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The film is a novelized biography of François Villon (1431-1463), known as the Wandering Poet, who led a troubled life due to the fact that he supported the free expression of people in a coercive climate.

Frédéric Rossif and Philippe Meyer draw the terrible fresco of the Second World War of the rise of Hitler and the Nazi party until his ultimate defeat (1933-1945). While carefully describing the sequence of events, they go back to the genesis of fascism, and the picture they draw from this first half of the twentieth century is both lucid and frightening. A page of history illustrated by a large number of unpublished documents.

Created during a workshop focussing on the representation of the human body at the 2nd Video Biennial in Medellin, Colombia, Réminiscences carnivores engages the imagination and all of the senses. Memories of an incestuous relationship come to the surface as the apprehensive narrator waits for a reunion with his brother. With readings from Augustin Gomez-Arcos, Gide and Verlaine, the work has the rich texture of a cameo.

An observation of humans' and animals' table manners as they gulp down breakfasts, lunches, cocktails and dinners in a variety of situations.

Yvan, who lives with his wife Éva and their 3 children in a villa by the sea, regularly has the same nightmare: Locked in a cellar, he is physically tortured and broken by executioners who want him to talk. But of what.

Experimental diary shot in 1978-1979 when Alain Mazars was a volunteer teacher in China, 2 years after Mao's death. We see a few pictures, by candlelight, and they flash before our eyes quicker and quicker, before becoming mental images, an entanglement of memories coming from a mind that was asleep until then.

Short film by Teo Hernandez

On October 21, 1984, Charle Lechar received a mysterious phone call...

Octave and Alice are in love. Theo, rejected by Alice, whom he also loves, works as an informer for a hospital that sells women's wombs. He makes Alice fall and Octave will not be able to get the young woman out of her situation. But he still loves Alice and will continue to sing for her.

Christina and Francesca Comencini go on a pilgrimage to Agen, France to find the places where there Dad Luigi Comencini spent his childhood.

A Super 8, color and sound film by Joseph Morder

Part 1: In May 1789, in Versailles, a game tug of war takes place between conservative and more progressive bigwigs. Part 2: As the people of Paris revolt, King Louis XVI finds it increasingly difficult to get the situation under control.

Scott Ross in an exclusive master class, recorded in Rome, a few times before his death in 1989.

Hundreds of excerpts from 60 French films produced by the NFB over the course of 50 years are assembled to offer a look at the evolution of how women have been portrayed on film.

The concept of "things half seen" determined the meaning of this film. Hidden scenes, barely revealed, follow one another as living and significant views affecting our wish to see and understand what we see only as glimpses, but might see in its totality. Made as a video-short principally through a succession of quick sequences, "Glimpses" shows the maintenance of mystery between two "masked" people in a world where the curtains remain closed.

A down-and-out Private Eye enlists the help of three beautiful "angels" to help him solve the biggest case of his career. Little does he know that the Angels are of the genuine heavenly variety.

A family is taken hostage in their home. Little by little, the springs of Stockholm Syndrome are put in place.

A troubled young woman who lives alone in a rundown house meanders around and one day reveals a hidden talent when she goes into a bar, plays magnificently at the piano, and leaves as mysteriously as she came. Meanwhile, an unidentified man is on her trail and eventually tracks her down to the bar she had visited. As the dragnet around her closes in, it becomes apparent that the young woman's stepmother is behind the effort to locate her. But questions over why she is hiding out and what she is hiding from begin to take on more importance as the history of the young woman starts to surface.

A man loses his job and starts to tumble. Social assistance awaits him at the first level, a poor neighborhood in the second. In the third, the wildlife of its neighbors affects its mental state. Believing that he has hallucinations in relation to those around him and to restore his objective banality, he begins to film him, secretly, like a thief, from the window of his slum. Once developed, rather than reassuring him, the films will make him go from disarray to psychosis.

An old couple, Eugenie and Armand, have been living in Paris since 1921 part of the wave of post-war immigration from Martinique. Eugenie, a former dancer with Josephine Baker's Black Revue has become a professional quimboiseuse (practising black magic) for a white clientele. Armand who had been a servant is retired. Now they are both old and bitter and still quarreling with each other. One day they set out, arm-in-arm for a last promenade in the metropolis.

Portrait of Austrian filmmaker Peter Kubelka, shot in Vienna (Austria) on June 23, 1983 at 1:00 PM.

A young and pretty widow enrolls her still virgin daughter in a school where the principal is afraid of women but where the students, on the other hand, are quite wild.

