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High Speed

In a fast-paced action film with an international backdrop, an unsuspecting Edith (Mireille Perrier) goes to Frankfurt to work for a German friend who is investigating some illegalities in the transportation industry. After Edith arrives, her friend leaves for Berlin, so Edith goes to stay at the house her friend shares with a second-generation German-Turkish woman. Meanwhile, Gordon (Bruce Thurman) is out photographing some journalists armed with video cameras who are spying on a wealthy honcho in the trucking business. He accidentally follows Edith and photographs her, then ends up saving her from some attackers. The dramatic action intensifies as questions arise about what certain trucks are carrying into Germany, what Edith's friend has to do with exposing the cargo on those trucks, and whether or not Edith will remain an unscathed, innocent by-stander.

High Speed

7.0 1986
Strictement personnel

The crimes and tragedies that tear apart one family seem overblown in the telling, yet this psychological drama about the miseries of one French policeman is compelling throughout. Jean (Pierre Arditi) is a cop and also a failed novelist who was abandoned by his father, brother, and sister after his mother died. The trio move to Paris where they set up an art scam that nets them considerable cash -- something Jean begins to figure out when he joins them for a family reunion. Little by little, he learns that his father is an expert forger, his stepmother's art gallery seems to be involved in the scam, his brother is a derelict and into drugs, his stepmother is a hooker in addition to all of this, and his sister runs an exercise gym for keeping prostitutes in shape. Things get worse -- just when everything seems bad enough, the stepmother is murdered and it is up to Jean to find the killer.

Strictement personnel

7.0 1985
Scénario du film Passion

Godard constructs a lyrical study of the cinematic and creative process by deconstructing the story of his 1982 film Passion. “I didn’t want to write the script,” he states, “I wanted to see it.” Positioning himself in a video editing suite in front of a white film screen that evokes for him the “famous blank page of Mallarmé,” Godard uses video as a sketchbook with which to reconceive the film. The result is a philosophical, often humorous rumination on the desire and labor that inform the conceptual and image making process of the cinema.

Scénario du film Passion

5.8 1982
American Roulette

Carlos Quintas, the democratically-elected president of an unnamed South American country, has been deposed by a military coup. He is in London, the head of a government in exile, rallying international support. He is also a poet of talent and reputation, in love with Kate, his assistant, who has a secret of her own and keeps Carlos at a distance. The generals have a team of professionals in London bent on kidnap and assassination. Hovering around Carlos are two Russians, who may be KGB, an American book publisher, who may be CIA, an elusive Brit, probably from her majesty's secret service, and his own few supporters. Is Carlos doomed? Whom can he trust?

American Roulette

4.8 1988
K2 - Triumph And Tragedy On The Savage Mountain

Chris Bonington and Jim Curran trace the history of K2 expeditions from 1903 to the disastrous loss of life in the summer of 1986, when 13 climbers died on K2, climbing tragedies that aggressively carved the epithet the 'savage mountain' into the public consciousness. Jim Curran was hired by the British 'Fuller’s K2' team to document their attempt on the unclimbed NW Ridge, so he was at the mountain, all summer. Inevitably, his documentary ended up drifting into a gripping narrative from the front line of the disastrous and tragic summer that killed 13 climbers on K2.

K2 - Triumph And Tragedy On The Savage Mountain

10.0 1988
Funny Money

In Las Vegas young Barty Nicholls inadvertently steals a fortune from the Mob and is slashed to death by a limping hood. Later his girlfriend Cass arrives in London with a stack of stolen credit cards looking for Ben Turtle, famed as a credit card king who she needs as a partner in her credit card swindles. Thrown out of a West End hotel for stealing cards, the pair are soon muscled back in by two heavy Minders to sexually perform at a Mob party in front of Mr. Big. Ben and Cass check out with suit cases of Mafia cash then the real funny money begins to flow and the chase is on.

