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Match Point

A Pattaya guy, Sand, who runs a gang that makes their money any way they can from tourists is trying his best to get a girlfriend named Ned, a local beach volley ball star, but she is attracted to her coach. A big match is set with another team but there is trouble as they all get drunk with bar girls and their foreign "boyfriends". A huge fight ensues between the rivals and the tourists the night before the match. However this may be Sand's chance to show her he is the best choice...or is it?

Match Point

7.5 2005
Bar Paradise

Cheuk looks for a job at a bar run by a girl named Beauty. In the middle of his interview, he foils what he believes is a crime being committed. In return, he gets the job. Meanwhile, desperate for money to return home to Hong Kong, a gangster named Hai and his girlfriend, Su, also begin working for Beauty. Both Cheuk and Hai become attracted to Beauty, which makes Su very jealous. Beauty finds and cares for a baby that was abandoned at their bar and conceals a dark secret.

Bar Paradise

10.0 2005
The Fatality

Somehow, a mentally disturbed 30-year-old man from Taipei finds himself waking up out of a coma in a hospital in a small coastal town in Thailand. A woman is at his bedside, calling him Assanee. But that's not his name. His name is Her Sue Yong. And besides, he can't speak Thai. He leaps from his bed and runs, and the nurses give chase. In Taiwan, he was a bedraggled, long-haired scavenger. He had a disfigured face. But in Thailand, the skin on his face is smooth and his hair is short. He's a clean-cut young man with a beautiful wife. And he has a job as a civil servant in a government office. His inability to speak Thai is no problem at work. Heck, there's even a deaf-mute on the staff. All Assanee has to do is wait for people to hand him forms, and he stamps them. Seems easy enough.

The Fatality

5.0 2008
Headless Ghost

Pakdee is a reporter who happens to witness a car accident that lead to the death of the driver by decapitation. He starts acting funny and is hung up on deaths of people whose heads were cut off. His boss starts to complain about his work but it soon improves when he begins covering a spate of murders by decapitation in Bangkok and he even gets an award for his reporting. But he is still acting strange. What's going on? Is he haunted by the ghost from the car accident? Does he know more than he says about these deaths?

Headless Ghost

4.0 2005
Worldly Desires

One of three films commissioned by the Jeonju International Film Festival in 2005. A couple escaped their family to look for a spiritual tree in the jungle. There is a song at night, a song that spoke about an innocent idea of love and a quest for happiness. Worldly Desires is an experimental project where I invited a filmmaker friend, Pimpaka Towira, to shoot the love story by day and the song by night. The story, Deep Red Bloody Night, was written by my assistant who wanted to reprise a forbidden love story in a more romantic time in the past. I picked a pop song, Will I be Lucky? to convey a sense of guiltless freedom one feels when being hit by love. The video is a little simulation of manners, dedicated to the memories of filmmaking in the jungle during the year 2001-2005. -Apichatpong Weerasethakul

Worldly Desires

5.6 2005
The Importance of Being Mlabri

There are only 320 Mlabri people left on this planet. They came out of the jungle in Northern Thailand on the border to Laos one generation ago. The Mlabri people used to be hunters and gatherers. Today they scrape out a meagre existence at the bottom of society working as day labourers for the Hmong farmers, and living in shacks on the outskirts of larger Hmong villages. The Mlabri people are currently going through a transformation process, which has taken many other people thousands of years. Now the young people are faced with the choice of staying with their families in the village or adapting to the Thai society. How do they experience the meeting between their own culture and the local, regional and national majority cultures? In this film young Mlabri tell about their past, present and future as they see it; all expressed in their unique and expressive Mlabri language.

The Importance of Being Mlabri

NR 2007