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The Super Rider V3

The leader of Satan Organization creates a new syndicate, Desmoron, which sees the total destruction of the world with General Scorpion in charge. Chen Ying-Jie, a man who saw one of their victims, is hunted down by the syndicate and after his parents are killed and himself badly wounded, the Super Riders save him by transforming him into their newest member, Super Rider V3. Now a superman, Chen now seeks revenge on Desmoron with the fate of the world on the balance.

The Super Rider V3

4.0 1975
Wolves That Do Not Eat Meat

Wolves That Do Not Eat Meat is an Arabic narrative film from the adventure and suspense films produced in 1973, represented by Izzat Al-Alayli in the role of "Anwar", Nahed Sharif in the role of "Thuraya" and Mohsen Sarhan in the role of "Saleh", and from Kuwait Muhammad Al-Mansour in the role of "Al-Saffah" Khaled Al-Saqabi in the role of “The Officer” and Ali Al-Mufidi in the role of “Al-Akhras”, and from Lebanon Silvana Badrakhan in the role of “Linda” and Les Sirkisian or actress Iman as she was known later in the role of “Nihad”. And directed by Samir A. Khouri. All the movie clips were shot in the State of Kuwait.

Wolves That Do Not Eat Meat

5.3 1973
Satan's Blood

After a chance encounter with a mysterious couple claiming to be old friends, Andrés and Ana are invited to spend the evening at a beautiful, secluded old villa. As the night winds down, they begin to sense that there are some rather strange things going on around them and, after agreeing to sleep over, find themselves unwittingly pulled into a series of bizarre sexual encounters which they slowly discover are part of a horrifying Satanic ritual designed to make them slaves to the Prince of Darkness!

Satan's Blood

6.1 1978
The Killing of a Chinese Bookie

Cosmo Vittelli, the proprietor of a sleazy, low-rent Hollywood cabaret, has a real affection for the women who strip in his peepshows and the staff who keep up his dingy establishment. He also has a major gambling problem that has gotten him in trouble before. When Cosmo loses big-time at an underground casino run by mobster Mort, he isn't able to pay up. Mort then offers Cosmo the chance to pay back his debt by knocking off a pesky, Mafia-protected bookie.

The Killing of a Chinese Bookie

7.1 1976
El Chanfle

Although he always wanted to become a professional soccer player, El Chanfle has settled for being the props boy and water boy for Mexican soccer's Club América, whose coach they both have trouble getting along with because of the Chanfle's heightened sense of honesty and cleanliness on the court, something the rigid coach does not share. When he is asked to cheat during a game he refuses and is fired from his job, but his friend, the team doctor will try to get him back. At the same time, his wife Tere announces to be pregnant, and trying to sell a gun in order to make money for their future, unintentionally scares a old man, Chato, with it, who now seeks revenge.

El Chanfle

7.4 1979
Hit Lady

At a Texas barbecue, a pretty woman chats up a wealthy rancher, and soon they're off on a horseback ride. Before she shoots him on an isolated road, she gives him a minute to reflect on who he might have offended on his rise to the top. She's Angela de Vries, a contract killer based in L.A. She wants this to have been her last job; her contractor wants one more death, a national union leader, made to look like an accident. She starts her homework on this mark. Meanwhile, in her private life, she's in love with a budding photographer. Is there any way that she can get out of the game and have a full love life?

Hit Lady

3.7 1974
Fekete macska

As the unforgettable Auntie Zsófi, the unforgettable Dajka Margit lives with naive simplicity and wisdom in her secluded little villa. Everyone is in a hurry around her, but she puts the cottage cheese dumplings or the casserole in her oven every day with a healthy spirit. He sells his peach orchard for good money to help his daughter. Lawyer and Bunko, two petty criminals, get wind of the money, but they don't count on the ingenuity of the fair old woman and her fearsome flatmate, the black cat.

Fekete macska

9.0 1972
Future Shock

“Our modern technology has achieved a degree of sophistication beyond our wildest dreams. But this technology has exacted a pretty heavy price. We live in an age of anxiety, a time of stress. And with all our sophistication we are in fact, the victims of our own technological strength. We are the victims of shock … of future shock.” No, this isn’t a quote from a Huffington Post column on the Facebookization of modern communication. Nor is it pulled from an academic treatise on the phenomenologies of post-industrial existence. This statement was made by Orson Welles in the 1972 futurist documentary Future Shock, and, unlike some of the more dated elements of 1970s educational films, Future Shock remains shockingly current in verbalizing the concerns and anxieties that come along with rapid societal and technological change. (Indiana University Libraries Moving Image Archive)

Future Shock

4.7 1972