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The Tales of Hoffman

“With this lavish colour production of Offenbach's The Tales of Hoffman, we are in more conventional, though never dull, territory. It is a handsome, well sung version which stands up well to the contemporary BBC 2 version that graced our screens a Christmas or two ago. (This, too, was a Christmas-time, prestige production). The production and adaptation is by Václav Kaslic, who has produced the opera many times on stage: here he makes imaginative use of the new medium to overcome difficulties inherent in some stories. He has a fine cast, including Jon Piso as a robust Hoffman[,] Sylvia Geszty, Thomas Tipton and Herold Kraus. The orchestra and chorus are from the Bavarian State Opera.” - Brian Baxter, for the BFI.

The Tales of Hoffman

NR 1970
Einer muß die Leiche sein

A group of tourists from the GDR spend their holiday at the coast of Bulgaria. When making a trip to a small fisher house, they have to stay they night, because the ship's motor broke down. One of the group proposes a game: Someone has to be a corpse, one the detective and another one the murderer. But shortly after starting the game the "corpse" has vanished only to befound at the foot of the nearby cliff - being dead for real. Now the group start their investigation...

Einer muß die Leiche sein

6.3 1978
Fussballspiele

An attractive montage of a vivid and often tense highlights from the soccer field ... Headers, fouls, dribbling, runs, goalmouth dramas are juxtaposed, slowed down, repeated and at the same time embellished acoustically in such an apt and lively manner by the music of the leading German jazz and rock guitarist Volker Kriegel, that even the viewer spoilt by live soccer will enjoy seeing it. The artistes of the bid ball become leading dancers at the penalty mark. Slow motion, animation, modification or restriction of color further lend emphasis to the close interaction with the musical movements, achieving a positive unity, regardless weather attention is focussed on the goalkeeper, on team play, on vigorous tackling or on goalmouth excitement, which are all synchronized in sequence form with the musical sections. The film contains extracts from 13 first division soccer games in Germany. –Joachim Kreck

Fussballspiele

NR 1976
Cecile

In 1882, Colonel St. Arnaud traveled to the Harz Mountains with his wife Cecile to forget a duel that had fatal consequences and forced St. Arnaud to resign from the army. Cecile was the catalyst for this duel. During their stay at the spa, the couple meets the young officer von Gordon. Cecile and Gordon develop feelings for each other, which Arnaud supports with mocking arrogance. Gordon is called away at short notice. The romance is over. In Berlin, however, Gordon seeks out Cecile again. They see each other more and more often until Cecile, panicked by Gordon's possessiveness and her own feelings, breaks up with him. In a fit of jealousy, Gordon compromises Cecile in public. Arnaud challenges him to a duel and kills him. Cecile commits suicide. Arnaud's message, asking her to forget the unfortunate incident on a trip together, no longer reaches her.

Cecile

8.0 1977