Discover Movies

Two club kids share their vision of drag as a transformation art, a healing art and, above all, a political art.

There is a group of people living in a shabby bungalow on the outskirts of Paris. In order to survive, they have to work and live in this narrow space together......

Deer in the Windsor garden are attacked by a jaguar. This animal, called “Affums”, was brought back from Patagonia by Lady Florence Dixie, a nineteenth century explorer, journalist and feminist. The film unfolds this anecdote through a variety of different narrative strategies and reconstitutions.

This work is a long-term research project developed until now in 10 different cities over the world: Seoul, Bogota, Naples, Saint-Petersburg, Rabat, Tokyo, Kyoto, Shanghai, Doha and Venice. Born as an artistic commission for the Agora Biennale in Bordeaux around the theme of the moving landscapes, these videos plunge into cities in a spontaneous and subjective approach with very modest means in order to translate in the closest possible way the feel of their constant moving nature: their human landscape. Presented in a comparative dynamic through the lens of a selection of themes and issues linked with the street daily life, the videos enable us to perceive each of these different urban contexts as an experimental, local and unique laboratory answering the same global challenge of how can we live all together.

Lucie, a 15-year-old girl, joins her friends to take part in a "Clean Walk."

Collage of insults in different languages said to the filmmaker and several of her LGBTQ2S friends in Montreal. A representation of homophobia/transphobia, no matter where you come from on the planet.

At night, when our fears return, we never know what to expect!

A 2020 French language drama film directed by Sarah Klingemann, starring Astrid Adverbe, Flora Thomas and Marc-Antoine Vaugeois. The film screened at FIDMarseille in 2020.

Which luscious candidate will pass the casting?

A true story…lived, by a good number of people, at certain times, sometimes not so distant, even immediate (…). And essentially, apprehended, very, very far from the Field of Action…in his armchair… The “Circus Games”, in short…

The last trickster of the jungle makes friends with its gentle but timid neighbor.

What goes moo moo. Study #2.

What goes moo moo. Study #1.

After losing one of his socks for the umpteenth time, Thierry decides to sequester the one he has, to find the missing.

More than a decade after the worldwide financial crisis of 2007–08, what does globalization mean today? Filmmaker-philosopher Jean-Daniel Lafond takes us behind the scenes of the International Economic Forum of the Americas, a massive annual gathering at which economists, financiers and politicians hold forth on the key issues of the day. Featuring first-hand testimonials by nearly two dozen influential men and women, The End of Certainties unfolds as a multi-voice meditation on the state of the world. This observational documentary offers a cogent assessment of globalization—and its ideals, disillusionment, fears and hopes—and the quest for a new humanism, characterized by greater inclusiveness and fairness.

In this sci-fi short, a mysterious woman prepares to return to her place in the stars.

A Wisemanian documentary on the Service des Objets Trouvés, the Parisian office that collects lost objects daily along the streets of the metropolis.

A cinematic family constellation in which the audience is guided through a seemingly random conglomeration of private photos, video recordings, notes, thoughts, sounds and texts. Narrative strands crystallise, only to be discarded, taken up again and finally left standing in their ambiguity. A film about the big questions of life, love, family, relationships, death and good food. No more, and certainly no less.

How can we visualise the past without perceiving it too much as a historical fact? This film uses a clever combination of archival material and oral history to bring memories of a transgenerative trauma and the associated pain to the surface.

Women emerge from the shadows and together, walk towards a light. Guided by instinct, they will face and transcend their own limits.

The Mask is a short documentary about the daily life of Sara Amin, a student living in the suburbs of Paris during the days of quarantine. Sara experiences a new way of life now filled with repetition. A dreadfully boring and ambiguous atmosphere becomes the norm. As the situation worsens, Sara attempts to overcome it.

One day and one night in immersion with convoy technicians from the depot of the Funeral Services of the City of Paris.

A multi-sensory evocation of the sea, wind and light that takes the time to explore a small piece of land flanked by the sea. An invitation to be curious and attentive to our surroundings.

This is a first essay experimental approach around Femicide. Playing on the edges of its silence and the heavy denial surrounding the facts. The voice of invisible women, with no place to hide, disappearing and left like some used furniture

Over the course of a year, two Parisians fall in and out of love. Lee Manansala directs “One Year of Khadijah and Pauline,” an eloquent study of a relationship shot in lovely black and white and rendered with grace and intelligence. Told in three parts, the film examines the ups and downs of Khadijah and Pauline. In November, the lovers share a night in good spirits. Khadijah tells the story of why she always wears a suit and tie while Pauline listens on, touched. The next year, in June, the couple has an argument after attending an uncomfortable party and this threatens the future of their relationship. Later that year, they reconvene at a cafe to take stock of where they stand. Each segment is characterized by a story told by either Khadijah or Pauline that paints a vivid picture of their background and personal struggles. The complex and poignant tale becomes less about love and more about the stories we tell to explain and illuminate ourselves.

Edited in January just after the Iran-USA crisis, momentarily calmed down by a crowned virus, it contains 4 intertwined threads or related themes.

In Les quatre récits d’Alice, Myriam Jacob-Allard explore a story which, because of its persistence, is part of the family lore. This story, told countless times by her grandmother, is an implausible tale of the time a hurricane worthy of The Wizard of Oz, when she was a child, picked her up and sent her flying.

At the end of winter, a tree slowly comes back to life. Over the seasons, a long journey awaits.