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Fractions of Temporary Periods

To me, to go to the window and look outside is like watching a film. Filming is a way to draw out the condition of spectator and alienate it. I made this film very instinctively, naturally. Now I am beginning to learn to watch it. The very idea of something that moves, like a bird in flight… movement. The sensation of an object in space, like the light on a screen… space. The speed of the sun… time… the opposite of an image or perhaps its absence/essence. Some advice: go see a good Hollywood film: a melodramatic, sentimental story. (P. Bargellini)

Fractions of Temporary Periods

6.3 1969
A settentrione

The documentary describes the work of goldsmiths in Valenza, of cabinet-makers in Canelli, of farmers in the provinces of Alessandria and Asti where such activities are still the backbone of the local econimic structure. It analyzes also the politics of monopoly concentration pursued by the big industrial forces and its effects such as the impoverishment of the countryside, the decline of traditional activities based on craftmanship - a heavy toll on the future of the young.

A settentrione

NR 1967
Prima dell'anarchia (per l'anarchia culturale)

Filmreflex on the protest of the young anarchists at the Carrara congress and of the international political-literary avant-garde at the 1968 Buchmesse in Frankfurt: in these reflections on anarchy a thread of protesting discourse led by Cohn-Bendit emerges from the discussions and declarations pronounced at the anti-congress and at the Gegenbuchmesse, where meetings were promoted for the foundation of the students and workers league and international counter-publishing, contesting the bureaucratic organization of the congress and the peace prize awarded by the Buchmesse to the imperialist president Senghor: a speech for the anarchy of culture.

Prima dell'anarchia (per l'anarchia culturale)

NR 1968
The Law of the Trumpet

After a failed attempt of holdup, Celestino and its friends end in prison. They return to freedom with an amnesty, and they try to find a job. They find a job in the factory of trumpets of professor Liborio; here Celestino meets Marta and falls in love with her, but Liborio, heard that the father of the girl possesses the world only mine of brass in Latin America, seduces and marry her. He then closes the factory of trumpets and moves abroad in order to take advantage of the mine of his now father-in-law. Celestino,bitter with disillusionment, finds another job in one factory of space rockets. One day, testing a rocket, he's propelled in the sky ending up on a tree. Is he allright? "It's the system: it doesn't work"

The Law of the Trumpet

6.8 1962
Pistoletto & Sotheby's

This film represents an encounter with several major icons of the history of western painting, "while attempting"–as the filmmaker says–"to always create a link between art and life, an impertinence with respect to those images that the production of works of documentation [books and magazines] brought to the attention of everyone for the first time." Reclaiming art history in a performative, playful way and evoking the tradition of tableau vivant, Pistoletto with his daughters Cristina and Maria Pioppi "act out" in a series of little scenes: Orpheus and Eurydice, Ernst Ludwig Kirchner, Raphael, Chaim Soutine, James Ensor, Edgar Degas, Vincent Van Gogh.

Pistoletto & Sotheby's

NR 1968