meet a straight woman. The young woman has an affair with one of them.

An animated recreation of Van Gogh's "Les iris" is juxtaposed with audio from the auction of the piece for millions of dollars more than the artist could have ever imagined.

Francois, an architect together with Florence and Caro, his two sisters spends a weekend in their family house, where they spent their childhood. Soon, a railway for a express train will be built at this place, so the house will have to be demolished. In the past there were some things that he would prefer to hide, but he has many difficulties to do this. It is a happy reunion, but the reunion of being united by the bonds that will open. Francois and Florence immediately resume gestures, frankly sensual gestures, which he experienced with annoyance and which she persistently sought. Then they will reveal to Caro, the eldest, that they loved each other with forbidden love.

After charming the little ones of Quebec with her album, her show and her series of books, Annie Brocoli, the new darling of toddlers, finally presents us with her videocassette. Surrounded by her accomplices Jérémie and Coccinelle, Annie Brocoli wakes up in the center of the petals of her cozy daisy bed and enthusiastically tells us about the wacky adventures of her dream. It is through the 11 catchy songs of this videocassette that your little ones will enter the vibrant and colorful world of Annie Brocoli! Introduce the magic of Annie to your little "brocolis". They will dance, they will sing... They will be delighted. DVD content: 1 hour and 20 minutes of stories and songs by Annie Brocoli.

The life of the Tibetan people, forty years after the Chinese invasion. Filmed in Amdo and Kham, regions forgotten by the world and absolutely forbidden to filmmakers and journalists until now, this is an exceptional document on the most mysterious civilization of humanity, now threatened with death.

Not All Dads Pee Standing Up is about Zoe and Dan who love one another. They live cheerfully with Simon, their multi year old child, close to Bruges.

Jeanne is a woman who is driven by her very active conscience. She attempts to assuage her idealistic bent by trying out life as a nun, but this doesn't work out. After she leaves the convent, she takes a job at a factory, where the callousness of management spurs her to become a labor activist. Her efforts are marked by great persistence and fervor, but she lacks any kind of diplomacy or persuasiveness, and as the years progress, she manages to alienate everyone in her life. By the end of the film, there is only one way that she can see to resolve the horrible situation she finds herself in.

During a long night session at the parliament a deputy sneaks to meet his mistress in a nearby hotel.

Brothers Martin and Simon, not yet teens, are incorrigible vandals; Martin runs away from reform school, Simon from foster homes, and they always find each other in a seacoast town of Lignan, where their destructive behavior is infamous. (It may date to their mother's leaving the family.) Martin is philosophical, romantic, and poetic: he dreams of being the son of a shark; he holds tight to a book about goldfish his mother gave him. In both halting and wild ways, he tries to court Marie, a neighbor girl. Simon, with a pocketknife and an intractable will, seems more dangerous to others. What, on earth, is there for these children-becoming-men?

Alain finds Marie, whom he still loves, but he is embarrassed by the presence, to say the least, of Nina, who keeps asking him for services. Marie gradually becomes aware of the strong bond that unites Alain and Nina, who has never counted in his eyes.

The new Saint Denis-Bobigny streetcar picks up and drops off commuters in an all-too-brief transit of their lives. Among the regular riders is a woman who is both spectator and guide – she introduces, comments on, ponders and catalyzes the sometimes vain, sometimes serious preoccupations of her fellow travelers, who, for the moment, are rushing headlong toward their destiny. The commuters and their observer have double lives. Once they step off this streetcar, the real-life dramas begin. Each has his or her style of living or dying…

A low-income housing estate in the south of France, at the time of the soccer World Cup. The daughter of the leader of an extreme right-wing party sets out to discover the world of the fans.

A documentary about the Baumettes prison, in Marseille, France.