In the late 19th Century, a brothel madam and her workers are invited to take communion on a small family farm

Walter Klozett is a spy arrested and imprisoned by the French Police who know him in possession of stolen booty which the French secret services would like to recover at all costs.

A lyrical look at a challenge shared by people of all orientations across time: the lesbian break-up.

Passage du désir, a prelude by Jakobois uses the pornographic video-image to which a rhythmical treatment has been given. The sexual activity is explicit. We can clearly understand what is going on. Ultimately there Is the Impression of a stained glass window fixed over the screen. It seems that the desire of the film-maker is to create a new sensual vision out of the perception of the video Image.

The "Films Imaginaires" are made up of only texts, filmed in cardboard boxes for the screen, of various works already shown to the public at the time, and which have been printed here or there, then gathered in the larger edition of my "Œuvres de Cinéma". The simple passage into photograms, then into the projection of these texts, with sound, transforms these "films" into another kind of film creation, even more advanced.

Documentary about belgian illustrator Félicien Rops (1833-1898) whose works combined eroticism and death in a very provocative way.

It was made by a group of filmmakers- three men and three women- just to catch a glimpse of a stylish milieu unknown to most. Enticing top models such as Jerry Hall and Ines de la Fressange prepare to be catapulted on the catwalk; hairdressers, photographers and a whole armada of people prepare the show. The 10 designers are: Issey Miyake, Karl Lagerfeld, Angelo Tarlazzi, Tan Giudicelli, Jean-Paul Gaulthier, Marithé and François Girbaud, France Andrévie, Claude Montana, Kenzo, and Thierry Mugler. Nostalgia for the fashionistas.

Bastien is on the verge of achieving the life he's always dreamed of. But everything threatens to vanish the day his ex-wife becomes involved with mobsters and interferes in his life. He suddenly finds himself embroiled in unorthodox affairs and hunted by mafiosi. In the freezer, the corpses are piling up.

In Vaulx-en-Velin, in the suburbs of Lyon, five actors, obliged to stay with local people while they put on a play about George Sand in a recently disused factory, find themselves confronted with the world of work and measure, through the encounters they have to make on a daily basis, how much, as a result of cultural shifts, these two worlds have drifted apart.

A 1986 set of three French clay animation shorts: The Multi-Coloured Little Circus and The Two Little Nightwalkers, both by Jacques Remy-Girerd, and The Baby Seal by Pierre Veck.

After reading a story, a child questions the meaning of the stories, the nature of the characters, etc.

A crime comedy directed by Nicolas Gessner.

From Gérard Courant’s Cinématon series.

A young girl who is being abused at home runs away to the seamy side of Montreal where she makes friends with a prostitute who helps her to survive the urban jungle.

Camera panning over the work of Yoshifumi Hayashi, accompanied by classical music.

Ra: an Egyptian name for the sun whose wrath could cause the worst catastrophes... In a desert landscape, flooded with lava, a dilapidated motorway appears where the last wounded and injured humans are miserably crawling.

A long time ago, on a French island, a group of villagers saved a girl from being sacrificed by the local lord. To this day the place is cursed. Mysterious knights emerge from the fog each year, while a woman disappears.

Antoine, a lonely and grumbling chap, lives in a small flat inside a more or less abandoned house in the rear of some outskirts; being slightly disabled -as a child he got accidentally blown up on a war mine-, he cuts himself of from the rest of the world, the only relationship and communication he holds are with his canary bird. Alain, about 30 years old, has no sentimental, professional or family ties. Each of them stays in his own area, one being centrifugal, the other one being centripetal. Chance, or destiny, as may be, will provoke the meeting of these two somewhat special characters. Then, new relations will grow from mere observation to kind affection, from help to curiosity, from friend-ship to suspicion, from empathy to exasperation, and from comprehension to denial. Up to the point where, according to the laws of nature, or mere wickedness -as may be- they come to stupidly destroy each other.

This haunting animation film, rich with symbolism, is the filmmaker's plea for a peaceful world in which to raise his newborn son. Using the menacing imagery of the howling wind, the artist provokes viewers to reflect on the insanity of war. While the film is symbolic, its message is unmistakably clear: unless there is an end to conflict, we will continue to see our children swept away like leaves in the wind.

Documentary on State terrorism during the last military dictatorship in Argentina, made in its aftermath. Invited by the Goethe-Institut to hold a workshop with young film students, Schroeter contrasts the official statements of the regime with the testimony of victims, dissidents and relatives of the disappeared. And trust that their faces and words will resonate much more than a mere representation of violence.