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Nusrat Fateh Ali Khan: Live in Wolverhampton

Taken from DVD Volume 9, this documentary features the legendary Ustad Nusrat Fateh Ali Khan live in concert during his 1985 UK tour. Recorded at Wolverhampton’s Wulfrun Civic Hall on October 25, 1983, the film captures his mesmerizing performance. Known as the "Shahenshah of Qawwali," Nusrat revolutionized the Sufi devotional music tradition with his powerful vocals, intricate improvisations, and deep spiritual expression. Originally produced by Oriental Star Agencies Ltd. in 2004.

Nusrat Fateh Ali Khan: Live in Wolverhampton

NR 1983
One Every Mile!

“Fear enters the management style.” Banned by McDonalds, this Channel 4 film has never been shown before. After working in McDonalds, Jane Gabriel was given full access to film the McDonalds outlet which held the world record for the amount of money taken in one hour, and to Hamburger University in London. This observational documentary reveals why McDonald employees run, and how the shouting and the “warm fuzzies” and “cold pricklies” affect the employees. They describe what it’s like inside McDonalds as it plans to open a new McDonalds in the UK every mile for the next 25 years.

One Every Mile!

NR 1988
The Cow's Drama

Drama, from the Greek, to do, act, or perform. A composition in which a story is related by means of dialogue and action and is represented with accompanying gesture, costume and scenery, as in real life, a play. The simplest story; a cow in a field, a day passes, articulated by a sequence of simple actions. Another day passes and the actions only vary with the chance events that make one day different from any other. Between the days three traditional songs about work, love and death are sung. These are stories too, but of generalisation, metaphor and myth, whereas the cow's drama follows only the surface pattern of events, the specific.

The Cow's Drama

7.0 1984
Death on the Rock

Documentary which examined the killing of three Provisional Irish Republican Army (IRA) members in Gibraltar in March 1988 by the British Special Air Service (codenamed "Operation Flavius"). "Death on the Rock" presented evidence that the IRA members were shot without warning or with their hands up. It was condemned by the British government and denounced in the press as sensationalist. After one of its witnesses retracted his statement, "Death on the Rock" became the first individual documentary to be the subject of an independent inquiry, in which it was largely vindicated.

Death on the Rock

NR 1988
The Smiths: Live at The Haçienda, Manchester

This was the first hometown gig where the Smiths were headliners. As the band came on stage Morrissey greeted the fans "Hello you little charmers... we're the Smiths, how d'you do?" then launched into "You've Got Everything Now". Throughout the show, in one song out of two (faster numbers), Morrissey - who still looked ill at ease on stage at the time - had something to shake in his right hand while with the left one he held the microphone.

The Smiths: Live at The Haçienda, Manchester

8.0 1983
The Sweet Life

After showing us some of Elland’s places of special interest, including the home of one of The Bachelors, we are taken on a tour of local sweet manufacturers Joseph Dobson & Sons. From boiling up the syrup, to stretching the resultant goo and cutting out the individual shapes, each stage of the process of making boiled sweets is demonstrated and explained. The end product is rows of jars of Rainbow Crystals, Yorkshire Mixtures and Voice Tablets selling at 16 pence a Qtr.

The Sweet Life

NR 1981
Chasing a Rainbow: The Life of Josephine Baker

The story of Josephine Baker takes us on a fascinating tour of 20th-century race relations on both sides of the Atlantic, yet it leads to no conclusion, and black girls in search of a role-model tend to look elsewhere. Part of her appeal is her startlingly unique appearance. Simply nobody has ever looked or acted like her. She fits no black stereotype. Nor does she look like any recognizable strain of Afro-American. I'd always heard she was half-white, but it seems that her paternity is unknown, and her contradictory claims on the subject don't do much to enlighten us. (We are tempted to imagine quite an exotic mix.) Her origins in sharply-segregated St. Louis, where she is said to have witnessed a lynching, do not seem to have left her embittered. Perhaps she had too much to give. There is a special innocence about that smile, and when she performs her cross-eyed gag, we are lifted into a strange pixie-world, all its own.

Chasing a Rainbow: The Life of Josephine Baker

7.0 1987