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Hibari Misora as a Kitsune or Fox Spirit

The story centers on the fierce competition among newspaper reporters stationed at the Tokyo Metropolitan Police Department as they race to break major scoops. Alongside this, the film humorously depicts a rookie reporter who grows while repeatedly making mistakes. The first film in a series adapted from an NHK TV drama. Focused on those who work at the 'Sakurada Press Club', the home base of crime reporters who pursue exclusive stories in a corner of the Tokyo Metropolitan Police Department.

Forever Goodbye 自 君 別 後 (1955) aka Since You Went Away is a Hong Kong Mandarin-language drama film directed by Wang Yin, filmed in Australia and produced by Shaw Brothers Studio. It stars Sek Ying, Chao Lei, Yang Chi-Ching and Wu Chia-Hsiang. This is loosely based on John Luther Long's "Madame Butterfly".

Middle Eastern folktale collection One Thousand and One Nights has been greatly treasured by Western storytellers who are fascinated by the fantastic world within. The exoticism conveyed in Western film adaptations greatly appealed to Cantonese opera and film writer Ma Si-tsang, who adapted The Thief of Bagdad (1924) into Cantonese opera The Prince of Thieves, set in an ancient empire influenced by both East and West. In 1958, director Luk Bong adapted the play into a film, turning the thief of the original film into a Robin Hood-esque hero who poses as a prince to compete for the princess' hand in marriage. Packed with a thrilling treasure hunt and a damsel-in-distress rescue as well as eye-catching special effects, Prince of Thieves is 100% a romantic swashbuckler.

During the Warring States Period, Nung-yuk, the Princess of Qin, denounces the mundane world and dreams of marrying an immortal. This extends to her criteria for choosing a husband: excelling in flute playing. Once, she is captivated by the tune 'Three Melodies of Rainbow Dress' and mistakes the qin player Siu Sze for a fairy. Yuk then persuades Sze to sit the national exam for a better future. Sze's music attracts hundred of birds. Yuk returns to the palace pleading with her father Esquire Muk to agree to their marriage. Despite the Empress Dowager's opposition, Yuk leads a secluded life with Siu afar; a noble breed thus living a hard life. The King lets her go, only granting an annual visit. A year later, Yuk and her husband returns for a visit. The Queen still wants to break them up. Later, Jin State sends people to discover the whereabouts of their Princes. Siu is in fact the Prince of Jin. With Muk’s blessings, Siu marries Yuk in Jin, a marriage which brings peace to both states.

Wang Lewu is over 35 but never had any successful romance relationships, his friends and relatives tried to introduce single females to him but none worked out in the end. Until one day, his mother introduced a young lady, Li Meijuan to him...

HK historical drama.

1956 Japanese film, originally released in three parts.

Horror / vampire movie involving a haunted house.

A prodigal son is married to a woman his mother dislikes. The wife is then expelled from the family circle and forced to become independent.

Third sequel to "Story of Second Class Private".

A psychological Japanese drama about a department store clerk whose fleeting encounter with a mysterious woman leads to obsession, deceit, and tragic consequences. The film explores desire, guilt, and the blurred line between love and delusion.

Japanese horror movie from 1955.

At Kaikō Girls’ School, a fake love letter sparks a heated PTA debate. Teacher Shimazaki wins the vote, while students and staff navigate misunderstandings and mischief. Amid the chaos, romance blooms: Numata proposes to Yukiko, and Rokunosuke declares his love to Shinko, ending with a joyful countryside outing.

Utako Mitsuya's film debut.

Two couple doubt their partners are having affairs with another, so they try their best to find out the truth.

No introduction

HK horror film.

In the first group of Yoshitake Ichi and Taketatsu Sada Preparatory Training, the team leader was Sou Adachi, a veteran warrior with strict training. Yoshitake's father was called, and his mother lived in the house where he used to work, but Midori, a female student at that house, secretly loved Yoshitake.

Akitaro Orizuru, who set out on a journey to avenge his father's death in the darkness, returned to Itako, his hometown, where the Ayame Festival was approaching, for the first time in five years. His late father's brother, Sutezo, who took off his waraji, runs a small prostitute with only one child, Sutematsu. In addition, only Shigezaburo, who left a mark in the middle wind, was ill-mannered by Inomatsu. Akitaro was accompanied by a daughter named Omitsu on the way to here, but she was Ura's younger sister who works at Fujikura's house, and the villagers worked on the fifty cars to meet her critically ill father.

1959 Japanese movie

Worldy renowned for his masterpiece The Housemaid (1960), Kim Ki-young debuts with his first short film I Am a Truck (1953), which was sponsored by UN and made a year after the armistice of the Korean War. This film is a fascinating glimpse into the mind of a soon-to-be powerful auteur and influential filmmaker in the post-war Korean cinema, if not the whole history of Korean cinema.

The film focuses on a mother (Chen Yanyan) burdened by guilt after abandoning her newborn daughter in a long lane 17 years earlier, so that she could adopt a son to fulfil the traditional belief that only a male heir could continue the family line. However, when her adopted son (King Hu) becomes a disappointment, the mother’s regret deepens. On her deathbed, she confesses her secret to her husband (Wang Yin), who resolves to find their lost daughter.

Loosely based on Charles Perrault's Cinderella

Fifth Moonlight Mask theatrical film.

