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Man of La Mancha

In the 16th century, poet, playwright and part-time actor Miguel de Cervantes has been arrested, together with his manservant, by the Spanish Inquisition. They're accused of presenting an entertainment offensive to the Inquisition. Inside the huge dungeon into which they have been cast, the other inmates gang up on Cervantes and his manservant, staging a mock trial, with the intention of stealing or burning his possessions. Cervantes wishes to desperately save a manuscript he carries with him and stages, with costumes, makeup, and the participation of the other prisoners, an unusual defense—the story of Don Quixote.

Man of La Mancha

6.6 1972
School Teacher in the House

Luisa De Dominicus is a Milanese piano teacher who moves to Lucca to be with the man she loves: Ferdinando 'Bonci' Marinotti, a city councilman campaigning for mayor on a platform of moral values. She is of the belief that Fernando is single, living with his ailing mother. This, of course, is far from the case. The boys living in her apartment building mistakenly believe Luisa is a call-girl who uses piano teaching as a cover for her true profession, and word soon spreads among the building's dirty old men. The resourceful boys drill a well-concealed hole in the wall between Signorina Luisa's flat and the bedroom of the landlord's son, Marcello Busatti, allowing them a spectacular view of their spectacular neighbor. Marcello quickly becomes infatuated with Luisa, but is also conflicted regarding her supposed profession. Eventually Luisa learns of Fernando's philandering nature, and after a vigorous misunderstanding, satisfies Marcello's unrequited lust/love.

School Teacher in the House

5.7 1978
It Can Be Done Amigo

An outspoken boy and a gunfighter-pimp save a drifter's life from hanging. The boy's uncle dies, leaving a house and some dry, useless land to the boy. The dying uncle has obtained the drifter's promise to help the boy get what is his. Meanwhile the gunfighter has decided that the drifter should marry his daughter after being with her previously. The two get into a series of brawls and shoot-outs until they arrive in the town and find the boy's inheritance -which turns out not to be as useless as it first appears.

It Can Be Done Amigo

5.8 1972
Ostia

Two anarchistic brothers live by petty thievery and try to recover from their Catholic upbringing. Bandiera and Rabbino were children when they pushed their drunk of a father out of a window for killing their pet sheep. When a girl is raped by her father, she is brought by young "rescuers" to the home of the two brothers who then watch their friends take advantage of her sexually. The brothers take her in, and the three live happy and celibate if not uneventful lives until the brother's are sent to jail for stealing.

Ostia

5.6 1970
Dedicated to the Aegean Sea

Dedicato al mare Egeo is a forgotten and bizarre co-production produced between Italy and Japan from 1979, starring the famous Italian porn star Illona Staller (Cicciolina) and directed by the famous Japanese pinter, printmaker and novelist Masuo Ikeda (1934–1997) from his own script based on his novel “Ege-kai ni sasagu”, for which he won the Akutagawa Prize, the most prestigious literary award in Japan. Ikeda’s vigorous artistic activity even included screenplay writing and film directing. With this movie, Masuo Ikeda has undoubtedly left his mark on the ’70s Italian skin cinema.

Dedicated to the Aegean Sea

3.5 1979
Supersurface: An Alternative Model for Life on Earth

Produced for the 1972 Museum of Modern Art exhibition, Italy: The New Domestic Lanscape, Supersurface was the first of five films planned by Superstudio as a "critical reappraisal of the possibility of life without objects." Superstudio envisioned a "network of energy and information extending to every properly inhabitable area". According to the artists, this network would bring about the destruction of objects as status symbols, the elimination of the city as an accumulation of formal structures of power, and the end of specialized and repetitive work as an alienating activity. "The logical consequence," they write, "will be a new, revolutionary society in which everyone should find the full development of his possibilities".

Supersurface: An Alternative Model for Life on Earth

8.0 1972
Gros câlin

Monsieur Cousin, a lonely Parisian statistician, shares his small apartment with a python named Gros-Câlin, seeking warmth and companionship. Infatuated with his coworker, Mlle Dreyfus, he awkwardly tries to win her affection, misinterpreting social cues and struggling with human connection. His eccentric attachment to the snake alienates him further, as his longing for intimacy blurs the line between reality and fantasy. Despite seeking advice and making misguided attempts at love, he remains isolated. The film follows his tragicomic struggle, ending ambiguously as he grapples with his unfulfilled need for human warmth.

Gros câlin

6.0 1979