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At the Villa Rosa

Tom and Sukie arrive in Malta to spend the holidays with their father, an archaeologist digging for a legendary golden statue of Calypso on the island of Gozo. He fails to meet the children who make friends with Jiminy, a Maltese boy, and go to the villa where they overhear two crooks threatening their father. The crooks fool the police to whom the children have gone. They escape and make their way finally to Gozo to see their father's colleague where they all captured. Just before the statue is handed over Jiminy arrives with an army of children who rout the crooks and drive them into the arms of the police.

At the Villa Rosa

NR 1964
Kidnapped

When three year old Willy wanders away from home he falls among thieves. They are forced to kidnap him. The police ask Dickie, his elder brother and his friend, Johnny to help in the search. Johnny's friends all join in and meet with varied adventures. The children find Willy in a disused warehouse but cannot rescue him. Three more are caught by the gang who lock them in with the now unconscious gang leader and escape with the jewels. The police, alerted by the children, capture the gang, recover the jewels and finally rescue the children, including Willy

Kidnapped

NR 1964
Bride in the Bath

"From the 1969 exhibition, Bride in the Bath is shown in its sculptural form – a life cast of a model's body lying back in a bath and draped in black silk coated in resin. The footage is cut with film I shot of a model lying back in a bath in which black, then white ink is poured. The final images are shot in color from the position of looking down on oneself in the bath and reflected back in a mirror. All are part of my exploration of the female body in water, the body in the bath." - Penny Slinger

Bride in the Bath

NR 1969
The Driving Force

Britain operates the most experienced diesel and electric railway in tne world. A century and a half ago she invented the steam engine and introduced a new system of transport; and in only nine years British Rail and the British locomotive industry designed, built and tested enough diesel and electric locomotives to replace fifteen thousand steam engines. The transition from steam to new forms of motive power, and its effects on rallwaymen and passengers, is the subject of this film. Produced in association with the Central Office of Information, the British Locomotive Allied Manufacturers' Association and the British Electrical Manufacturers' Association.

The Driving Force

9.0 1966
Carnival

Tom and Sukie arrive in Malta to spend the holidays with their father, an archaeologist digging for a legendary golden statue of Calypso on the island of Gozo. He fails to meet the children who make friends with Jiminy, a Maltese boy, and go to the villa where they overhear two crooks threatening their father. The crooks fool the police to whom the children have gone. They escape and make their way finally to Gozo to see their father's colleague where they are all captured. Just before the statue is handed over Jiminy arrives with an army of children who rout the crooks and drive them into the arms of the police. Based on the novel 'By Jiminy' by David Scott Daniel.

Carnival

NR 1963
Benin Kingship Rituals

Until it was conquered by the British in 1897, the city of Benin, in what is now Nigeria, was the centre of a powerful kingdom. Its rulers, the Obas of Benin, were mysterious, secluded figures who spent much of their time in the performance of rituals designed to enhance their power and to ensure the prosperity of their subjects. Many of the art objects for which Benin is famous were used in these rituals, some of which are still performed. This film shows some of the most significant moments in the rituals that take place around the beginning of the new year, including the greatest event of the ritual year, the Igwe Festival, in which the Obas divine powers are strengthened and renewed. The object of worship is the head of the living Oba, the seat of his ritual energy, on which the well-being of the nation is believed to depend on.

Benin Kingship Rituals

NR 1963
Royal Children

Even the most devout monarchist may feel uncomfortable watching this film - hindsight makes this a rather poignant experience. Although clearly intended as a hymn to royal life, with a panting narration describing the bliss Charles, Anne and Andrew are experiencing (the film was made three years before the birth of Edward), the images tell a different story - only a couple of shots feature the children smiling, while the first glimpse of Andrew as a baby, a spotlight shining on his face as photographers snap away, is a faintly sinister symbol of the royals’ lack of privacy from birth. The knowledge that a future of divorce and tabloid scandal would tarnish these children's adult lives adds irony to this snapshot of supposed utopia.

Royal Children

NR 1961