Funny Money

7.0 1982
Treize

Pierre Mallois is 33, married to the sweet Claire who is close to him, is the captain of the basketball team AS Denain-Voltaire. A former international, he has the full confidence of his managers and supporters. However, his team must compete for the national title against CO Beauvais. In this match, Pierre plays an average game and the public discovers a new darling, Didier Varence. It is also the beginning of a family conflict between Pierre and the faithful Claire - and with the son Raphael...

Treize

9.0 1981
Privates on Parade

It is 1947, the year of the communist rebellion in Malaya and the British army's SADUSEA (Song And Dance Unit South East Asia) are called to the Malayan Jungle to entertain the troops. The eccentric, bible-bashing Major Giles Flack (John Cleese) is in command of the unit. Flack is accompanied by an ageing, theatrical drama queen, Terri Dennis (Denis Quilley) who hopes to entertain the troops with his flamboyant impressions, but the bored troops find other ways to enjoy themselves.

Privates on Parade

4.9 1983
Bankomatt

With three of his companions in a fatal gas-station robbery drowned while evading a police roadblock, the surviving young thug has no reason to turn himself in to the police, since they don't know about his existence. At least, that's the way his rescuer Bruno (Bruno Ganz) sees it. Besides, Bruno needs such an overly enterprising fellow to help him pull off a really big heist that he's been planning for a long time. It takes some doing, but the boy and his girlfriend are recruited by the older man, who has been keeping a low profile by working as a gardener.

Bankomatt

8.0 1989
Besame

The shepherd boy Besame is lucky, with the help of the old maestro he becomes a student at the conservatory and begins to learn to play the flute. But the governor and other envious people lock Besame in a correctional cell to learn the ruthless rules of life. Here he is tortured, deprived of music, accustomed to money, and turned into a strong animal. Besame's metamorphosis frightens even the bullies, but the maestro saves the young man again - the sound of the flute washes away all the filth from Besame, returning love and freedom.

Besame

10.0 1989
Femmes de personne

Cécile, a single mother, contrives to meet Gilquin, the married father of a classmate of her nearly-adolescent son. An affair ensues. Isabelle, approaching middle age with two children, discovers she's pregnant, goes into a funk, and arranges for a younger woman to seduce her husband. Adeline is distraught at her ex-lover's plan to leave France. The three women are colleagues at a radiology clinic. They come to each other's aid, but each must decide on her own what course to take: Cécile with Gilquin, Isabelle with her husband, and Adeline with her solitude.

Femmes de personne

4.3 1984
Oversand

Oversand is one of the first films about free climbing, the third film in a series of three with "Overdon" and "Over-Ice". Directed by Jean-Paul Janssen, the film was shot in 35mm in Algeria, in the Sahara Desert, in the Tamanrasset region, on the walls of the majestic peaks of the Atakor massif, central sub-region of Hoggar, mountainous heart of Hoggar, a volcanic plateau of almost circular shape, whose average altitude is 2000 meters, and which culminates at Mount Tahat (2918m), the highest point in Algeria. The Atakor is distinguished by its spectacular volcanic peaks, its needles, and its rugged landscapes, resulting from the erosion of ancient volcanic chimneys, which make it the most emblematic summits of the Hoggar, such as the Assekrem, the Ilamane, or the Tizouyag, where climbers Patrick Edlinger, Patrick Bérhault, Bernard Gorgeon, Hugues Jaillet, Jacques Perrier, Stéphane Troussier and Odette Schoënleb evolve under the watchful eye of the Tuareg caravans.

Oversand

10.0 1981
Aida

This was one of the most emotional evenings in Met history—the night Leontyne Price bid farewell to opera. Aida is the role that inspired audiences around the world to acclaim her as the greatest Verdi soprano of her time. And this telecast shows why: the famous soaring phrases that seemed to never end, the shimmering top to her lustrous voice, undimmed by the years. But most of all, there is the ennobling heart and soul Price lavished on every performance—captured here forever. With James Levine conducting the Met orchestra, chorus, and ballet.

Aida

NR 1985