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État du langage

Language is a visible organic material. This substance - detached from its emitter- has the particular feature of being transparent and of allowing a passage through. Language as a material unfolds in its own environment and on its own scale, in a back and forth motion between its different states: either as a magma or as hard hollow crystallized shapes. During the process, a prosody emerges from this matter which attempts to manifest, to extract and to define itself. Examining these attempts is the issue.

État du langage

10.0 2021
Tonton Manu

Manu Dibango is eighty years old. Smiling like a kid, he blows out his birthday cake candles, followed by applause. An hour and half later, he is eighty-five years old. Between these two milestone birthdays, the film directors followed in the day to day footsteps of this smiling, debonair giant; for whom the expression, "quiet strength" seems to have been coined. Composer, musician, journalist, an ambassador of the Francophone world, honoured and distinguished around the world; Manu Dibango has remained himself wherever he may find himself.

Tonton Manu

NR 2021
Lose Yourself With Me

Stereotyped, stigmatised, hypersexualised or invisibilised... sexuality between women is a source of fantastical questions, of unbridled imagination, of hackneyed clichés that oscillate between repulsion and idealisation. I wanted to unveil and subvert lesbian sexuality through the senses, to offer a sensory experience by plunging the audience into a state of confusion to better approach the mystery of desire and female pleasure. I wanted to make a film that appealed to the unconscious of the images and sounds as well as to the unconscious of each individual. A film of emotions and anxieties, fed by my memories, my obsessions, my fantasies and my fears... To make you feel the convulsions of the flesh. To light the fuse of desire to get lost in a labyrinth of secret and mysterious pleasures.

Lose Yourself With Me

NR 2021
Petit coeur

Under the pine forest, the winds sweep a villa deserted by its inhabitants. Selim Bentounes surrounds himself with relatives to film the dynamics of a group of occupants, protecting the last beating heart of a universe without feelings. The dystopian flavor of Little Heart is not tasted in a profusion of effects. The film elegantly carves a melancholy into the setting, the sound, the faces and the everyday scenes that are not quite what they seem. It is far from the others that this film-parable goes however, so that the world is reborn for a moment, in an explosion of pure emotions.

Petit coeur

NR 2021