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A Day at the Museum

Un conservateur terrorisé par les plantes vertes, une mère plastifiée pour être exposée, un ballet de Saintes Vierges, des gardiens épuisés par Rodin, un ministre perdu dans une exposition de sexes, une voiture disparue au parking Rembrandt, des provinciaux amoureux des Impressionnistes, touristes galopins galopant d'une salle à l'autre, passager clandestin dans l'art premier, Picasso, Gauguin, Warhol, ils sont tous là dans ce petit monde qui ressemble au grand, dans ce musée pas si imaginaire que ça, valsant la comédie humaine jusqu'au burlesque.

A Day at the Museum

4.5 2008
Workers, Peasants

A group of men and women have been brought together after World War II, when Italy regained its national and territorial unity. They make up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life, and look to protect themselves from violence, misery and fear. Amid the ruins of this post-war period, these men and women build a new rapport between themselves, between sexes, between generations, between social and geographical origins, between political camps.

Workers, Peasants

4.4 2001
Nikita Kino

"The film is a travelogue of sorts. In 1960 my family lived in Brazil when my father discovered his sister and brother in Moscow, who he hadn't seen for 40 years, were still alive. Since they couldn't leave the USSR we went to visit them regularly for about 15 years. At the time I had my 8mm then a super 8 camera with which I filmed the family, our outings, picnics, markets and their homes… I decided to use this material, which was not very interesting per se, by mixing it with Soviet found-footage of the same period (1960's, 1970's, 1980's). I used feature films, propaganda footage, newsreels, etc. The result is a kind of Khruschev-era mix with a collage of Soviet music and a voice-over of my memories of the Cold War period."

Nikita Kino

7.0 2003
Ukiyo-e: Floating World Images

400 years ago, in Japan, a revolutionary art was born and would influence the greatest Western artists of the late nineteenth century, the Ukiyo-E "floating images of the world." A wonderful trip in a world of beauty and discovery. The concept and objectives of this documentary are, on the one hand, to show, teach and discover Japanese art (Japanese stamps and prints) and, on the other hand, to demonstrate the influence of Japanese stamps on Western modern art, showing in comparison some of the Most famous paintings (impressionism or paintings by Van Gogh).

Ukiyo-e: Floating World Images

6.0 2008
The Maiden and the Wolves

Not long before World War I, in a French Alpine town near the Italian border, a pack of slaughtered wolves is delivered to local taxidermist Leon (Patrick Chesnais). A surviving black cub comes down from the mountains looking for his family, and is saved from discovery and certain death by Leon’s young daughter Angele, who releases him back into the wild. The Great War comes and goes, making local foundry owners the Garcins rich. Family patriarch Albert Garcin (Michel Galabru), who happens to be Angele’s godfather, has given a free lifetime’s lease of a shack in the hills to a gypsy woman (played in flashbacks by Elisa Tovati in which she’s seen, literally, having dances with wolves on stage). Her son Guiseppe (Stefano Accorsi), who appears to be slightly mentally handicapped, guards the wolves he’s befriended up there, especially the black pack leader he calls Carbone.

The Maiden and the Wolves

6.0 2008
No Body Is Perfect

A documentary exploring the multiple facets of sexuality, the film took over five years of preparation and two years' filming. From the United States to Japan, via Brazil, Raphaël Sibilla delves into the world of the staging and fulfilment of fantasies, from the most straightforward – swinging soirées and SM bars – to the most extreme, fetishism and scarification. Although the notion of sexual pleasure is always present, the filmmaker gradually enlarges upon his subject and moves away from the simple, raw representation of sexual practices. He raises more general issues, without ever being judgemental, about his interviewees’ relationship to their bodies, seeking to understand the secret motivations and aspirations of men and women who are sometimes ready to go as far as mutilation to experience more intense pleasure.

No Body Is Perfect

NR 2006
Volem rien foutre al païs

In this economic war, promised to us many years ago and which advances like bulldozer, does there still exist a surge of imagination offering resistance ? Ordered to choose between the breadcrumbs of precarious employment and the meager charity still offered by the system, some abandon the society of consumption to claim back their lives. “Neither exploitation nor handouts!” many of them exclaim. They’ve chosen another path, that of autonomy, of consciously choosing to undertake certain activities, and of uniting together with other like-minded people.

