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L'albero

Bianca is 23 years old, and it already feels like too much. She has left her parents' home and is supposed to attend university, but she never goes. She has a few specific obsessions: the passing of time, cocaine, and Angelica. Since they started living together, everything seems to move faster, spiraling downwards. Even their friendship stumbles into addiction and becomes confused with love. Bianca keeps a notebook, jotting down notes for her books. Still, she wishes she could write everything in it: that youth is painful and already slipping away, that friendship breaks your heart, and that we constantly lose everything — and yet, maybe, in the end — between the night streets of Rome, the boys of Naples, and the tree that stands silently, visible through the window — nothing will be truly lost.

L'albero

6.4 2025
Incanto

On his deathbed, Ludovico entrusts his daughter Margot to the housekeeper, Felicia, asking that the family villa be transformed into an orphanage so that the little girl can grow up in joy with other children. But the wicked Felicia only wants the little girl's assets and not take care of her. With the complicity of her suitor, Max, she exploits the orphaned children and keeps Margot segregated and neglected to the point that the child withdraws into herself and no longer speaks. One night, however, Margot manages to escape and, after overcoming the darkness of the woods, she comes across a circus.

Incanto

5.9 2025
Due famiglie, un funerale

Peppino (Maurizio Mattioli), a Roman funeral director who has always been supported by the bumbling Spartaco (Enzo Salvi), is a man who juggles disastrous funerals, turbulent affairs and... two families. One with his wife Lidia (Anita Kravos) and the other with his Spanish lover Helena (Isabelle Adriani). An already complicated life, which becomes a real race against time when Peppino discovers that he only has a few weeks to live. At this point, our protagonist implements a move that will upset everyone's lives. Definitely.

Due famiglie, un funerale

NR 2025
The Protagonist

Giancarlo Mangiapane is thirty years old and has one single dream: to become a great actor. However, the important roles aren't coming, so Giancarlo ends up acting in his everyday life. One day, his agent tells him he's about to get the opportunity of a lifetime: the lead audition for Clochard, a biopic about the life of Gustavo Noradin, a 1950s tap dance champion who fell from grace due to his addictions. When he discovers that his roommate is also preparing for the same role, a rivalry is born that begins to obsess him. Between exhausting rehearsals, a mother who keeps trying to reach him, and a fearsome casting director, Giancarlo's identification with the character becomes total, to the point of jeopardizing his true identity.

The Protagonist

9.0 2025
Sono solo ragazzi

Matteo meets Lorenzo and Paolo, old friends and classmates who he had not seen for many years. The three go out for a drink together to an old sandwich shop where they used to spend time. Between one beer and the other, the three men tell each other about their lives, discovering soon that that they share a deep existential melancholy. Eager to relive their lost youth, the three men get crazy with joy in the street, until they meet a group of street thugs that awakens in them a strong feeling of envy and intergenerational hatred.

Sono solo ragazzi

NR 2025
Maria Callas: Letters and Memoirs

An invaluable imprint of the world tour of the play Maria Callas: Letters and Memoirs, starring Monica Bellucci as the great opera diva. Through the chronicle of the tour, which lasted from November 2019 to January 2023, we observe and compare two different eras (the current one and the one in which Callas reached the apex of fame), while at the same time, we partake to and witness an essential dialogue between the great contemporary Italian actress and the voice that marked the 20th century: two women who, despite their different background, meet in retrospect due to their love of art.

Maria Callas: Letters and Memoirs

NR 2025
Why War

In 1932, Albert Einstein was invited by the League of Nations to address a letter on any subject to any person. He chose to correspond with Sigmund Freud about avoiding war. To this day, the correspondence about war of two great thinkers of all time proves to be more relevant than ever. Inspired by this correspondence between Albert Einstein and Sigmund Freud almost a century ago, the film Why War traces the roots of war, and embarks on a search for an explanation of the savagery of wars that inhabit our world.

Why War

4.0 2025
Poveri Noi

Edoardo and Ottavio were high school classmates and best friends, but 30 years have passed and they've long since lost touch. Edoardo has achieved great success, married Giovanna, and together they have three children, Giacomo, Emma, ​​and Lidia, who have grown up in a comfortable and overly spoiled environment. A bad investment, however, threatens to bankrupt him. Ottavio, on the other hand, has led a simpler and more humble life than his friend, but in times of need, he proves to be the only person willing to help Edoardo without asking for anything in return.

Poveri Noi

5.9 2025
Bravo Bene!

Filming on Franco Maresco's film about Carmelo Bene is abruptly halted after yet another on-set accident. Producer Andrea Occhipinti pulls the plug, exasperated by the endless takes and repeated delays. Angered, the director simply disappears. Maresco's friend, Umberto Cantone, attempts to mend the rift by calling witnesses from all those involved in the project, in an investigation that offers an opportunity to retrace the personality and ideas of the most corrosive and apocalyptic auteur in Italian cinema.

Bravo Bene!

7.5 2025
La principessa

Principessa is a homeless woman who lives in a dilapidated van in a suburban parking lot. She scrapes together small amounts of money through prostitution, abuses alcohol and drugs, but remains a fragile woman with a good heart. Her sweet but precarious balance is shattered when the “Piccolo Circo” arrives at the place she loves so much: the parking ban, the arrival of the police, the seizure of her vehicle, and the awareness, albeit unclear, that she must leave that maternal womb forever.

La principessa

NR 2025