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David Delfín, muestra tu herida

A documentary that takes an emotional journey through the life and career of David Delfín, a unique, controversial, and revolutionary artist who was much more than a fashion designer. It portrays a complete and multidisciplinary creator who used couture to express himself and the catwalk as his megaphone. Beginning with the scandalous 2002 Cour des miracles show—known as “the rope show”—the film explores his artistic vision and his intimate world as a son, brother, boyfriend, and friend. Through moving testimonies from those closest to him, it reveals both his brilliance and vulnerability. In a tragic twist of fate, Delfín and his soulmate, model Bimba Bosé, were both diagnosed with cancer at nearly the same time; she died in January 2017, and he followed five months later.

David Delfín, muestra tu herida

NR 2025
One-Way Cycle

María narrates in first person her mother Adela's journey from Asturias to Havana in 1929. On this trip, she follows her sister Segunda, who had left years earlier and to whom she was very close. Adela, like her sister, grew up cleaning and washing clothes in the prao, a field that was always covered in snow, causing her constant ovarian pain in the cold. Painful and heavy periods are a heavy burden, but thanks to sisterhood and understanding, Adela will gain the confidence to take control of her life at the end of her journey. The story María tells us is a story of migration, one that has always existed and will continue to exist. It is also a cycle—one that repeats itself in many lives—but one that has only one meaning: it is a cycle of departure.

One-Way Cycle

NR 2025
Padre, patrón

Mister Joaquim Pelletier and his wife request the services of the private detective Pepe Carvalho to find the murderer of their only son, Mariano. As the investigations progress, Pepe finds out that Mariano was not such a model son as his father thought. He had a double life: a banker at daytime, a thug at night; he was cooperating with Jesús Arquimedes, the boss of the underworld, by doing illegal works for him. But Mariano had decided to betray Arquímedes, embezzling $500 000 of the money he was laundering in Bank Pelletier, to start a new life in the USA. Arquímedes puts pressure on Carvalho to find his money. Surprisingly enough for the detective, the guilty one is not Arquímedes, but the father of Mariano. Mister Jaoquim had a passionate relationship with his son since childhood, he wanted to mold his son as he had always dreamed, and never admitted that Mariano was someone different and a rebel who wanted to run away from Barcelona for ever.

Padre, patrón

10.0 1999