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Bright Nights

In an experimentally compiled film review, Danielle Jaeggi, Paule Baillargeon and Claudia von Alemann reflect on their work as filmmakers and life as mothers. Just as the title is based on Michel Leiris' book of poems Bright Nights and Many a Dark Day, the film has its own poetry, which is also evident in shots of everyday activities, such as hands washing dishes. “Just the hair or the relationship of the hands to each other or gestures, and then words come in between and film clips that we talk about, and we were amazed to find that the women we portray in the films always have a lot of trouble with theirs Identity, their search for something, for lost people or lost things. “They are usually looking for something that has been lost, forgotten or gone,” said Claudia von Alemann in the 1992 interview conducted by Renate Fischetti, A Pioneer of Female Film Language. An essay about desire, doubt, contradictions. (fib)

Bright Nights

7.0 1990
Bonsoir

Having first lost his wife then his job as a tweed tailor, Alex Ponttin has devised a novel way to keep himself in touch with society. He admits himself into people's homes, by pretending to be a relative or an official, and persuading his victims to give him a night's free board: He finds at first a lunch at the horrible couple Dumont, where a thief follows him for a robbery. Alex spent an evening in front of TV at Marie, mother of seven children. He runs from Marie to find an evening and a new bed at the home of charming but shy lesbian Caroline and her funny lover Gloria. To save her inheritance, Caroline - accused for her homosexuality by her horrible sister Catherine - tells her aunt Amélie, that Gloria is her secretary and Alex her lover. So Alex has to present himself nude in Caroline's bed. He saves Carolines inheritance. The police officers investigating the case are so terminally stupid that Alex has little chance of being arrested.

Bonsoir

4.1 1994
Grand bonheur

This affectionate little drama captures the last summer before graduation, when these assorted film students and drama students must leave the protected world of college and venture out into the chaotic currents of everyday life. Each student has his own style and character - often chosen for maximum dramatic impact. For instance, Paul is permanently gloomy, and mopes around, invariably wearing a long coat. The others make fun of him, because he is so serious. Charly loyally helps a male friend of hers rid himself of the insistent attentions of a former girlfriend. Caroline is the romantic one of the bunch, and her adventures along those lines keep her fully occupied. Several of them insist that they will not compromise the purity of their cinematic and theatrical aspirations for mere monetary comfort, but when Luc and Nanou find that Nanou is pregnant, they reconsider their absolutist stance.

Grand bonheur

8.0 1993
Jonas and Lila, Til Tomorrow

It’s December 1999, and 25-year-old Jonah has just graduated from film school. As the new millennium begins, Jonah marries his longtime sweetheart Lila. Over the course of six months, the couple meet a number of interesting people, including Irina, an exiled Russian actress, as well as spending their time with Jonah’s sister Cecile and his filmmaking mentor Anziano. The discussions Jonah has with these friends and strangers help him to gain some perspective on his life and the new millennium.

Jonas and Lila, Til Tomorrow

6.5 1999
The Soul of Stax

"Philip Priestley's acclaimed film charts the history of Stax Records, the influential soul and blues record company founded in the 1960s by Jim Stewart and Estelle Axton. Featuring music by an impressive roster of stars, including Otis Redding, Isaac Hayes and Carla Thomas, The Soul of Stax chronicles the performers' rise through the industry and popular culture, the role played by many of them in the Civil Rights movement, and the label's eventual decline." - bfi.org.uk

The Soul of Stax

NR 1994
L’Ébranlement

The principle of the film l'Ébranlement is twofold, based on the visual approximation of two distant terms (fencing and fireworks) and on a principle of expenditure (the possible engendering of one by the other). Images of fireworks are edited in echo to shots of a fencing duel, situated in a perforated architecture, with arcades (the Vieille Charité, in Marseille), which multiplies the incessant passages from shadow to light. At the moment of the clash (the point of the foil touching the opponent's body), the fireworks unfold as if the contact was established - an explosion, an epidemic mode of contamination by successive stings, point by point. The touch of the foil answers the blaze of the sky. As soon as the sky darkens, after the last spikes of light are extinguished, the fencing duel can be resumed, like a carillon or an automatic game. The attack is a flash of lightning that sets the collar on fire.

L’Ébranlement

NR 1997
Le Tour de France 1998

The 1998 edition will occupy a special place in the history of the Tour. Not only because it was marred by doping scandals, but also because it reached new heights in sporting terms. The Deux Alpes stage and the rise to power of Marco Pantani, the winged climber, will remain one of the greatest moments in the sport. Impressive in his victory in 1997, Jan Ullrich went on to show admirable spirit in defeat by winning two more stages. This passing of the torch between two great champions made the 1998 Tour so memorable and provided us with some exceptional images.

Le Tour de France 1998

NR 1998
Climbing - Discovery & Initiation

Climbing safely is within everyone's reach. Introduction, progression, training, rope maneuvers, sequence of movements, equipment, and high-level practice—everything you want to know about climbing. Accessing the vertical world means learning to read the rock, combining positioning, balance, and self-control, and having fun. Demonstrations by Jean-Christophe Lafaille (high mountain guide) take place in the dizzying scenery of the Vercors cliffs (Presles and Corrençon-en-Vercors) and the Dentelles de Montmirail. Jean-Pierre Bouvier, known as "Mouche," takes you to the magical boulders of Fontainebleau, while François Legrand (world champion on climbing walls) gives you his advice on how to progress.

Climbing - Discovery & Initiation

10.0 1992