This tale of familial warfare and sacrifice takes place in hard-pressed Shanghai at the end of the 1940s. Hu Zhiqing can barely support his wife and children, and his situation is worsened by the unexpected arrival of his mother, brother and sister-in-law. When he is fired by his unscrupulous boss, the whole family becomes embroiled in one emotional/economic struggle after another.

1955 Japanese movie

A Shaw and Sons production.

First sequel to "Story of Second Class Private".

A medical doctor, Ko, has three daughters. The first daughter, Suk-hee, confesses her past when her husband asks her to forgive his past, on the first night of their honeymoon. When he breaks off the marriage and goes to America, Suk-hee confines herself to her home for three years.

A Songstress Called Hong Lingyan (歌女紅菱艷) aka Tears of Songstress is a 1953 Hong Kong musical drama film directed by Tu Kuang-Chi. The film was a co-production by Shaws Film Company and Far East Motion Picture Company, and is based on the screenplay by Pan Liu-Dai.

A documentary about the life and art of wood-block artist Katsushika Hokusai.

Domoto Kozue, a gifted young ikebana artist, shoulders the legacy of her late father’s school while navigating the pressures of family expectation and an arranged marriage. Her path shifts when she encounters Shinichi, whose presence stirs both inspiration and conflict within the tightly bound world around her. Amid love, rivalry, and the fragile beauty of flowers, Kozue must decide how to shape her own future.

A private detective and a colleague investigate a man for a wealthy young lady.

Chan Sai-wah abides by his late father's word and marries the wealthy Yam Suk-kuen. They have a son, Kwok-leung. Though Wah is manager of the hotel owned by his father-in-law, Kuen is not a good wife. For all the years of their marriage, Wah has never been happy. Attracted to the humble and honest Carrie Mui, Wah decides to leave his domineering wife Kuen, but is stopped by his father-in-law. The lovers set off to Macau for a new start. Their life has become increasingly miserable under the pressure from Yam's family. When Wah leaves to seek help from his son in Hong Kong, Carrie decides she should leave so that Wah can go without feeling any guilt or burden. On the other hand, Wah is too ashamed to face his son, and returns to Macau. He lives his life in misery. Years pass, the lovers meet again. Wah is reduced to begging in the streets while Carrie becomes an opera diva.

Backstage friendships and rivalries flare as dancers Akiko and Haruko compete for roles, clash with disapproving parents, and juggle new romances. A failed scheme to push Haruko out forces truths into the open, bringing the troupe back together as they head toward their next show.

This is the first film in the third installment of the adventure film for boys that depicts the battle between a thief who calls himself "the secret envoy of the Demon Lord" and private investigator Hideo Sayama. In the Toei, the roles are twenty faces and Kogo (Twenty Faces) and Akechi Kogo, with a content that seems to be strongly conscious of the "boys' Detectives" series of Edogawa Rampo, which was later made into a movie.

A college football star gets caught in a scandal involving a geisha teacher, endangering his team’s season and his family’s honor—until a last-minute comeback restores both.

A master hunter is driven to defiance after a tyrannical magistrate's cruelty pushes his community to its breaking point. His expert skill with a bow becomes the rallying point for a group of oppressed peasants and prisoners seeking justice. Together, they stage a fierce, collective uprising to storm the local stronghold and overthrow their corrupt rulers.

Chinese Opera from Hong Kong directed by Lau Fong.

HK horror crime thriller.

Set at the end of World War II and after Japan's defeat, it is a melodrama about a man and a woman at the mercy of war. Wataru is entrusted by his best friend who has gone off to war with his sister Reiko to marry her, but he is not ready to abandon his love for Kumiko, a nurse at his mother's hospital.

A Shaw Brothers romantic drama

1959 Japanese film, originally released in two parts.

A wedding musician fails to wed his own love: Little Trumpet is raring to marry his childhood sweetheart, but a series of setbacks has prevented them from getting their way. Criticism against social formalities becomes all the more forceful with the clever use of contrast and irony, not to mention the realist and comedic touch a la Zhu Shilin. Of special mention is the famous teahouse scene where dynamic, melodic camerawork creates a hilarity that continues to amaze to this day. A genuine masterpiece with every single detail, down to the minor props, forming an integral part of a whole. Today, young couples are struggling nonetheless to get a roof over their heads, a testimony to the fact that poverty still reigns beneath the facade of harmony and stability after all these years.

Production company Taoyuan chose for its inaugural film a comedy and Fong Yim-fun gets to take a break from playing long-suffering roles and showcase her talents in making us laugh! She plays the spritely titled character, brandishing a fresh image. The film is an adaptation of the literary classic Romance of the Western Chamber, in which the Prime Minister's daughter (Law Yim-hing), under siege from rebel soldiers, is rescued by a plan formulated by a poor scholar (Law Kim-long), with whom she is in love. But her mother (Poon Yat On) reneges afterwards on her promise to let the rescuer marry the daughter, and the clever Red Maid steps up as go-between, devising a series of sharp-witted tactics to help the lovers.

Taking place during the period of the Three Kingdoms, 220 A.D., a story about the relationship between the emperor Cao Pi, his first wife Zhen, and his brother Cao Zhi. Zhen falls for Cao Zhi, and upon discovering this disloyalty, Cao Pi orders the execution of Zhen, and the banishment of his brother Cao Zhi.