Volem rien foutre al païs

6.5 2007
In the Mood for Doyle

Christopher Doyle is one of the best known and most acclaimed directors of photography in world cinema. Born in Australia, he sees himself as an Asian citizen rather than a Westerner. His artistic contribution to the films of Wong Kar-wai, Zhang Jimou and Fruit Chan films, among others, is indisputable. Filmed in DV and Super8, this documentary is a kind of wild and stylized road movie -- from Bangkok to Hong Kong, via New York. The camera follows this eccentric and outrageous artist as he gives us his thoughts on his past and present work. From the recent sets of Invisible Waves by Thailand's Pen ek Ratanaruang, and M. Night Shyamalan's Lady in the Water, to the locations in Hong Kong where he shot some of his most famous pictures, such as In The Mood for Love and Dumplings, Chris Doyle talks about his cinematic fascination for Asian culture.

In the Mood for Doyle

4.0 2007
Taking Wing

This is the story of Stan, a young man who might be considered an ordinary, run of the mill guy. But his love and passion for the theatre propels him to realize the most extraordinary desires. He is very attached to his grandfather, who owns a butcher's shop and who offers that Stan take over the family business. But Stan refuses. He decides to drop out of school and move out of his family's apartment, despite the opposition of his parents. His uncle is the only one to support him in the impossible dream of becoming an actor.

Taking Wing

5.5 2000
Highway Melody

A man discovers he's no longer as close to his ear as he once was in this absurdist comedy. Jeff is minding his own business when a phonograph record tossed from a passing car accidentally cuts off his ear. The ear falls into traffic, gets stuck on the windshield of another vehicle, and begins a long, strange journey, passing from car to car and hand to hand across the country. Jeff, however, can still hear whatever his separated ear is picking up, and is trying to follow the sounds in hopes of catching up with his former body part. However, a doctor warns him he only has a few hours to find his ear, otherwise reattachment will be impossible; in the meantime, Jeff's former girlfriend wastes several of his precious minutes with a discussion about the notion of giving their relationship another try.

Highway Melody

7.0 2000
Comme un jeu d'enfants

Leo, a 12-year-old orphan in the care of social services, struggles to fit in with the families he is placed with. Social services give him one last chance by placing him with the Dumont family, who live on an isolated farm in Haute-Provence, until he reaches adulthood. But Léo quickly realizes that this foster family is very different from the others: Jacques, the father, tyrannizes his wife and son. His arrival proves to be a real challenge for this drifting couple: for one, it is the hope of a new beginning, and for the other, yet another obstacle. Léo also befriends the son, Thomas, much to the chagrin of Jacques, who will do everything he can to separate them, to the point of becoming their common enemy...

Comme un jeu d'enfants

NR 2009
Premonition

After a violent car wreck nearly takes his life, Detective Jack Barnes begins having inexplicable and terrifying premonitions of horrible disasters. At first his warning calls go unheeded, but as the premonitions begin to come true Jack is shocked to find himself wanted for questioning by the FBI. He goes on the run, narrowly avoiding both the FBI and a band of terrorists on the verge of unleashing a deadly attack. As he scrambles to unlock the meaning of the visions, he must race against the clock to stop the terrorists before they can strike again.

Premonition

4.4 2005
The Art of Breaking Up

Lucette and Edouard: Two lovers passionate about sex, money and life. He is a spoiled but penniless child who wants it all while she is a celebrated figure of la vie parisienne who knows what she wants and what she is worth. Edouard is marrying a young, pretty and rich heiress. He comes to confess this to Lucette and to make their parting official, but he doesn’t want to leave her. He struggles with all his might to hide his betrayal but her opportunities to learn of it are countless and unpredictable.

The Art of Breaking Up

5.2 2005
Satin Rouge

After the death of her husband, Lilia's life revolves solely around her teenage daughter, Salma. Whilst looking for Salma late one night, Lilia stumbles upon a belly dance cabaret and though initially reserved and taken aback by the culture of the place, Lilia gets consistently drawn back to it. She befriends one of the belly dancers and is encouraged into dancing for the audience. Lilia also starts a romance with one of the cabaret's musicians, who unbeknown to both of them, is also romancing Salma.

Satin Rouge

6.4 2002