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Scénarios

In French, "scénario" is cinema's name for how it tells stories. This is the title Jean-Luc Godard chose for his final film, which was literally completed the day before his self-death. The two segments of this film open with a series of identical sequences. The second segment then diverges and ends on a self-portrait of Jean-Luc Godard -his last images- sitting on his bed, bare-chested, he hides none of the wear on his body in the manner of Pigalle's sculpted portrait of Voltaire. "Scénarios" ends as it began, with a repetition, the figure of eternal return, the moment where time, which has been the great -if not unique- question of cinema, will have ceased to flow.

Scénarios

9.0 2024
Salem

14-year-old Grasshoppers gang member Djibril leads a dangerous existence in a Marseille slum, along with his pregnant girlfriend Camilla who belongs to a rival gang, the Crickets. When Djibril is manipulated into killing the young Cricket Mahad, war breaks out. Djibril is haunted by the curse Mahad spat out as he lay dying, and begins to communicate with the spirit world. Convinced that global apocalypse is imminent, he embarks on a crazy plan to flee with Camilla and their unborn child – the only one capable of saving them all from Mahad’s malediction. But the law catches up with him. Now, after 12 years in prison and a secure psychiatric unit, Djibril will do whatever it takes to find his daughter and convince her to fulfil his prophecy.

Salem

5.4 2024
Dear Paris

What makes life worth living? In a set of interconnected stories, several Paris residents see their lives turned upside down when death knocks at their door: a narcissistic Italian opera singer wakes up at the morgue only to realise her own passing came unnoticed; a British stuntman finds himself questioning his own profession when his son suffers an accident; an eccentric elderly Colombian woman makes a pact with death itself... While each character strives to reconnect with what matters most, the city of light, love and endless possibility shines brighter than ever.

Dear Paris

5.5 2024
Bonnard, Pierre and Marthe

When French painter Pierre Bonnard met Marthe de Méligny, he didn’t know this self-proclaimed aristocrat would become the cornerstone of his life and work. From this moment, she became more than just a muse for the “painter of happiness”, appearing in more than a third of his work. Together, they reached their artistic fulfillment thanks to a colourful love, different from the standards of their time, nurturing the great mystery around their relationship. Based on a true story.

Bonnard, Pierre and Marthe

6.3 2024
Le Duplex

The Berger family lives on the sixth and top floor of a Parisian building. They feel so good there that they would like to expand their space and dream of taking over the very nice apartment of the Tissandier family, their friendly neighbors on the fifth floor, in order to create a lovely duplex that matches their ambitions. However, the Tissandier family is happy in their apartment and has no intention of moving at all. What can the Berger family do then? They are left with only one solution: to use all possible means to achieve their goals, even the most questionable and especially the most unlikely...

Le Duplex

6.5 2024
Only Godard

How do you craft the portrait of Jean-Luc Godard, or better yet a portrait of his methodology, his universe, his way of constructing or deconstructing cinema, that is equal to his own cinematic audacity and genius? How could it be anything other than by taking risks, and trying out equally radical methods, never straying from to his example. The two filmmakers immerse us into the storage warehouse where, in 2010, all the archives kept by Godard in Switzerland were transferred, and they create a doppelganger (or a duplicate) of the director, who takes up the role of our guide into his world. Excerpts from his writings, his images, his perspective in cinema give us a glimpse into his mythology, his techniques, his singular gaze, and therefore also in his worldview.

Only Godard

NR 2024