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Zai jian lü shi

Law student Yan Wengang, haunted by his zealotry during the Cultural Revolution, interns with comrades Wei Zekuan and Xia Chengyuan in the southern city of Wuzhou. When Yan defends defendant Zhao Dawei in a murder-robbery trial, he uncovers split opinions at court and, with Dean Wang and juror Li Mang’s help, secures evidence of Zhao’s innocence, only for Zhao to falsely confess. Disillusioned classmates make different career choices; Yan, undeterred, returns to Wuzhou to reopen Zhao’s case and finally fight for true justice.

Zai jian lü shi

NR 1982
The Colorful Dawn

During their school days, Yanling and Lishuang are lovers. However, Yanling's father, who is the director of the Education Bureau, feels that Lishuang is not worthy of becoming his son-in-law. To separate the lovers the father sends Yanling to be a teacher in a island. There Yanling meets Shuijian, also a teacher there. At the same time, Lishuang had already engaged with Ding Langmei, a childhood sweetheart in her hometown. After realizing her father is not the respected figure she once though, Yanling decides to stay on the island to teach.

The Colorful Dawn

7.0 1984
The True Story of Ah Q

Based on the 1921 novella of the same name by one of China's most well-known modern writers, Lu Xun (Lu Hsun), the True Story of Ah Q is set during the 1911 revolution. Ah Q is a lowly peasant who wants to rise above his class, or at least get out of his grinding poverty. At first he thinks the way to do it is by marrying into a better station in life; later, he joins the revolution as he feels that is the only way he and others like him can transcend poverty. In this film version of Lu Xun's story, the character of Ah Q might benefit from a more rounded humanity to make him appealing to those not familiar with the harsh environment in China before the 1911 revolution.

The True Story of Ah Q

6.8 1981
Smugglers Wearing Medals

During the Anti-Japanese War Dong Yuming, a company commander of the Kuomintang, was ordered to escort a batch of anti-Japanese munitions to Nanjing, and the munitions arrived safely at their destination. Dong Yuming was awarded the "Blue Sky and White Sun" medal by his superiors. However, when he learned that it was not arms but smuggled goods that had gone through hardships, he started an investigation in order to prove his innocence. When the truth came to light, Dong Yuming faced a fateful decision...

Smugglers Wearing Medals

7.0 1988
Dong ling da dao Part 3

The story revolves around the mysterious disappearance of the Eastern Tombs' treasures, drawing in high-ranking military and political figures like Chiang Kai-shek and Yan Xishan. As they scramble to resolve the situation, a web of intrigue unfolds involving tomb raiders, corrupt officials, and conflicting allegiances. At the center of the action is Na Xinting, who finds himself entangled with a group of masked Daoists, romance, and betrayal, all while he tries to uncover the truth behind the missing treasure.

Dong ling da dao Part 3

7.0 1987
Shen Gu Si Bian

In the south Yunnan region of China, how many unknown secrets are hidden in the middle of the deep mountains and dense forests. Pu Po, an old Yi traditional Chinese medicine practitioner and vice president of the county hospital, and Fang Wen, his unmarried son-in-law, who is a doctor, are walking among the mangrove mountains, searching for the secret recipe for treating bruises and gunshot wounds passed down by the old family of the caretaker of the forest. However, an accident occurs on the way, and Pu Po accidentally falls down the valley, and later a corpse containing Pu Po's ID card is found with a completely disfigured face. This incident makes the old man's daughter, Chunyan, very sad. In a silent night, the daughter sat alone at home, looking at her father's last picture. At that moment, there were footsteps in the yard, and the person who came was Pu Pu, who was supposed to be dead.

Shen Gu Si Bian

NR 1985
Death Ray on Coral Island

Said to be the first science-fiction film produced in China (and perhaps having its North American theatrical premiere in Future Imperfect?), Death Ray on Coral Island spares no bile, camp, or latent envy in portraying America as the cunning archenemy that will stop at nothing—industrial espionage, assassinations, even ballroom dancing—to steal China’s futuristic weaponry. The film occupies a pivotal moment in China’s modern history, representing a legacy of the Great Cultural Revolution and a harbinger of the nation’s ascension on the global economic stage. Courtesy of the China Film Archive and Shanghai Film Group.

Death Ray on Coral Island

6.2 1980